BOOKS ON INDIAN CLASSICAL & FOLK DANCE

Показано с 73 до 96 из 323 результатов
Показано с 73 до 96 из 323 результатов
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Indian Dances
Indian Dances
By Chiranjeev Bhan
¥8596
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Introduction to Hindu Dancing
Introduction to Hindu Dancing
By Subhash Tomar
¥10,746
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Dance in South India: The Other Mind
Dance in South India: The Other Mind
By Beryl De Zoete
¥8596
¥10,746 20% off
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Indian Mythology Through Classical Dance
Indian Mythology Through Classical Dance
By Shovana Narayan and Geetika Kalha
¥10,590
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New Directions in Indian Dance
New Directions in Indian Dance
By Sunil Kothari
¥10,434
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Nayika Bheda In Kathak (Abhinava Grantha Mala- Dvitiya Puspa)
Nayika Bheda In Kathak (Abhinava Grantha Mala- Dvitiya Puspa)
By Chetana Jyotishi
¥8347
¥10,434 20% off
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Bharata Natyam Expanding Horizons- A Unique Presentation of the Great Epic Sri Ram Charit Manas
Bharata Natyam Expanding Horizons- A Unique Presentation of the Great Epic Sri Ram Charit Manas
By Komala Vardana
¥8347
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Living Traditions in Indian Art
Living Traditions in Indian Art
By Madhu Rani
¥8347
¥10,434 20% off
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Streevesham in Kathakali
Streevesham in Kathakali
By Prabal Gupta
¥7303
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¥10,434 30% off
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Exuberance of Indian Classical Dance
Exuberance of Indian Classical Dance
By Utpal K. Banerjee
¥10,279
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Indian Music & Dance Varied Dimensions
Indian Music & Dance Varied Dimensions
By Gowri Kuppuswamy and M. Hariharan
¥8223
¥10,279 20% off
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Kathak (The Dance of Storytellers)
Kathak (The Dance of Storytellers)
By Rachna Ramya
¥8223
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Bharatanatyam Evolves From Temple to Theatre and Back Again
Bharatanatyam Evolves From Temple to Theatre and Back Again
By Anne Marie Gaston
¥8223
¥10,279 20% off
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Illuminating Indian Classical Dances Through Yoga
Illuminating Indian Classical Dances Through Yoga
By Shovana Narayan and Anita Dua
¥10,279
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Charya Nepal (Vajrayana Tantrika Charya Dance)
Charya Nepal (Vajrayana Tantrika Charya Dance)
By Chandraman Munikar
¥10,279
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The Natyasastra and Bharat Natya
The Natyasastra and Bharat Natya
By Hema Govindarajan
¥10,279
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An Indian Bouquet of Dance and Drama (Fragrance & Aroma)
An Indian Bouquet of Dance and Drama (Fragrance & Aroma)
By Utpal K Banerjee
¥10,279
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What is Bharatanatyam?
What is Bharatanatyam?
By Vidya Bhavani Suresh
¥9967
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What is Kathakali?
What is Kathakali?
By Vidya Bhavani Suresh
¥9967
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Contemporary Dance (Practices, Paradigms and Practitioners)
Contemporary Dance (Practices, Paradigms and Practitioners)
By TRIPURA KASHYAP
¥6976
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Art and Education (Set of 3 Books)
Art and Education (Set of 3 Books)
By Devi Prasad, Vineeta Rashid Khan
¥9811
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Maths in Music and Dance
Maths in Music and Dance
By Vidya Bhavani Suresh
¥9811
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Bihu Festival of Assam Music, Dance & Performance
Bihu Festival of Assam Music, Dance & Performance
By Utpola Borah
¥7724
¥9656 20% off
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भरतनाट्यम: Bharatanatyam
भरतनाट्यम: Bharatanatyam
By डॉ. लक्ष्मीनारायण गर्ग (Dr. Lakshmi Narayan Garg)
¥9656
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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