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Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
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to ensure peace of mind.
100% Handmade
100% Handmade
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MADE IN INDIA.

Lokeshvara (Brocadeless Thangka)

$1185
Includes any tariffs and taxes
Only 1 available
Specifications
CAA748
PURE 24 CARAT GOLD, ACRYLIC PAINT
26 inch Height X 17 inch Width
Weight 400 gm
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Awaken Your Sacred Sanctuary

Immerse your living space in the boundless compassion of the universe through a breathtaking masterpiece that commands instant reverence. You will find your daily meditation elevated as your eyes trace the intricate iconography radiating from the central figure. Inviting profound tranquility into your home, the artwork serves as a magnificent focal point for contemplation and spiritual grounding.

Masterful Himalayan Heritage

Skilled artisans pour months of meticulous devotion into rendering every single stroke with sacred intention and generational expertise. You will appreciate the brilliant application of pure 24 carat gold, which illuminates the divine halo and casts a warm, ethereal glow. Rich, highly saturated acrylic paint builds mesmerizing depth across the canvas, honoring ancient monastic traditions of Tibetan visual storytelling.

Harmonious Scale and Luminous Detail

Spanning an impressive 26 inches in height by 17 inches in width, the vertical composition draws your gaze upward along the cascading celestial tiers. You can explore the countless outstretched hands, each symbolizing ready assistance to suffering beings throughout the cosmos. Delicate facial expressions convey infinite patience, while the vibrant border elements frame the central deity in absolute harmony.

The Bodhisattva of Infinite Mercy

Rooted in centuries of Himalayan Buddhist philosophy, the depicted figure embodies the ultimate vow to delay enlightenment until all sentient souls are liberated. You connect directly with a rich mythological lineage where the thousand arms represent skillful means to heal the world. Each carefully painted deity in the surrounding mandalas reinforces a legacy of spiritual awakening and universal harmony.

An Exquisite Sanctuary Addition

Display the unbrocaded masterpiece proudly within your personal meditation room, executive study, or peaceful entryway to inspire daily mindfulness. You will transform any plain wall into an atmospheric sanctuary of high culture and serene contemplation. Guests will inevitably pause to admire the radiant metallic highlights and the astonishing complexity of the brushwork.

Preserving Your Sacred Heirloom

Protect your investment by framing the creation behind UV-protective glass and keeping it away from direct, harsh sunlight to preserve the brilliant metallic luster. You will ensure generations of beauty endure simply by dusting the surface gently with a soft, dry cloth. This enduring work of sacred art promises to reward your mindful stewardship with a lifetime of transcendent grace.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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