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Books > Performing Arts > Music > New Dimensions of Indian Music
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New Dimensions of Indian Music
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New Dimensions of Indian Music
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Description

About the Author

 

A Gold Medalist in M.A. (Vocal), besides owning M. Phil and NET (National Eligibility Test by the U.G.C.) Gradations, Tripti Watwe is at present pursuing advanced research studies (Ph. D) in music from Visva-Bharati University, Santiniketan, West-Bengal.

Music came to her at the tender age of 3years through Sri Ram Mungi. Ustad Sirajuddin Khan, Padmashree H.H. Goswami Gokulotsavji Maharaj and Smt. Shubhda Marathe.

Tripti’s comprehensive tutelage in Indian Classical Music, received a purpose and completeness with her initiation into Spiritual life by her own Spiritual Mentor and Diksha-Guru Param Pujya Swami Abhedananda (Residential Achary and Head of Chinmaya Mission, Durban, South Africa) who has been her Friend, Philosopher and Guide.

Having performed at various prestigious platforms all over India, Tripti was felicitated twice by S.A.M. (Society for Action through Music, New Delhi) with Swarshri 2007 Samman and ‘Samman 2011 and “Sur-Mani-2008” by the “Sur-Singar Sansad”, Mumbai.

Tripti has an audio CD ‘Shravanmritam’ to her credit. Her introspective articles keep publishing in various esteemed books and journals.

Ms. Watwe, an Ex-Head of Department in the Department of Music, Women’s College of Agartala, Tripura is presently serving as an Assistant Professor at the Sachin Debbarman Memorial Government Music College, Agartala and as a Guest Lecturer at the Department of Music, Tripura University, Agartala, Tripura.

 

Foreword

 

From time immemorial music has predominantly been a subject of practical knowledge. Before the arrival of print media, music was limited within the confines of the Guru-Shishya Parampara of imparting musical knowledge, concerts and stage shows. And there was rarely a term used as a thinking musician! And if used, there was hardly any medium of expression for the musician which in turn obscured his ideologies on music from the rest world. But now times have changed, and so has the outlook for music. Today it’s equally necessary for a musician, be it a vocalist, dancer or an instrumentalist to think, assess and contemplate about the music he she performs. And it is an altogether undoubted fact that thinking always influences performances.

In this process of thinking and delving on the diverse elements of music, this book has endeavoured to present before the seekers of music an analogy of jewels of music from the practitioners of various genres like vocal, instrumental and dance forms of music belonging to various parts of prestigious Institutions of Indian as well as eloquent artists. As lamps so may this effort inspire more lamps to be enlightened.

This work holds greater significance since it has been brought out for the first time from Agartala, a small but relevant town of the North-Eastern State of Tripura which has a glorious musical and cultural heritage.

My blessings and best wishes go for the editor and the entire team behind this work. May the readers be benefited through this effort.

 

Contents

Blessing

vii

Foreword

ix

Gratitude

xv

Swar-Vichar-Manthan

xvii

1

The Eternal Relationship Between Music and Meditation: An Introspective Analysis

1

Smt. Ambika Kashyap

2

Music Education-Its Indispensability and Mechanism of it Positive Effects

6

Dr. Amitabha Kar

3

Significance of Music in Socialization

9

Dr. Anupama Sharma

4

The Benaras Baaz: Specialty and Skill of its Table Presentation

13

Shri Bharat Kumar Mishra

5

Swami Vivekananda: Monk and the Musician

22

Sri Dipankar Majumdar

6

Dev elopement of the Tradition of Solo Performance in Ancient Indian String Instruments

28

Dr. J.P. Singh

7

Role of Music in our Daily Life

39

Dr. Jaya Sharma

8

RAAS: A Study

43

Dr. Lawanya Kirti singh kavya

9

The Bandish: Stanchion of the Music Temple

48

10

Music: A Powerful Therapy of Medical Science

65

Dr. Maharani Sharma

11

The Role of Background Music in Expressing Emotions in Modern Drama

69

Dr. Namrata Deb

12

Tabla Playing- The Importance of Training Practice

73

Dr. Neelu Sharma

13

Impact of Globalization on Indian Classical Music After Independence

83

Smt. Pragya Pyasi

14

Variations of Taal and Fondness of the People: An Unflinching Tie

92

Ms. Reema Johri

15

Ragas and Rhythms of Patna: In Context of the Durga Puja Celebrations

Reena Sopam

16

Maihar Gharana: A Brief Chronicle of a Musical Tradition and Constitutor

103

Dr. Reeta Das

17

Development of Indian Taal System in the Light of Tagore’s Perspective: An Analysis

108

Shri Sandip Kumar Ghosh

18

Imparting Concord: Assessing Musical Edification

119

Dr. Sharbari Banerjee

19

The Vernacular of Lucknow Gharana: A Subtle Introspectio

129

Dr. Shikha Shukla

20

A Techno-Savvy Approach to Symphony

142

 

Smt. Sima Datta

21

Indian Music in the Changing Social Perspective

151

 

Ms. Sudeshna Chanda

22

Music, Nature and Spirituality in Abstract Art

161

Sushil Mishra

23

Origin and Evolution of Pakhawaj

170

Sri Swapan Kumar Ghosh

24

Institutional Music and Media: The Influential Parameters of Music

178

Tripti Watwe

25

Critics and Critical Analysis-In the Perspective of North Indian Music

186

Pt. Vijay Shanker Mishra

List of Contributors

201

Index

221

 

Sample Pages

















New Dimensions of Indian Music

Item Code:
NAL560
Cover:
Hardcover
Edition:
2013
Publisher:
ISBN:
9788184575323
Language:
English
Size:
8.5 inch x 5.5 inch
Pages:
250 (26 B/W and 1 Color Illustrations)
Other Details:
Weight of the Book: 400 gms
Price:
$30.00
Discounted:
$22.50   Shipping Free
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About the Author

 

A Gold Medalist in M.A. (Vocal), besides owning M. Phil and NET (National Eligibility Test by the U.G.C.) Gradations, Tripti Watwe is at present pursuing advanced research studies (Ph. D) in music from Visva-Bharati University, Santiniketan, West-Bengal.

