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Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
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to ensure peace of mind.
100% Handmade
100% Handmade
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MADE IN INDIA.

Man and Cub

$150
Includes any tariffs and taxes
Specifications
KG02
Kalighat Painting, Earth Color on Newsprint
13" X 16"
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Window into 19th Century Calcutta

This captivating Kalighat painting, rendered in earthy colors on newsprint, offers a glimpse into the vibrant and often subversive world of 19th-century Calcutta. Measuring 13" x 16", this artwork is a fine example of a distinctive art form that arose in the vicinity of the Kalighat Kali Temple. These paintings, initially sold as souvenirs to pilgrims visiting the temple, soon evolved into a unique form of social commentary, reflecting the changing times and challenging societal norms. Kalighat paintings are instantly recognizable by their bold outlines, simplified forms, and use of readily available, inexpensive materials. The artists, often belonging to a traditional artisan caste, quickly adapted their techniques to cater to a growing urban audience eager for relatable, yet visually striking art. This particular piece captures the essence of the Kalighat style, presenting a narrative with both artistic flair and potential deeper meaning. The limited color palette, primarily utilizing earthy tones, further enhances the painting's historical feel and emphasizes the directness of its message. It is a visual document of a transitional period in Indian history, where tradition met modernity, and art served as a powerful voice for the common person.

Deities and Depictions

The subject of this painting, a man tenderly embracing a cub, is a familiar theme that may immediately evoke the legend of Dakshina Ray. Dakshina Ray is a folk deity worshipped in the Sundarbans region of Bengal, a vast mangrove forest known for its tigers. He is revered as the protector of the forest, especially against the dangers posed by tigers. While the man in the painting may not be Dakshina Ray himself, the image clearly resonates with the deity’s associated symbolism. The dark complexion of the man, reminiscent of the depictions of many Indian gods and heroes, lends an air of divinity to the figure, perhaps implying some spiritual or mythological connection to the figure. His adorned necklaces also further add to the effect. The cub, with its strikingly bright coat, wraps itself affectionately around the figure. The depiction of the man with a cub can be seen as a depiction of harmony between man and nature. This painting offers the viewer a chance to own a piece of living history and to engage with a rich tradition of folk art that continues to resonate today.
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