BOOKS ON INDIAN CLASSICAL & FOLK DANCE

Affichage de 73 à 96 sur 319 résultats
Affichage de 73 à 96 sur 319 résultats
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The Dance of Shiva- Fourteen Indian Essays
The Dance of Shiva- Fourteen Indian Essays
By Ananda K. Coomaraswamy
AU$51
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Contemporary Dance (Practices, Paradigms and Practitioners)
Contemporary Dance (Practices, Paradigms and Practitioners)
By TRIPURA KASHYAP
AU$72.10
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Kathak Dance Education: Contemporary Systems, Problems and Suggestions (Set of 2 Volumes)
Kathak Dance Education: Contemporary Systems, Problems and Suggestions (Set of 2 Volumes)
By Rajeev Indramani Jha
AU$216.80
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Music Of Krishnanattam (A Leading Dance Drama of Kerala)
Music Of Krishnanattam (A Leading Dance Drama of Kerala)
By T.V. Manikandan
AU$38.40
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Art Without Frontiers - Classical Dance and Music of India
Art Without Frontiers - Classical Dance and Music of India
By Sharon Lowen
AU$79.80
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Streevesham in Kathakali
Streevesham in Kathakali
By Prabal Gupta
AU$75.60
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AU$108 30% off
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Facets of Indian Classical Dance- Proceedings of the National Seminar on "World Dance Day"
Facets of Indian Classical Dance- Proceedings of the National Seminar on "World Dance Day"
By Ina Shastri
AU$40.80
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Art of Dancing: Classical and Folk Dances
Art of Dancing: Classical and Folk Dances
By Priyabala Shah
AU$53
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Splendours of Indian Dance (Forms - Theory - Practice)
Splendours of Indian Dance (Forms - Theory - Practice)
By V. Raghavan
AU$71
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Folk Music and Folk Dances of Banaras
Folk Music and Folk Dances of Banaras
By Onkar Prasad
AU$79
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Bharatanatyam (The Tamil Heritage)
Bharatanatyam (The Tamil Heritage)
By Lakshmi Viswanathan
AU$53
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Karanas: Cosmic Shiva 108 Bharatha Poses
Karanas: Cosmic Shiva 108 Bharatha Poses
Publisher Centre for the Promotion of Traditional Arts, Chennai
AU$30
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Nalacharitham
Nalacharitham
By Unnayiwarrier and V. Subramaniaiyer
AU$34
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Natya Sastra Mala- The Basics of Natya Sastra from a Series of Lectures by Rajee Narayan
Natya Sastra Mala- The Basics of Natya Sastra from a Series of Lectures by Rajee Narayan
By Rajee Narayan
AU$64
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Modern Dance: Multifaceted Dimension (An Old and Rare Book)
Modern Dance: Multifaceted Dimension (An Old and Rare Book)
By Sruti Bandopadhyay
AU$34
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Nritta Manjari
Nritta Manjari
By Leela Row
AU$32.50
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Tibetan Religious Dances (Tibetan Text and Annotated Translation of the Chams Yig)
Tibetan Religious Dances (Tibetan Text and Annotated Translation of the Chams Yig)
By Rene De Nebesky-Wojkowitz
AU$53.95
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Manipuri Dances
Manipuri Dances
By Leela Row Dayal
AU$19.50
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Hema (An Old and Rare Book)
Hema (An Old and Rare Book)
By Kunjapur Nigamantha Gopalan
AU$35.75
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AU$55 35% off
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Oggu Katha - Accompained Imitations and Expressions
Oggu Katha - Accompained Imitations and Expressions
By R. Vasudev Singh and Sridevi
AU$35.75
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Journey through a Tradition (Kandappa-T. Balasaraswati Bharatanatyam Technique)
Journey through a Tradition (Kandappa-T. Balasaraswati Bharatanatyam Technique)
By V. Raghavan
AU$53
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Ahobala's Sangitaparijata (Bhavan's Series on Natya Nritya and Sangita)
Ahobala's Sangitaparijata (Bhavan's Series on Natya Nritya and Sangita)
By Deepti Omchery Bhalla
AU$55
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Basic Concepts of Indian Dance (An Old Book)
Basic Concepts of Indian Dance (An Old Book)
By Projesh Banerji
AU$53
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Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
By Vasanthy Rao
AU$56
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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