Lord Ganesha

$295
Item Code: ZH32
Specifications:
Gilt Copper with 24 Karat Gold
Height: 8.7 inch
Width: 7 inch
Depth: 3.4 inch
Weight: 1.63 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide
Once Ganesha was walking along a forest path. Lost in his reveries and delight at the beautiful day, he forgot to look at the path ahead of him. Turning a corner, he bumped into Brahma, who was on his way to the river. The bump quite knocked out the wind out of Brahma. He glared at Ganesha and said in anger: "Son of Parvati, I. I.... -" But the curse he was about to pronounce upon this impudent youngster with an elephant head died before it was born - for Ganesha, seeing that Brahma was angry, had begun to dance. At first his big belly shook and his feet thudded noisily. The flowering creepers swung away in alarm, and hordes of chattering black-faced monkeys scurried up to the very tops of the trees, their small babies clinging to their underbellies.

But as Ganesha concentrated, his fat body took on an elegance all its own, and his dance was as beautiful as the rhythm of the tides and the music of the stars. Brahma's frown, trying hard to stay on his face, melted away, and he broke into a smile. "Truly you are a son of Shiva, Ganesha," said Brahma. "Like the strokes of a pen that end each verse of a poem, Shiva's dance ends each cycle of creation. But your dance - your dance has in it the laughter of creation itself, the joy of the universe." Finally Ganesha stamped and whittled, did a final whirl, and ended with his feet planted squarely on the ground. He faced Brahma, laughing, and held his right hand, palm facing out, in the gesture of blessing called the abhaya mudra. Brahma bowed down to Ganesha in respect. "You who are young, yet have such exquisite dancing in your soul, I bow to you. I was about to curse for interrupting my thoughts, but now I bless you instead, O Ganesha. You will be known by people as the Master of the Dance.All who perform this art in town and in city, in temple and in court, must first invoke your blessing. May it be so, as long as the earth shall live." In the classical Indian dance style called Bharatanatyam, Ganesha's gesture of blessing, the abhaya mudra, means "be not afraid." Even today, every Bharatanatyam performance begins with a special brief dance that recalls Ganesha's grace and seeks his blessings.

This description by Nitin Kumar, Executive Editor, Exotic India.

References:

Krishnaswami, Uma. The Broken Tusk, Stories of the Hindu God Ganesha: Calcutta, Rupa & Co, 1997.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at help@exoticindia.com.
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at help@exoticindia.com.
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