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15" Green Tara Budhisattva Copper Statue from Nepal

$1462.50
$1950
25% off
Includes any tariffs and taxes
Only 1 available

Green Tara holds a special place in Tibetan Buddhism, cherished for her role as a bodhisattva guiding people towards enlightenment and shielding them from worldly perils.

 

She radiates with a serene, slightly smiling countenance, framed by her dark hair adorned with a Utpala flower. Her visage exudes compassion, with eyes that are gently rounded and warm. Tara's divine form is bedecked in precious jewel ornaments, from necklaces to bracelets and anklets. Her right hand extends gracefully, clutching the Utpala flower stem, bestowing sublime realizations with its mudra. In her left hand, she holds another Utpala stem, its three upright fingers symbolizing refuge in the Buddha, Dharma, and Sangha, thus offering solace and guidance.

Specifications
MIT083
Copper with Gold Plated
Height: 15 inch
Width: 10 inch
Depth: 7 inch
Weight 5.70 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Embodiment of Compassion and Action

This exquisite statue captures the serene and benevolent essence of Green Tara, a revered female Bodhisattva in Tibetan Buddhism. Known as the "Mother of Liberation," Tara is an enlightened being who manifests in various forms to help sentient beings overcome obstacles and achieve enlightenment. Her green complexion symbolizes her active, compassionate nature, embodying the quick and effortless response of a mother to her child's needs. This particular representation showcases her in a seated posture, with her right leg extended, indicating her readiness to descend to earth and offer assistance at any moment. Her left hand is held in the gesture of refuge, while her right hand rests on her knee, a symbol of generosity. ––––––––––––––––––

Symbolism and Iconography

Green Tara is often depicted with her right hand holding a lotus flower, signifying her purity and enlightened compassion. The blooming lotus, rising from muddy waters, represents the potential for enlightenment within all beings, regardless of their current circumstances. This statue artfully renders these details, with vibrant colors and intricate craftsmanship. Her adornments, including her ornate crown and jewelry, signify her status as a divine being. The use of copper, a sacred metal, and the application of gold plating add to the statue's spiritual significance and aesthetic appeal, reflecting the radiance and preciousness of Tara's enlightened qualities. ––––––––––––––––––

Craftsmanship from the Himalayas

Hailing from Nepal, a land steeped in Buddhist tradition and artistic heritage, this statue is a testament to the skill and devotion of Nepalese artisans. Each detail, from the gentle curve of her smile to the delicate folds of her robes, is meticulously rendered. The vibrant colors, applied with precision, bring the deity to life, creating a powerful visual representation of her compassionate energy. The statue's substantial size makes it a commanding presence, suitable for an altar, meditation space, or as a significant piece of art for any devotee or admirer of Buddhist iconography. It serves not only as an object of veneration but also as a beautiful reminder of the profound teachings of compassion, wisdom, and action.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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