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14" Goddess Green Tara Idol From Nepal

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$1622.25

$2163

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In Vajrayana Buddhism, Green Tara ceremonial meditation entails picturing the compassionate goddess in her most intriguing form and imagining oneness with her lovely form. The majestic statue of Green Tara made of gilded copper that is being displayed here comes from Nepal and is ideal for Bodhisattva worshippers. With her foot stretched on a tiny lotus flower, Tara is perched on a lotus, and two blooms are crowded together with her lean body. Both the delicateness of her clothing and the complexity of her jewels are realistically depicted.

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Specifications

	MIU277
	COPPER GILDED WITH GOLD
	Height: 14 inch
	Width: 11 inch
	Depth: 7 inch
	Weight 5 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Vision of Compassion: The Golden Tara

Gaze upon this exquisite representation of Green Tara, a revered bodhisattva in Mahayana Buddhism, known as the Mother of Liberation and the embodiment of active compassion. Crafted with meticulous attention to detail by skilled artisans in Nepal, this magnificent idol radiates a serene power and profound grace that is sure to inspire awe and devotion. The radiant copper, meticulously gilded with lustrous gold, captures the divine aura of Tara, transforming her into a beacon of hope and a source of solace.

The Legend of Tara

The lore surrounding Tara is rich and captivating. It is said that she was born from a tear shed by Avalokiteshvara, the Bodhisattva of Compassion, as he looked upon the suffering world. This tear transformed into a lake, and from its waters arose a lotus flower, which opened to reveal the radiant goddess. She vowed to manifest in the female form to offer succor to all beings, tirelessly working to alleviate suffering and guide sentient beings towards enlightenment. Green Tara, in particular, is associated with swift action and the overcoming of obstacles, representing the active, dynamic aspect of compassion. Her green hue symbolizes her boundless energy and her ability to act with speed and efficiency.

Artistry and Devotion

This idol is a testament to the enduring artistic traditions of Nepal, a land steeped in spiritual heritage. Each element of the sculpture, from the delicate ornamentation adorning her crown and jewelry to the serene expression on her face, is rendered with masterful skill. The intricate patterns etched into the golden surface, along with the carefully placed turquoise and coral-like embellishments, add layers of depth and visual richness. The posture of Green Tara, seated in the lotus position with her right leg extended, signifies her readiness to descend and offer assistance. Her left hand is raised in the protective gesture of Abhaya Mudra, symbolizing fearlessness and reassurance, while her right hand rests in her lap, holding the stem of a lotus, representing purity and the blossoming of enlightenment.

A Sacred Presence

Bringing this Golden Tara idol into your home or sacred space is an invitation to embrace the virtues she embodies. It serves as a powerful reminder of the presence of divine compassion and a catalyst for cultivating inner peace and resilience. Whether for personal devotion, meditation, or as a statement of exquisite artistry, this statue offers a tangible connection to ancient wisdom and the ever-present power of loving-kindness. Its substantial presence and the brilliance of its golden finish create an aura of sacredness, making it a truly remarkable piece for any discerning collector or spiritual seeker.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.