8" Copper Tibetan Buddhist Set Of Treee Wrathful God (Rahul,Ekajata and Vajrapani) From Nepal

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Name: 8" Copper Tibetan Buddhist Set Of Treee Wrathful God (Rahul,Ekajata and Vajrapani) From Nepal
Brand: Exotic India
SKU: NLH019
Price: 2160.00 USD
Availability: InStock

$2025

$2700

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Specifications

	NLH019
	Copper With Gold
	Height: 8 inch
	Width: 6 inch
	Depth: 4 inch
	Weight 5.35 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
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Fully Insured

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100% Handmade

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MADE IN INDIA.

Guardians of the Dharma: A Set of Wrathful Deities

This exquisite set of three copper statues, meticulously crafted in Nepal, depicts powerful wrathful deities from Tibetan Buddhist tradition. Each piece radiates an intense aura of spiritual power, rendered in gleaming copper with delicate gold accents that capture and reflect light, imbuing them with a sacred luminescence. These figures are not merely decorative; they are potent symbols intended to inspire awe and ward off negative forces, embodying the fierce protection that the Dharma offers to its practitioners. The artistry evident in each statue speaks to the deep reverence and skill of Nepalese artisans who have for centuries preserved these sacred traditions.

The Three Protectors

The collection features Rahul, Ekajata, and Vajrapani, each a significant figure in the Tibetan Buddhist pantheon. Rahul, often depicted with multiple heads and arms, is a formidable protector against ill fortune and the celestial influences that can disrupt spiritual progress. His many faces symbolize an all-seeing vigilance, ensuring no harm can befall the devotee unnoticed. Ekajata, the single-braided one, is a fierce aspect of Tara, embodying her wrathful power to overcome obstacles and negative karma. Her piercing gaze and formidable posture are a testament to her unwavering dedication to protecting the teachings. Vajrapani, the thunderbolt-wielder, is one of the most powerful bodhisattvas, representing the power of all Buddhas. He is the vanquisher of demons and the dispeller of ignorance, a symbol of insurmountable strength and the ultimate triumph of wisdom over delusion.

Symbolism and Craftsmanship

The dynamic postures of these deities, often depicted in fierce stances with flames of wisdom or wrath erupting around them, are symbolic of their active role in safeguarding the spiritual path. The flames represent the purification and transformative energy that these deities embody, burning away obscurations and paving the way for enlightenment. The intricate detailing, from the musculature of their powerful forms to the symbolic implements they hold, showcases the mastery of traditional casting and finishing techniques. The copper base, often adorned with ornate patterns, provides a stable foundation, mirroring the steadfastness of these divine protectors. These statues are more than just works of art; they are conduits of spiritual energy, designed to bring a sense of protection, empowerment, and profound spiritual connection to any sacred space. They are a tangible link to ancient wisdom and the enduring power of the Buddhist path.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.