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100% Handmade
100% Handmade
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MADE IN INDIA.

Krishna-Kautuka (Puzzle): Hand-Painted Wood Carving

€1236
Includes any tariffs and taxes
Only 1 available

This awe-inspiring wooden panel presents Krishna as Kautuka (marvel), a sculptural mode in Indian tradition where the image is intentionally composed as a visual riddle. Such works are not meant to be grasped at once.


They draw the viewer into a prolonged act of seeing, where recognition emerges gradually. Kautuka is where devotion and dedication meet- the sculptor demonstrates mastery over form, while the viewer is invited to gaze at the divine.


This particular Kautuka is a recreation of the roof carvings of the Chalukya-period Harihareshwara Temple, located in Solapur, Maharashtra.


At first encounter, Krishna appears as a compact, intertwined body in motion. Limbs overlap, torsos fold, and directions shift without immediate clarity. As the eye lingers, the structure begins to resolve- multiple figures align within one another, each complete, yet inseparable from the whole.


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Specifications
SA0402
Wood Carving
Height: 26 inch
Width: 26 inch
Depth: 3 inch
Weight 13.39 kg
About the Item
  • Intricately carved wood panel depicting "The Puzzle" theme.
  • Features a detailed and complex arrangement of figures.
  • Measures 26 inches, making it a striking focal point.
  • Crafted from solid wood for durability and a natural aesthetic.
  • Ideal for adding a unique artistic element to living rooms or meditation spaces.
  • Offers a blend of traditional craftsmanship and contemporary design.
Delivery and Return Policies
Ships in 1-3 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The composition is tightly controlled; every curve and intersection is deliberate, sustaining both ambiguity and coherence. At the centre, Krishna’s face remains composed and steady, crowned and adorned, anchoring the entire construction. His multiplicity does not fracture identity; it expands it. This layered embodiment echoes Vaishnava thought, where Krishna manifests in countless forms while remaining singular in essence.


The painted surface sharpens this experience. The blue of the body, set against red, green, and gold ornament, allows each segment to emerge in sequence, guiding the viewer through stages of recognition rather than presenting a fixed image. As one continues to follow and resolve the interwoven form, attention withdraws from distraction and settles into the act of seeing itself. The effort to “untangle” Krishna becomes inwardly transformative, the mind, engaged in resolving the divine image, loosens its hold on other preoccupations. What begins as visual inquiry turns into a sustained moment of darshana, where clarity of form and clarity of awareness arise together.


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