Mother of All Buddhas- Goddess Tara in her 21 Forms

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Mother of All Buddhas- Goddess Tara in her 21 Forms

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Name: Mother of All Buddhas- Goddess Tara in her 21 Forms
Brand: Exotic India
SKU: NLH116
Price: 9480.00 USD
Availability: InStock

$8887.50

$11,850

25% off

Includes any tariffs and taxes

Only 1 available

A breathtaking representation of the powerful 21 forms of Green Tara, this statue from Nepal is made from copper and 24 Karat gold. The statue is a visualization of the verse “Homage to 21 Taras”, at whose core lies Green Tara, presented at the center of this artwork, with perfectly delineated features. Each form of Tara is depicted with intricate detailing and a floral offering on their feet. The masterpiece has a golden Buddha at the top, whose enlightenment flows through the branches and blossoms in the form of the Taras.

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Specifications

	NLH116
	Copper With Gilded 24K Gold
	Height: 43 inch
	Width: 35 inch
	Depth: 16 inch
	Weight 30 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

The Auspicious Tree of Tara: A Vision of Compassion and Protection

Behold a magnificent masterpiece, a profound visual representation of the divine feminine energy that permeates Buddhist cosmology. This exquisite creation, meticulously crafted from copper and adorned with a shimmering layer of 24K gilded gold, depicts Goddess Tara in her multifarious forms, emanating from the branches of a lush, verdant tree. At its heart, the principal Tara figure, radiant in her emerald-hued robes and serene countenance, sits in the lotus posture, a symbol of enlightenment and purity. Her posture, with one hand raised in the gesture of fearlessness (abhaya mudra) and the other resting in her lap, signifies her protective and compassionate embrace of all sentient beings.

The Twenty-One Manifestations of Swift Aid

The "Mother of All Buddhas," Goddess Tara, is revered as the embodiment of active compassion, a swift and powerful protector against the eight great fears and other worldly dangers. This tableau illustrates her twenty-one emanations, each possessing unique qualities and attributes to address a myriad of challenges faced by devotees. These varied forms, nestled amongst vibrant, blooming flowers and verdant leaves, represent Tara's boundless capacity to manifest in ways that resonate with the specific needs of those who seek her refuge. Each miniature deity is a testament to her accessibility and responsiveness, a reminder that her aid is always near, as swift as a ray of light.

A Celestial Garden of Divine Grace

The tree itself is more than mere ornamentation; it is a symbolic representation of the Bodhi tree, the Tree of Enlightenment, and the spiritual growth that arises from devotion. The intricate metalwork, with each leaf and petal delicately rendered, creates a sense of living vibrancy, as if the celestial garden is pulsating with divine energy. The rich, deep greens of the leaves contrast beautifully with the jewel-toned hues of the flowers and the smaller Tara figures, drawing the eye and inviting contemplation. The entire composition is elevated by a regal, multi-tiered golden pedestal, adorned with intricate scrollwork and auspicious symbols, further enhancing its sacred aura and anchoring the divine presence.

Craftsmanship Rooted in Tradition

This breathtaking sculpture is a testament to the rich artistic heritage of Nepal, a land steeped in centuries of Buddhist tradition and craftsmanship. The skillful artisans have employed time-honored techniques to imbue this piece with soul and spirit. The delicate application of gilding not only enhances the visual splendor but also imbues the metal with a sacred quality, reflecting the light and the devotion of those who behold it. This is not merely an object of beauty, but a sacred icon, designed to inspire reverence, offer solace, and serve as a focal point for meditation and prayer. It is a powerful reminder of the ever-present, all-encompassing nature of Tara's loving kindness.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.