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13" Goddess Green Tara Sculpture | Nepalese Copper Statue

$2010.75
$2681
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Only 1 available

Tara's green color symbolizes youthful vigor, activity, and karma. As she belongs to the Western Buddha Lotus line, her secondary color is red.

 

The blue lotus, Utpala, is a prominent feature in her iconography. Utpala flowers open at sunset, releasing their fragrance and are associated with the Moon, symbolizing longevity and the promise of relief from suffering day and night.

 

Tara's right hand is extended in the Varada Mudra, a gesture of giving and granting sublime realizations. Her left hand is positioned with all fingers extended upward, except for her ring finger, which touches the tip of her thumb, known as the Vitarka Mudra. This mudra can represent the Three Jewels (Sangha, Dharma, Buddha) or the act of giving refuge.

Specifications
MIS616
Copper with Gold Plated
Height: 13 inch
Width: 11 inch
Depth: 5 inch
Weight 4.40 kg
Delivery and Return Policies
Ships in 1-3 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Radiant Presence of Green Tara

This exquisite sculpture captures the serene and compassionate essence of Green Tara, a revered bodhisattva in Tibetan Buddhism. Crafted from pure copper and lavishly adorned with gold plating, this 13-inch statue radiates an aura of divine grace and tranquil strength. Green Tara is known as the "Mother of Liberation" and is invoked for protection from fear, danger, and suffering. She embodies swift action and unfailing compassion, always ready to descend and offer aid to those in need. The artistry of this piece is remarkable. The copper, a metal often associated with purity and healing, serves as a robust foundation for the intricate gold leaf application. This combination creates a lustrous finish that seems to emanate its own gentle light, perfectly reflecting Tara's benevolent nature. Every detail, from the delicate curvature of her fingers to the serene expression on her face, speaks of the profound devotion and skill of Nepalese artisans. The elaborate headdress and ornate jewelry are meticulously rendered, adding to the sculpture's regal splendor and spiritual significance.

Green Tara in Myth and Tradition

In Buddhist lore, Green Tara is said to have emerged from a tear shed by the bodhisattva Avalokiteshvara out of compassion for the suffering of the world. Her green complexion symbolizes her youthful vitality and her active, dynamic energy. Unlike other deities who may meditate or remain in stillness, Tara is always depicted as ready for action, symbolized by her left leg being drawn up in contemplation and her right leg extended, poised to descend and offer assistance. Her two primary consorts are White Tara and Green Tara, each representing different aspects of wisdom and compassion. She is often shown seated on a lotus, a symbol of purity and enlightenment, emerging unstained from the muddied waters of worldly existence. Her hands are often in the *vitarka mudra* (gesture of teaching or debate) and the *varada mudra* (gesture of bestowing boons), signifying her role as a guide and provider.

A Symbol of Hope and Protection

This magnificent statue serves not only as a devotional object but also as a powerful symbol of hope, courage, and unwavering support. The artisans have masterfully captured Green Tara's serene countenance, her eyes conveying a profound sense of empathy and understanding. The fluidity of her form, the delicate folds of her robes, and the intricate patterns adorning her garments all contribute to the dynamic yet peaceful presence of the deity. Placing this sculpture in your home or sacred space is an invitation to connect with the protective and nurturing energies of Green Tara, offering a constant reminder of her boundless compassion and the path to liberation from suffering. It is a testament to the rich spiritual heritage of Nepal and a masterpiece of devotional artistry.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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