BOOKS ON INDIAN CLASSICAL & FOLK DANCE

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Mostrando 25 a 48 de 320 resultados
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THE JOY OF CLASSICAL DANCES OF INDIA
THE JOY OF CLASSICAL DANCES OF INDIA
By Leela Samson, Illustrated By Jagdish Joshi
฿680
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Bharatanatyam
Bharatanatyam
By Varun Khanna
฿1105
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The Nachni Chronicles: A Photographic Journey of Resilient Rhythms
The Nachni Chronicles: A Photographic Journey of Resilient Rhythms
By Abhijit Chakrabarti
฿1360
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An Insight into Kathak
An Insight into Kathak
By Manjiri Shreeram Deo
฿737
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Pictorial & Descriptive Glossary of Bharata’s Natyasastra (A Student's Companion)
Pictorial & Descriptive Glossary of Bharata’s Natyasastra (A Student's Companion)
By Smt. N.A. Laxmi
฿1332
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Folk Plays and Dances of Kerala
Folk Plays and Dances of Kerala
By M. D. Raghavan
฿708
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108 பரதநாட்டிய ஜதிகள்- 108 Bharathanatyam Jathis (Tamil and English With Audio Link)
108 பரதநாட்டிய ஜதிகள்- 108 Bharathanatyam Jathis (Tamil and English With Audio Link)
By Chidambaram R. Suresh and Shobana Suresh
฿1077
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Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
By Edited By Swapnil Chaphekar, Ramakrishna Pejathaya
฿680
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Nrttaratnavali (Set of 2 Volumes)
Nrttaratnavali (Set of 2 Volumes)
By Pappu Vengopala Rao and Yashoda Thakore
฿2437
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Natyasastra Of Bharata-Muni - 4 Volumes
Natyasastra Of Bharata-Muni - 4 Volumes
By MANOMOHAN GHOSH
฿3230
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Bharatanatyam: How to? (A Step-by-Step Approach to Learn the Classical Dance form)
Bharatanatyam: How to? (A Step-by-Step Approach to Learn the Classical Dance form)
By Jayalakshmi Eshwar
฿2312
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Dance as Yoga (The Spirit and Technique of Odissi)
Dance as Yoga (The Spirit and Technique of Odissi)
By Rekha Tandon
฿1020
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Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
By Nandikesvara
฿652
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Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
By P. Rama Devi
฿1615
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Students Guide to Odissi Dance (Covering Gandharva Mahavidyalaya Syllabus of Prarambhik to Madhyama Pratham)
Students Guide to Odissi Dance (Covering Gandharva Mahavidyalaya Syllabus of Prarambhik to Madhyama Pratham)
By Sneha Gupta
฿963
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Samsara- The Revived Glory of Indian Art Forms
Samsara- The Revived Glory of Indian Art Forms
By Aleena Anabelly. A
฿708
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Special Issue- Prayog and Shastra (Sangeet Natak Volume, XLIX, Numbers 1-2, 2015
Special Issue- Prayog and Shastra (Sangeet Natak Volume, XLIX, Numbers 1-2, 2015
By Leela Venkataraman
฿623
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Zlos-Gar Performing Traditions of Tibet
Zlos-Gar Performing Traditions of Tibet
By Jamyang Norbu
฿476
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Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
By Dr. K. Kusuma Bai
฿535.50
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Nrutyasaurabh (English)
Nrutyasaurabh (English)
By Sou. Manjiri Deo
฿992
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The Sun God's Daughter and King Samvarana: Tapati-Samvaranam and the Kutiyattam Drama Tradition (Text with Vivarana Commentary)
The Sun God's Daughter and King Samvarana: Tapati-Samvaranam and the Kutiyattam Drama Tradition (Text with Vivarana Commentary)
By N.P. Unni and Bruce M. Sullivan
฿935
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Introduction to Bharata's Natyasastra
Introduction to Bharata's Natyasastra
By Adya Rangacharya
฿595
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Karanas: Cosmic Shiva 108 Bharatha Poses
Karanas: Cosmic Shiva 108 Bharatha Poses
Publisher Centre for the Promotion of Traditional Arts, Chennai
฿510
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Repertoire of Kathak In the Various Historical Eras
Repertoire of Kathak In the Various Historical Eras
By Mansi Saxena
฿850
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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