BOOKS ON INDIAN CLASSICAL & FOLK DANCE

Mostrando 217 a 240 de 319 resultados
Mostrando 217 a 240 de 319 resultados
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Indian Dance Mythology and Folk Dance
Indian Dance Mythology and Folk Dance
By Jagmohan Singh
CA$84.80
CA$106 20% off
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Famous Dancing Gurus
Famous Dancing Gurus
By Jagmohan Singh
CA$84.80
CA$106 20% off
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Dance of South India
Dance of South India
By Jagmohan Singh
CA$84.80
CA$106 20% off
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Introduction to Hindu Dancing
Introduction to Hindu Dancing
By Subhash Tomar
CA$99
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Dance in South India: The Other Mind
Dance in South India: The Other Mind
By Beryl De Zoete
CA$79.20
CA$99 20% off
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Catalogue of Manuscripts on Performing Arts (Music, Dance and Drama)
Catalogue of Manuscripts on Performing Arts (Music, Dance and Drama)
By Kaushalya Gupta
CA$120
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Nayika Bheda In Kathak (Abhinava Grantha Mala- Dvitiya Puspa)
Nayika Bheda In Kathak (Abhinava Grantha Mala- Dvitiya Puspa)
By Chetana Jyotishi
CA$76.80
CA$96 20% off
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Nritanjali- An Introduction to Hindu Dancing
Nritanjali- An Introduction to Hindu Dancing
By Sri Ragini
CA$46
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Sastric Tradition in Indian Classical Dances (Abhinava Grantha Mala: Tritiya Puspa)
Sastric Tradition in Indian Classical Dances (Abhinava Grantha Mala: Tritiya Puspa)
By Chetana Jyotishi Beohar
CA$136
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Tribune System of Classification (An Old and Rare Book)
Tribune System of Classification (An Old and Rare Book)
By BISWAJIT SINHA and ASHOK CHOUDHURY
CA$27
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Bharata Natyam Expanding Horizons- A Unique Presentation of the Great Epic Sri Ram Charit Manas
Bharata Natyam Expanding Horizons- A Unique Presentation of the Great Epic Sri Ram Charit Manas
By Komala Vardana
CA$76.80
CA$96 20% off
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Encyclopaedia of Indian Culture (Set of Five Volumes)
Encyclopaedia of Indian Culture (Set of Five Volumes)
By Anuradha Jaiswal
CA$232.80
CA$291 20% off
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Birju Maharaj- The Master Through My Eyes
Birju Maharaj- The Master Through My Eyes
By Saswati Sen
CA$60.80
CA$76 20% off
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Themes in Karnatak Music and Dance (Set of 2 Volumes)
Themes in Karnatak Music and Dance (Set of 2 Volumes)
By Lalita Ramakrishna
CA$144.80
CA$181 20% off
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Chhau Dance- An Anthology
Chhau Dance- An Anthology
By Sudip Bhui and Guru Tapan kumar Pattanayak
CA$111
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Indian Music & Dance Varied Dimensions
Indian Music & Dance Varied Dimensions
By Gowri Kuppuswamy and M. Hariharan
CA$75.20
CA$94 20% off
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Treatises on Indian Music and Dance
Treatises on Indian Music and Dance
By Ramesh Patel
CA$50.40
CA$63 20% off
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Kuchipudi Art & Satyabhama
Kuchipudi Art & Satyabhama
By M. Usha Gayatri
CA$104
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Asian Dance Multiple Levels
Asian Dance Multiple Levels
By Kapila Vatsyayan
CA$104
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Bihu Festival of Assam Music, Dance & Performance
Bihu Festival of Assam Music, Dance & Performance
By Utpola Borah
CA$71.20
CA$89 20% off
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Living Traditions in Indian Art
Living Traditions in Indian Art
By Madhu Rani
CA$76.80
CA$96 20% off
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Hasta Mudra Therapy - An Effective Aspect of Dance Therapy
Hasta Mudra Therapy - An Effective Aspect of Dance Therapy
By Vijayapal Pathloth
CA$106
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Shringara in Classical Indian Dance
Shringara in Classical Indian Dance
By Sharon Lowen
CA$117
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Indian Theatre Traditions Drama, Music and Dance
Indian Theatre Traditions Drama, Music and Dance
By Shovana Narayan
CA$133
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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