Music came to her at the tender age of 3years through Sri Ram Mungi. Ustad Sirajuddin Khan, Padmashree H.H. Goswami Gokulotsavji Maharaj and Smt. Shubhda Marathe.

Tripti’s comprehensive tutelage in Indian Classical Music, received a purpose and completeness with her initiation into Spiritual life by her own Spiritual Mentor and Diksha-Guru Param Pujya Swami Abhedananda (Residential Achary and Head of Chinmaya Mission, Durban, South Africa) who has been her Friend, Philosopher and Guide.

Having performed at various prestigious platforms all over India, Tripti was felicitated twice by S.A.M. (Society for Action through Music, New Delhi) with Swarshri 2007 Samman and ‘Samman 2011 and “Sur-Mani-2008” by the “Sur-Singar Sansad”, Mumbai.

Tripti has an audio CD ‘Shravanmritam’ to her credit. Her introspective articles keep publishing in various esteemed books and journals.

Ms. Watwe, an Ex-Head of Department in the Department of Music, Women’s College of Agartala, Tripura is presently serving as an Assistant Professor at the Sachin Debbarman Memorial Government Music College, Agartala and as a Guest Lecturer at the Department of Music, Tripura University, Agartala, Tripura.

 

Foreword

 

From time immemorial music has predominantly been a subject of practical knowledge. Before the arrival of print media, music was limited within the confines of the Guru-Shishya Parampara of imparting musical knowledge, concerts and stage shows. And there was rarely a term used as a thinking musician! And if used, there was hardly any medium of expression for the musician which in turn obscured his ideologies on music from the rest world. But now times have changed, and so has the outlook for music. Today it’s equally necessary for a musician, be it a vocalist, dancer or an instrumentalist to think, assess and contemplate about the music he she performs. And it is an altogether undoubted fact that thinking always influences performances.

In this process of thinking and delving on the diverse elements of music, this book has endeavoured to present before the seekers of music an analogy of jewels of music from the practitioners of various genres like vocal, instrumental and dance forms of music belonging to various parts of prestigious Institutions of Indian as well as eloquent artists. As lamps so may this effort inspire more lamps to be enlightened.

This work holds greater significance since it has been brought out for the first time from Agartala, a small but relevant town of the North-Eastern State of Tripura which has a glorious musical and cultural heritage.

My blessings and best wishes go for the editor and the entire team behind this work. May the readers be benefited through this effort.

 

Contents

Blessing

vii

Foreword

ix

Gratitude

xv

Swar-Vichar-Manthan

xvii

1

The Eternal Relationship Between Music and Meditation: An Introspective Analysis

1

Smt. Ambika Kashyap

2

Music Education-Its Indispensability and Mechanism of it Positive Effects

6

Dr. Amitabha Kar

3

Significance of Music in Socialization

9

Dr. Anupama Sharma

4

The Benaras Baaz: Specialty and Skill of its Table Presentation

13

Shri Bharat Kumar Mishra

5

Swami Vivekananda: Monk and the Musician

22

Sri Dipankar Majumdar

6

Dev elopement of the Tradition of Solo Performance in Ancient Indian String Instruments

28

Dr. J.P. Singh

7

Role of Music in our Daily Life

39

Dr. Jaya Sharma

8

RAAS: A Study

43

Dr. Lawanya Kirti singh kavya

9

The Bandish: Stanchion of the Music Temple

48

10

Music: A Powerful Therapy of Medical Science

65

Dr. Maharani Sharma

11

The Role of Background Music in Expressing Emotions in Modern Drama

69

Dr. Namrata Deb

12

Tabla Playing- The Importance of Training Practice

73

Dr. Neelu Sharma

13

Impact of Globalization on Indian Classical Music After Independence

83

Smt. Pragya Pyasi

14

Variations of Taal and Fondness of the People: An Unflinching Tie

92

Ms. Reema Johri

15

Ragas and Rhythms of Patna: In Context of the Durga Puja Celebrations

Reena Sopam

16

Maihar Gharana: A Brief Chronicle of a Musical Tradition and Constitutor

103

Dr. Reeta Das

17

Development of Indian Taal System in the Light of Tagore’s Perspective: An Analysis

108

Shri Sandip Kumar Ghosh

18

Imparting Concord: Assessing Musical Edification

119

Dr. Sharbari Banerjee

19

The Vernacular of Lucknow Gharana: A Subtle Introspectio

129

Dr. Shikha Shukla

20

A Techno-Savvy Approach to Symphony

142

 

Smt. Sima Datta

21

Indian Music in the Changing Social Perspective

151

 

Ms. Sudeshna Chanda

22

Music, Nature and Spirituality in Abstract Art

161

Sushil Mishra

23

Origin and Evolution of Pakhawaj

170

Sri Swapan Kumar Ghosh

24

Institutional Music and Media: The Influential Parameters of Music

178

Tripti Watwe

25

Critics and Critical Analysis-In the Perspective of North Indian Music

186

Pt. Vijay Shanker Mishra

List of Contributors

201

Index

221

 

Sample Pages

















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