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100% Handmade
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MADE IN INDIA.

Amitabha Buddha (Brocadeless Thangka)

¥2138
Includes any tariffs and taxes
Only 1 available
Specifications
PAA697
PURE 24 CARAT GOLD, ACRYLIC PAINT
20.90 inch Height X 15.70 inch Width
Weight 400 gm
Delivery and Return Policies
Ships in 1-3 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Sanctuary of Infinite Light

Transform your sacred space into a realm of transcendent tranquility with a masterpiece that embodies the boundless compassion of the celestial Buddha. You will find your gaze instantly drawn to the radiant crimson form, perfectly poised to inspire deep meditation and inner peace. Invite divine grace into your daily rituals as you welcome this profound spiritual portal into your home.

Masterful Artisanal Heritage

Master artisans dedicate countless months to handcrafting each delicate brushstroke using centuries-old Himalayan iconographic traditions. You will appreciate the breathtaking application of pure 24 carat gold, which illuminates the composition with an ethereal, everlasting glow. Rich acrylic paint breathes vibrant life into every fold of the lotus throne and the surrounding celestial atmosphere.

Radiant Dimensions and Composition

Commanding attention with a generous 20.90 inch height and 15.70 inch width, the vertical expanse draws your eye upward through cascading clouds and blooming lotus blossoms. Every millimeter reflects meticulous attention to detail, balancing the fiery primary pigments with soothing botanical greens and warm golden halos. You can trace the fine linework that defines the meditative posture, creating an immersive visual harmony that anchors any room.

Legacy of the Western Pure Land

Rooted in ancient Mahayana cosmology, the central figure represents the Lord of the Western Pure Land of Sukhavati, a realm free from suffering. You connect directly with a rich lineage of Buddhist devotion that uses sacred geometry and iconography to awaken your innate wisdom. The glowing aura and alms bowl symbolize boundless generosity and the transmutation of attachment into pristine awareness.

Mindful Placement and Display

Position this exquisite canvas in your meditation room, study, or living area to establish a focal point for contemplative reflection and emotional centering. You will enjoy how the golden accents catch the shifting natural daylight, creating a dynamic interplay of shadows and illumination throughout the day. Visitors will undoubtedly pause to admire the serene expression and the profound spiritual atmosphere radiating from the wall.

Enduring Preservation and Care

Protect your investment by mounting the artwork away from direct, harsh sunlight and maintaining a stable indoor humidity to preserve the delicate gold leaf. A gentle sweep with a soft, dry microfiber cloth will effortlessly keep the pigments vibrant for generations to come. You are not merely acquiring a decoration, but a timeless heirloom designed to elevate your spiritual journey for a lifetime.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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