The papers brought together in this volume were presented at a Seminar organized from 7 to 10 January 1991 under the joint auspices of the Sahitya Akademi and the Literary Criterion, Dvanyaloka, Mysore in collaboration with the Indian Association of Commonwealth Literature. Several scholarly papers were presented at the seminar on the Indian concept of Natya, Dhvani, Aucitya and Alankara. Erudite scholars from all parts of the country took part. This seminar represents the third phase of the interaction between Indian and Western critical endeavours. The papers have been ably edited by Professor C.D. Narasimhaiah, who has contributed a precious prelude that heightens the value of this publication.
Sahitya Akademi is happy to bring out these papers in book-form for the benefit of discerning scholars, academics and general readers.
| EDITOR'S PREFACE | ||
| WELCOME ADDRESS Indra Nath Choudhuri | 1 | |
| INTRODUCTION C.D. Narasimhaiah | 5 | |
| 1. | TOWARDS AN ENRICHED HERITAGE Krishna Chaitanya | 17 |
| 2. | POINT OF VIEW IN COMPARATIVE CRITICISM G.B. Mohan Thampi | 35 |
| 3. | THE CONCEPT OF SAHRDAYA Vidya Niwas Mishra | 48 |
| 4. | VICTOR BORISOVITCH SHKLOVSKY AND HIS TECHNIQUE OF 'MAKING STRANGE' J.P. Dimri and A. Charumati Ramdas | 57 |
| 5. | KAMARUPA (the willed form) D.R. Nagaraj | 69 |
| 6. | THE VALIDITY AND SCOPE OF RASA AS
A CRITICAL CONCEPT M.S. Kushwaha | 77 |
| 7. | VAKROKTI IN APPLICATION: AN EXAMINATION C.N. Ramachandran | 88 |
| 8. | "RASAUCHITYA" AS A CRITERION OF LITERARY JUDGEMENT IN INDIAN THEORY & PRACTICE K. Krishnamoorthy | 95 |
| 9. | THE RASA VIEW OF ART AND ITS ADVANTAGE OVER WESTERN POETICS - SOME ILLUSTRATIONS FROM THE RAMAYANA AND THE MAHABHARATA K.S.Narayanachar | 109 |
| 10. | DOCTRINE OF DHVANI IN PRACTICAL APPLICATION Ramaranjan Mukherjee | 118 |
| 11. | A CRITICAL APPRECIATION OF 'MEGHA DUTA' H.V. Nagaraja Rao | 131 |
| 12. | THE TECHNIQUE OF PLOT CONSTRUCTION
IN SANSKRIT H.P. Malledevaru | 140 |
| 13. | MADHYAMAVYAYOGA Kirtinath Kurtkoti | 146 |
| 14. | AUROBINDO V.S. Sethuraman | 154 |
| 15. | ANANDAVARDHANA - READING THE
MAHABHARATA Namwar Singh | 162 |
| 16. | LOLITA FROM THE PERSPECTIVE OF INDIAN POETICS Vimala Rama Rao | 169 |
| 17. | OF RASA/DHVANI, AMONG OTHER CRITERIA M. Sivaramakrishna | 179 |
| 18. | AUCITY AS A CRITERION OF LITERARY ASSESSMENT Ayyapa Paniker | 189 |
| 19. | ACRITICAL APPROACH TO NARAYANA REDDY'S
VISWAMBHARA Adapa Ramakrishna Rao | 194 |
| 20. | THINGS FALL APART: AN ENQUIRY INTO
RASA CONFIGURATION Madhusudan Pati | 199 |
| 21. | THE TENDRIL AND THE ROOT Krishna Rayan | 213 |
| 22. | VAKROKTI IN THE POETRY OF HOPKINS C.N. Srinath | 223 |
| 23. | 'SVABHAVOKTI' OF A SYMBOLIST Lakshmi Kumar | 230 |
| 24. | KING LEAR IN THE LIGHT OF INDIAN POETICS Ragini Ramchandra | 237 |
| 25. | THE AESTHETIC EXPERIENCE OF A DIKSHITHAR
KRITI Mohan Ramanan | 248 |
| 26. | AN ANALYSIS OF "FRAGMENTED" BY UMASHANKAR
JOSHI IN THE RASA-DHVANI TRADITION Ramanlal Joshi | 257 |
| 27. | CAN RASA-DHVANI POETICS HELP US TO
UNDERSTAND KEAT'S 'ODE TO A NIGHTINGALE'? Dhanya Menon | 267 |
| 28. | ABHIHITANVAYA Rewa Prasad Dwivedi | 279 |
| 29. | THE SAME ISN'T THE SAME Ashoka Mitran | 287 |
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The papers brought together in this volume were presented at a Seminar organized from 7 to 10 January 1991 under the joint auspices of the Sahitya Akademi and the Literary Criterion, Dvanyaloka, Mysore in collaboration with the Indian Association of Commonwealth Literature. Several scholarly papers were presented at the seminar on the Indian concept of Natya, Dhvani, Aucitya and Alankara. Erudite scholars from all parts of the country took part. This seminar represents the third phase of the interaction between Indian and Western critical endeavours. The papers have been ably edited by Professor C.D. Narasimhaiah, who has contributed a precious prelude that heightens the value of this publication.
