BOOKS ON INDIAN MUSICAL INSTRUMENTS

Mostrando 73 a 96 de 133 resultados
Mostrando 73 a 96 de 133 resultados
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The Imdadkhani Baj- India's Premier Sitar Gharana (With CD Inside)
The Imdadkhani Baj- India's Premier Sitar Gharana (With CD Inside)
By Subhas Chanda
AED133
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Sangeet Natak- Journal of The Sangeet Natak Akademi-20
Sangeet Natak- Journal of The Sangeet Natak Akademi-20
By Uma Anand
AED59
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How to Play Sitar
How to Play Sitar
By Vikas Aggarwal
AED82
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Exploration in Indian Musical Instruments
Exploration in Indian Musical Instruments
By Kanishka Joshi
AED216
AED270 20% off
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Divine Beats for U.G./P.G. Entrance in Music Tabla
Divine Beats for U.G./P.G. Entrance in Music Tabla
By Renu Johri
AED115
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North Indian Instrumental Music Ragas (for Higher Studies)
North Indian Instrumental Music Ragas (for Higher Studies)
By Dr. Prateek Chaudhari
AED241
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THE SITAR (The Instrument and its Technique)
THE SITAR (The Instrument and its Technique)
By Manfred M. Junius
AED85
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The Flute and Flute-Playing in Acoustical, Technical, and Artistic Aspects (Photostat)
The Flute and Flute-Playing in Acoustical, Technical, and Artistic Aspects (Photostat)
By Theobald Boehm
AED96
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Learn to Play on Sitar (Set of 7 Books)
Learn to Play on Sitar (Set of 7 Books)
By Various Authors
AED367
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How to Play the Tabla (Set of 8 Books)
How to Play the Tabla (Set of 8 Books)
Publisher Various Publishers
AED537
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Bansuri in Indian Classical Music (History and Development)
Bansuri in Indian Classical Music (History and Development)
By Santosh Kumar
AED122
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The Tabla of Lucknow (A Cultural Analysis of a Musical Tradition)
The Tabla of Lucknow (A Cultural Analysis of a Musical Tradition)
By James Kippen
AED174
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The Sound of Sitar
The Sound of Sitar
By Subroto Roy Chowdhury
AED67
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How to Play Tabla (With Notations)
How to Play Tabla (With Notations)
By Mamta Chaturvedi
AED59
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How to Play Flute & Shehnai (With Notations)
How to Play Flute & Shehnai (With Notations)
By Mamta Chaturvedi
AED59
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How To Play Guitar (With Notations)
How To Play Guitar (With Notations)
By Mamta Chaturvedi
AED67
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The Harmonium Handbook
The Harmonium Handbook
By King Hall
AED130
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Sitar and its Music
Sitar and its Music
By Pandit Debu Chaudhuri
AED82
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The Winged Form: Aesthetical Essays on Hindustani Rhythm
The Winged Form: Aesthetical Essays on Hindustani Rhythm
By Sushil Kumar Saxena
AED74
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History of Indian Music and Its Instruments
History of Indian Music and Its Instruments
By Ethel Rosenthal
AED185
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Abbaji The Multifaceted Genius of Ustad Alla Rakha
Abbaji The Multifaceted Genius of Ustad Alla Rakha
By Atul Raosaheb Kamble
AED82
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Karunamirtha Sagaram
Karunamirtha Sagaram
By Rao Sahib M. Abraham Pandither
AED104
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Karunamirtha Sagaram
Karunamirtha Sagaram
By Rao Sahib M. Abraham Pandither
AED97.60
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Cadence and Counter Point- Documenting Santal Musical Traditions
Cadence and Counter Point- Documenting Santal Musical Traditions
By Various Authors
AED163.20
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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