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Encountering Kali (In the Margins, at the Center, in the West)

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Specifications
Publisher: MOTILAL BANARSIDASS PUBLISHERS PVT. LTD.
Author: Rachel Fell Mc Dermott and Jeffrey J. Kripal
Language: ENGLISH
Pages: 322
Cover: PAPERBACK
21.5 cm x 14 cm
Weight 400 gm
Edition: 2005
ISBN: 9788120820418
NAT084
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Book Description
About the Book

Encountering Kat explores one of the most remarkable divinities the world has seen. The Hindu goddess Kali is simultaneously understood as a blood-thirsty warrior, a deity of ritual possession, a Tantric sexual partner, and an all-loving, compassionate mother. Popular and scholarly interest in her has been on the rise in the West in recent years. Responding to this phenomenon, McDermott and Kripal's volume focuses on the complexities involved in interpreting Kali in both her indigenous South Asian settings and her more recent stern incarnations. Through the shifting lenses of scriptural cm architecture, political violence kminist and psychoanalytic criticism, autobiographical reflection, and the goddess's recent guises on the Internet, the • contributors pose questions that illuminate our understanding of Kali while addressing the problems and promises inherent in every act of cross-cultural interpretation.

About the Author

RACHEL FELL MCDERMMT is Associate Professor of Asian and Middle Eastern Cultures at Barnard College and author of Mother of My Heart, Daughter Poetry Kali and Uma in the Devotional Poetry of Bengal (2001) and Singing to the Goddess: Poems to Kali and Uma from Bengal (2001).

JEFFREY J. KRIPAL is the Lynette S. Autry Associate Professor in the Humanities at Rice University and author of Kali’s Child: The Mystical and the Erotic in the Life and Teachings of Ramokrishna (1995, 1998) and Roads of Excess, Palaces of Wisdom: botulism and Reflexivity in the Study of Mysticism (2001).

About The Chapter Silhouettes

My work incorporates my interaction with a broad range of media, suitable to bringing out energies manifest in ideas that relate to what I call "meshes of the continuum." These meshes are a weaving of my mind, experienced through being touched by truth-a flow of relationships and events stemming from the evolving archaeology of my existence that began in India. I draw and paint to realize fragments and wholes, through a layering process using traditional as well as digital media. "Layering" is a metaphor to ex-press whatever I wish to contain in space: the memory of time, deity, culture, power, and compassion, and my existence as a Christian amid myriad religiosities. These elements are brought together spatially in what becomes for me a layered mandala. I use color as discrete units of energy in an attempt to portray an ineffable, archetypal luminosity. I assign meaning to evolve a new whole, energized by my breath and charged with a vision from a sanctuary of "knowing."

To arrive at a contemporary visualization of the Corpus Kali, I began looking for a model whose life and art spoke of an intense sexual energy. The Lolitaesque renditions of Kali as seen in Indian calendar art and popular posters were simply not reasonable models of inspiration. I see her as a dancer, always moving in relationship to a chronology of timelessness. In the dancer and choreographer Martha Graham, I have found an appropriate conceptual model for Kali. Her dances and technique come in part from a deeply sexual source. The image on the cover of the paperback edition of this volume is a homage to the Kali in Graham. Kali luxuriates in a very Graham-like expression of movement that thrusts the glory of her being out at us. It sings its eroticism right down to the particular velvet dark-blue that contains her energy in perfect equipoise. Kali's dark, luminous color and the expression on her face at once make her accessible emotionally and yet distance her from intimate communion. Visualizing the Goddess in this way stills the nervous system; one is becalmed under the fiery yet benevolent stare of the Devi, the luxuriant Goddess, the Mother and exemplar of in-tense feelings. Continuing to see her in the round, I have also created a series of fourteen drawings that appear as silhouettes throughout the book. These silhouettes help project the depth of Kali's force. She helps one be-long, particularly in the nascent dawn of late capitalism. There is much to see and understand.

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