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100% Handmade
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Shakyamuni Buddha (Brocadeless Thangka)

$1185
Includes any tariffs and taxes
Only 1 available
Specifications
CAA742
PURE 24 CARAT GOLD, ACRYLIC PAINT
36 inch Height X 26 inch Width
Weight 400 gm
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Awaken Your Space

Invite boundless tranquility and profound spiritual depth into your sanctuary with a breathtaking masterpiece of sacred Himalayan artistry. You will find yourself immediately drawn to the serene composure and luminous presence radiating from the central figure. Transform your daily environment into a peaceful retreat for meditation and contemplation through the captivating allure of timeless divine grace.

Sacred Mastery and Precious Materials

Master artisans pour countless hours of devotion and meticulous skill into every brushstroke of the creation process. You will appreciate the brilliant application of pure 24 carat gold, which illuminates the composition with an ethereal and enduring radiance. Vibrant acrylic paint blends seamlessly with these precious metallic accents, forming an exceptionally rich texture that honors centuries of traditional Himalayan technique.

Harmonious Composition and Scale

Spanning an impressive 36 inches in height by 26 inches in width, the vertical format commands attention without overwhelming your interior architecture. Delicate iconography reveals itself progressively, rewarding your close inspection with intricate details woven throughout the vibrant celestial background. The balanced proportions create a powerful visual anchor, drawing your eye naturally toward the compassionate gaze of the enlightened master.

Echoes of Ancient Enlightenment

Rooted deeply in the rich artistic traditions of Tibetan Buddhism, the imagery depicts the historical Buddha calling the earth to witness his supreme awakening. You connect directly with a profound lineage of spiritual seekers who utilized sacred geometry and divine portraits as maps for inner transformation. Every element of the composition symbolizes the transcendence of worldly illusion, offering you a tangible window into absolute peace.

A Sanctum for Reflection

Position the masterpiece prominently above a meditation altar, in a refined executive study, or as the striking focal point of a tranquil living room. You will discover that the glowing golden highlights shift magnificently throughout the day as natural light moves across your walls. It serves as an inspiring daily reminder to cultivate mindfulness, compassion, and inner stillness amidst the complexities of modern life.

Preserving Eternal Grace

Protect the delicate brilliance by framing the canvas behind UV-resistant glass and hanging it safely away from direct, harsh sunlight. You ensure generations of continued beauty by gently dusting the surface with a soft, dry cloth whenever necessary. This heirloom-quality creation promises to remain a cherished centerpiece of spiritual devotion and artistic appreciation for a lifetime.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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