Sahitya Akademi is happy to bring out these papers in book-form for the benefit of discerning scholars, academics and general readers.
| EDITOR'S PREFACE | ||
| WELCOME ADDRESS Indra Nath Choudhuri | 1 | |
| INTRODUCTION C.D. Narasimhaiah | 5 | |
| 1. | TOWARDS AN ENRICHED HERITAGE Krishna Chaitanya | 17 |
| 2. | POINT OF VIEW IN COMPARATIVE CRITICISM G.B. Mohan Thampi | 35 |
| 3. | THE CONCEPT OF SAHRDAYA Vidya Niwas Mishra | 48 |
| 4. | VICTOR BORISOVITCH SHKLOVSKY AND HIS TECHNIQUE OF 'MAKING STRANGE' J.P. Dimri and A. Charumati Ramdas | 57 |
| 5. | KAMARUPA (the willed form) D.R. Nagaraj | 69 |
| 6. | THE VALIDITY AND SCOPE OF RASA AS
A CRITICAL CONCEPT M.S. Kushwaha | 77 |
| 7. | VAKROKTI IN APPLICATION: AN EXAMINATION C.N. Ramachandran | 88 |
| 8. | "RASAUCHITYA" AS A CRITERION OF LITERARY JUDGEMENT IN INDIAN THEORY & PRACTICE K. Krishnamoorthy | 95 |
| 9. | THE RASA VIEW OF ART AND ITS ADVANTAGE OVER WESTERN POETICS - SOME ILLUSTRATIONS FROM THE RAMAYANA AND THE MAHABHARATA K.S.Narayanachar | 109 |
| 10. | DOCTRINE OF DHVANI IN PRACTICAL APPLICATION Ramaranjan Mukherjee | 118 |
| 11. | A CRITICAL APPRECIATION OF 'MEGHA DUTA' H.V. Nagaraja Rao | 131 |
| 12. | THE TECHNIQUE OF PLOT CONSTRUCTION
IN SANSKRIT H.P. Malledevaru | 140 |
| 13. | MADHYAMAVYAYOGA Kirtinath Kurtkoti | 146 |
| 14. | AUROBINDO V.S. Sethuraman | 154 |
| 15. | ANANDAVARDHANA - READING THE
MAHABHARATA Namwar Singh | 162 |
| 16. | LOLITA FROM THE PERSPECTIVE OF INDIAN POETICS Vimala Rama Rao | 169 |
| 17. | OF RASA/DHVANI, AMONG OTHER CRITERIA M. Sivaramakrishna | 179 |
| 18. | AUCITY AS A CRITERION OF LITERARY ASSESSMENT Ayyapa Paniker | 189 |
| 19. | ACRITICAL APPROACH TO NARAYANA REDDY'S
VISWAMBHARA Adapa Ramakrishna Rao | 194 |
| 20. | THINGS FALL APART: AN ENQUIRY INTO
RASA CONFIGURATION Madhusudan Pati | 199 |
| 21. | THE TENDRIL AND THE ROOT Krishna Rayan | 213 |
| 22. | VAKROKTI IN THE POETRY OF HOPKINS C.N. Srinath | 223 |
| 23. | 'SVABHAVOKTI' OF A SYMBOLIST Lakshmi Kumar | 230 |
| 24. | KING LEAR IN THE LIGHT OF INDIAN POETICS Ragini Ramchandra | 237 |
| 25. | THE AESTHETIC EXPERIENCE OF A DIKSHITHAR
KRITI Mohan Ramanan | 248 |
| 26. | AN ANALYSIS OF "FRAGMENTED" BY UMASHANKAR
JOSHI IN THE RASA-DHVANI TRADITION Ramanlal Joshi | 257 |
| 27. | CAN RASA-DHVANI POETICS HELP US TO
UNDERSTAND KEAT'S 'ODE TO A NIGHTINGALE'? Dhanya Menon | 267 |
| 28. | ABHIHITANVAYA Rewa Prasad Dwivedi | 279 |
| 29. | THE SAME ISN'T THE SAME Ashoka Mitran | 287 |
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