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Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
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to ensure peace of mind.
100% Handmade
100% Handmade
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MADE IN INDIA.

Tibetan Buddhist Prayer Wheel with the Syllable OM MANI PADME HUM

SG$45
Includes any tariffs and taxes
Specifications
ZBV68
Brass,Copper and Wood
Height: 8 inch
Width: 1.7 inch
Depth: 1.7 inch
Weight 50 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Conduit for Compassion: The Om Mani Padme Hum Prayer Wheel

Embrace a practice steeped in centuries of spiritual tradition with this exquisitely crafted Tibetan Buddhist prayer wheel. Designed to bring peace, wisdom, and compassion into your life, this portable altar is a powerful tool for spiritual cultivation. The cylindrical body, adorned with the sacred mantra "Om Mani Padme Hum" in elegant Tibetan script, is a testament to the artistry and devotion of its creators. This mantra, central to Tibetan Buddhism, is believed to embody the essence of all Buddhist teachings and unlock the boundless compassion of the Bodhisattva Avalokiteshvara. ––––––––––

The Sacred Mantra: Om Mani Padme Hum

The inscription "Om Mani Padme Hum" is more than just a string of syllables; it's a profound invocation. "Om" represents the primordial sound of the universe, the divine body, speech, and mind. "Mani" means jewel and symbolizes the method, compassion, and altruism. "Padme" signifies lotus, representing wisdom, and the union of method and wisdom. "Hum" represents indivisibility, the unity of all things. Together, these syllables are believed to purify negative karma, avert misfortune, and generate merit. As the wheel is spun, it is said to be equivalent to reciting the mantra thousands, even millions, of times, spreading blessings and good intentions into the world. Legend has it that the Bodhisattva Avalokiteshvara was so moved by the suffering of sentient beings that he manifested the mantra to offer a path to liberation. ––––––––––

Craftsmanship and Symbolism

This prayer wheel is a harmonious blend of materials, reflecting the rich spiritual heritage of Tibet. The main cylinder is crafted from a combination of brass and copper, metals that hold symbolic significance in various spiritual traditions, often associated with purity and auspiciousness. The intricately carved wooden handle provides a comfortable grip for consistent spinning, grounding the user in the physical act of prayer. The top of the cylinder is crowned with a decorative finial, accented by small, vibrant red stones, reminiscent of precious gems or offerings. The small weight attached by a delicate chain to the side of the cylinder aids in maintaining a smooth and continuous rotation with a gentle flick of the wrist. This tactile connection encourages mindfulness and a sense of presence with each turn. ––––––––––

A Portable Sanctuary

The compact size of this prayer wheel makes it ideal for both personal devotion at home and for carrying during travels, allowing you to maintain your spiritual practice wherever you go. Whether placed on an altar, held in your hand during meditation, or gently spun while walking, it serves as a constant reminder of your spiritual aspirations and a source of calming energy. The act of spinning the wheel is a physical manifestation of the turning of the Dharma wheel, symbolizing the unfolding of spiritual truth and wisdom. This prayer wheel is not merely an object but a tangible link to ancient wisdom, a tool for cultivating inner peace, and a beautiful expression of devotion.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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