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Legend Of Krishna

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Name: Legend Of Krishna
Brand: Exotic India
SKU: PC28
Price: 150.00 USD
Availability: InStock

SG$224

Includes any tariffs and taxes

This item can be backordered

Time required to recreate this artwork

6 to 8 weeks

Advance to be paid now

SG$44.80 (20%)

Balance to be paid once product is ready

SG$179.20

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Specifications

	PC28
	Water Color on Tussar Silk
	1.5 ft x 3.5 ft

Delivery and Return Policies

	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Divine Tapestry of Lord Krishna's Leelas

This exquisite painting, rendered in vibrant water colors on the natural sheen of tussar silk, captures some of the most beloved and pivotal moments from the life of Lord Krishna, the divine cowherd and eighth avatar of Vishnu. The artist's skillful brushstrokes bring to life the joyous and miraculous exploits of this universally adored deity, offering a glimpse into the rich tapestry of Hindu mythology and devotion.

The Celestial Rainmaker

The uppermost panel depicts one of Krishna's most celebrated feats – the lifting of the Goverdhan Hill. According to ancient scriptures, the villagers of Vrindavan were subjected to torrential rains and fierce storms unleashed by the wrathful Lord Indra. Krishna, in his infinite compassion, held aloft the immense Goverdhan Hill on his little finger, providing shelter to his devotees and their cattle. This scene, rendered with dramatic clouds and figures looking up in awe, symbolizes divine protection and the power of devotion over the ego of celestial beings. The vibrant yellows and blues evoke the intensity of the storm and the unwavering resolve of Krishna. ———

The Dance of Divine Bliss

The central section transports us to the heart of Vrindavan, likely depicting the Ras Leela. Here, Krishna is shown in the company of the Gopis, his devoted cowherd maidens. Their graceful forms and expressive faces suggest the ecstasy and spiritual union experienced during this transcendental dance. Krishna, with his flute held to his lips, is the focal point, radiating an aura of divine charm and captivating presence. The artist's use of traditional motifs and vibrant attire further accentuates the celebratory and devotional atmosphere. This scene embodies the ultimate surrender and love between the devotee and the divine.

Conquering the Serpent King

The lowest panel illustrates a dramatic episode from Krishna's childhood: his victory over the venomous serpent Kaliya. The image portrays Krishna triumphantly dancing upon the coiled form of the multi-headed serpent, which had infested the waters of the Yamuna River, poisoning its inhabitants. The turbulent blue waters and the menacing presence of Kaliya are contrasted with Krishna's serene yet powerful stance. Krishna’s raised arm, perhaps about to play his divine flute, signifies his control over the chaotic forces of nature and his role as a protector of the universe. This depiction underscores Krishna's divine power and his ability to overcome obstacles and evil. This painting is more than just an artwork; it is a narrative woven with threads of faith, tradition, and artistry, celebrating the divine playfulness and profound wisdom of Lord Krishna. Each panel invites contemplation and spiritual reflection, making it a treasured addition to any collection seeking to embrace the essence of Indian spiritual heritage.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.