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Gajalakshmi, Tirupati Balaji (Venkateshvara) and Ganesha | Tanjore Painting with Frame

$1780
Only 1 available

This 4-foot-wide Tanjore painting summarizes the divine essence of three powerful Hindu deities—Gajalakshmi, Tirupati Balaji (Venkateshvara), and Ganesha—within royal temples of grace and grandeur.


Each deity is placed within ornate arches, drapes, and thrones, carefully creating distinct sections that showcase their significance.


Gajalakshmi, the bestower of luxuries, is portrayed in her regal splendor; Tirupati Balaji, the giver of Moksha, emanates divine blessings; and Ganesha, the remover of obstacles, radiates peace and strength.


Together, they form a portable shrine, fulfilling all desires of the devotee. The painting’s measured use of 24-karat gold enhances the divine aura, with each deity’s features animated through rich colors and intricate detailing.

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Specifications
DDC836
Traditional Colors With Gold Work
28.50 inch Height X 52.50 inch Width X 3.00 inch Depth
Weight 18.70 kg
Delivery and Return Policies
Ships in 1-3 days
Returns and Exchanges accepted with 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Divine Trinity: Gajalakshmi, Tirupati Balaji, and Ganesha

This magnificent Tanjore painting showcases the divine trinity of Gajalakshmi, Lord Venkateshvara (Tirupati Balaji), and Lord Ganesha, a powerful symbol of prosperity, divine protection, and auspicious beginnings. The vibrant colors and intricate gold work are a testament to the artistry of the Tanjore painting tradition, a celebrated art form originating from the Thanjavur district of Tamil Nadu, India. This artwork, framed in a rich dark wood, is a breathtaking piece that would grace any home or sacred space. Its impressive size (28.50 inches in height and 52.50 inches in width) makes it a striking centerpiece, demanding attention and commanding reverence.

The Goddess of Wealth and Fortune: Gajalakshmi

Gajalakshmi, depicted centrally in the left panel, is a manifestation of Lakshmi, the Hindu goddess of wealth, fortune, and prosperity. She is often portrayed seated on a lotus flower, adorned with exquisite jewelry, and flanked by two elephants—symbols of power and abundance—that bathe her with water. The elephants symbolize the continuous flow of wealth and prosperity that she bestows upon her devotees. The inclusion of Gajalakshmi in this painting invokes blessings of abundance and good fortune for the owner. In Hindu mythology, Lakshmi is the consort of Vishnu, and her presence emphasizes a harmonious union of wealth and divine grace.

The Protector of the Universe: Lord Venkateshvara (Tirupati Balaji)

The central panel of the painting depicts Lord Venkateshvara, a form of Vishnu, residing at the Tirumala Venkateswara Temple in Tirupati, one of the most revered pilgrimage sites in the world. His image is rich in symbolism: the divine ornaments, the majestic posture, and the intricate details all speak of his omnipotence and benevolent nature. Venkateshvara is known as the "Lord of the Seven Hills," and devotees believe that he grants all their wishes. His presence in the painting brings with it a sense of divine protection and spiritual grace. His story is woven into the tapestry of South Indian culture, with countless narratives celebrating his compassion and his power to remove obstacles.

The Remover of Obstacles: Lord Ganesha

Lord Ganesha, the elephant-headed god, occupies the right panel. He is the remover of obstacles and the bestower of wisdom and good fortune. The depiction showcases Ganesha in his usual serene yet powerful posture, emphasizing his role as the initiator of all auspicious ventures. Ganesha is revered across India and is often the first deity invoked before starting any new undertaking. His presence in this artwork guarantees a successful and prosperous beginning to any endeavor. The imagery also hints at the popular myth of Ganesha's birth, a tale rich in religious and symbolic significance.

The Art of Tanjore Painting

This exceptional piece is crafted using the traditional Tanjore painting technique. The artwork features the meticulous application of vibrant colors, complemented by stunning gold foil work. This intricate gold leaf work gives the painting a timeless appeal and highlights the divine features of the deities. Each brushstroke tells a story, each color evokes a feeling; this is not merely a painting, but a piece of living art. The meticulous detail and vibrant use of color exemplify the rich history and the enduring cultural legacy of the Tanjore painting tradition. This makes it a truly special and unique item to own. The deep, dark frame complements the painting beautifully, enhancing its magnificence and providing a protective casing for this treasure.

Gilded Elegance: Unraveling the Artistry of Tanjore Paintings

Tanjore painting is a traditional form of art in the South Indian style and was started by the inhabitants of a small town known as Thanjavur of Tamil Nadu. This gives it another name called “Thanjavur painting”. This painting draws its figures, designs, and inspiration from the time when Vedic culture was prevalent in India. Certain remarkable features of a Tanjore painting distinguish it from other paintings. Some of these are pure gold or gold foil coating on gesso work, the use of rich and vivid colors, and the inlay of cut-glass or semi-precious and precious stones. The subjects of most of the Tanjore paintings are Hindu Gods, Goddesses, and saints. The main devotional figure is portrayed in the central portion of the painting and is usually surrounded by various secondary figures.

The process of making a Tanjore painting

The classic Tanjore paintings are done on wooden planks and hence are also referred to as Palagai Padam in South India (Palagai = Wooden plank, Padam = Picture). Creating a masterpiece is never an easy task but the skilled artists of Thanjavur have been following the tradition of making timeless Tanjore paintings for decades.
The making process begins with preparing the wooden board or canvas. The size of the board depends upon the choice of the patron. The next step is to paste cardboard over the wooden board and then a cotton fabric is stretched and pasted upon it using Arabic gum.
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Now that the cloth is attached to the wooden panel, a rough sketch of the motifs and figure is drawn onto the fabric. After this, a paste of chalk powder and water-soluble adhesive is evenly applied over the base and smoothed.
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Thereafter, the outlines which were made or traced using a stencil are now ready to be beautified and decked with various add-ons. The usual materials for decoration are cut-glass, pearls, semi-precious and precious gems, gold leaf, and laces. 22 or 18 Karat Gold leaves and gems of varied hues are especially inlaid in areas like pillars, arches, walls, thrones, and dresses. In the final step, the rest of the painting is filled with rich and striking colors such as shades of red, blue, and green. Formerly, the artists used natural colors like vegetable and mineral dyes instead of chemical paints. The entire painting is then cleaned and refined to give a flawless finished look.
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Since the making of a single piece of Tanjore painting requires a complex and elaborate process, the artists usually take at least one or two months to complete it. The use of pure gold foil and gems for beautification is a characteristic of an authentic Tanjore painting. Due to this, Tanjore paintings last for generations without getting tarnished and are much more expensive than general paintings. Though the art form has undergone various changes and technique modifications over the years, it continues to attract the hearts of art lovers.
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