BOOKS ON INDIAN CLASSICAL & FOLK DANCE

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Affichage de 1 à 48 sur 322 résultats
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Classical Dance Heritage of Karnataka
Classical Dance Heritage of Karnataka
By Choodamani Nandagopal
AED102
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Rabindra Natyam (An Old and Rare Book- Only 1 Copy Available)
Rabindra Natyam (An Old and Rare Book- Only 1 Copy Available)
By Valmiki Banerjee
AED219
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Two Books on Kelucharan Mohapatra
Two Books on Kelucharan Mohapatra
By Ileana Citaristi
AED186
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Dictionary of Dance Eastern India: A Lexicon of Eastern India's Dance Heritage
Dictionary of Dance Eastern India: A Lexicon of Eastern India's Dance Heritage
By Smriti Sharma
AED93.60
AED117 20% off
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Gotipua Dance and Odissi Music (A Glorious Tradition)
Gotipua Dance and Odissi Music (A Glorious Tradition)
By Bishnu Mohan Kabi
AED88
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Odissi Dance (Set of 14 Books)
Odissi Dance (Set of 14 Books)
By Various Authors
AED1732
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Tala and Nattuvangam: A Theoretical and Practical Study
Tala and Nattuvangam: A Theoretical and Practical Study
By Sreekanth P. V
AED88
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Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
By Chirakkal T. Sreedharan Nair
AED153
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Kathak Dance Syllabi: With Notation (Set of 2 Volumes)
Kathak Dance Syllabi: With Notation (Set of 2 Volumes)
By Puru Dadheech
AED175
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Aspects of Abhinaya
Aspects of Abhinaya
By Kalanidhi Narayanan
AED117
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Introduction to Kathak- The indian Classical Dance
Introduction to Kathak- The indian Classical Dance
By Manjiri Shreeram Deo
AED88
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Popular Classical Dances of India- Demystifying Fine Arts - Volume 25 (An Old and Rare Book)
Popular Classical Dances of India- Demystifying Fine Arts - Volume 25 (An Old and Rare Book)
By Vidya Bhavani Suresh
AED132
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Bharatiya Knowledge Traditions: Arts, Performance and Aesthetic Knowledge (Volume 2)
Bharatiya Knowledge Traditions: Arts, Performance and Aesthetic Knowledge (Volume 2)
By Pranav Kumar
AED113
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Nala Najan - Life, Legacy, Art and Work (Set of 5 Volumes)
Nala Najan - Life, Legacy, Art and Work (Set of 5 Volumes)
By Padma Chittampalli
AED537
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Acupressure & Kathak Dance
Acupressure & Kathak Dance
By Ruchi Khare
AED117
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The Odissi Dance Path Finder (Set of 2 Volumes)
The Odissi Dance Path Finder (Set of 2 Volumes)
Publisher Guru Kelu Charan Mohapatra Odissi Research Centre
AED143
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Karma Dance- Monograph
Karma Dance- Monograph
By Vandana Dutta
AED95
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Call of the North East- Folk Dances of North East India
Call of the North East- Folk Dances of North East India
By Edited By Gouri Basu
AED164
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Rhythmic Rhapsodies- Folk Dances of Eastern India
Rhythmic Rhapsodies- Folk Dances of Eastern India
By Edited By Gouri Basu
AED150
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The Rich Tapestry of Indian Classical Dances
The Rich Tapestry of Indian Classical Dances
By Ashish Giri
AED201
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Demsa- Dance of Andhra Pradesh (Monograph)
Demsa- Dance of Andhra Pradesh (Monograph)
By Jayadhir Thirmal Rao
AED91
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Kathak: A Theoretical & Practical Knowledge (Volume-01)
Kathak: A Theoretical & Practical Knowledge (Volume-01)
By Marami Medhi, Debasish Talukdar
AED117
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Therapeutic Magic of Kathak: Based on the Research Study 'Scope of Kathak Dance As a Healing Therapy (with Special Focus on Acupressure)’
Therapeutic Magic of Kathak: Based on the Research Study 'Scope of Kathak Dance As a Healing Therapy (with Special Focus on Acupressure)’
By Ruchi Khare
AED117
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Innovative Changes in Kathak Due to Globalisation
Innovative Changes in Kathak Due to Globalisation
By Mansi Saxena
AED117
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Preksaniyam- Essays on Indian Classical Dance and Theatre
Preksaniyam- Essays on Indian Classical Dance and Theatre
By R. Ganesh
AED186
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Kathak Dance Syllabi: With Notation (Part Two)
Kathak Dance Syllabi: With Notation (Part Two)
By Puru Dadheech
AED128
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Kathak Dance Syllabi (Part One)
Kathak Dance Syllabi (Part One)
By Puru Dadheech
AED80
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Kathak
Kathak
By Richa Jain
AED150
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Bharatanatyam Nrithya Darpana (The Basic Knowledge of Theory and Adavus)
Bharatanatyam Nrithya Darpana (The Basic Knowledge of Theory and Adavus)
By N. K. Pratap Sarkar
AED91
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Nayana-Savana (A Creative Appreciation of the Artistic Works of Dr. Padma Subrahmanyam)
Nayana-Savana (A Creative Appreciation of the Artistic Works of Dr. Padma Subrahmanyam)
By R. Ganesh, Arjun Bharadwaj
AED102
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An Insight into Kathak
An Insight into Kathak
By Manjiri Shreeram Deo
AED99
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Kathak a Theoretical & Practical Guide (Volume-1)
Kathak a Theoretical & Practical Guide (Volume-1)
By MARAMI MEDHI & DEBASISH TALUKDAR
AED121
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Pictorial & Descriptive Glossary of Bharata’s Natyasastra (A Student's Companion)
Pictorial & Descriptive Glossary of Bharata’s Natyasastra (A Student's Companion)
By Smt. N.A. Laxmi
AED179
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108 பரதநாட்டிய ஜதிகள்- 108 Bharathanatyam Jathis (Tamil and English With Audio Link)
108 பரதநாட்டிய ஜதிகள்- 108 Bharathanatyam Jathis (Tamil and English With Audio Link)
By Chidambaram R. Suresh and Shobana Suresh
AED146
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Bharatiya Knowledge Traditions: Arts, Performance and Aesthetic Knowledge (Volume 2)
Bharatiya Knowledge Traditions: Arts, Performance and Aesthetic Knowledge (Volume 2)
By Pranav Kumar
AED150
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Bharatanatyam
Bharatanatyam
By Varun Khanna
AED150
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Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
By Edited By Swapnil Chaphekar, Ramakrishna Pejathaya
AED91
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Dance as Yoga (The Spirit and Technique of Odissi)
Dance as Yoga (The Spirit and Technique of Odissi)
By Rekha Tandon
AED137.60
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Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
By Nandikesvara
AED88
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Folk Plays and Dances of Kerala
Folk Plays and Dances of Kerala
By M. D. Raghavan
AED95
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Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
By P. Rama Devi
AED216
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Puppetry and Lesser Known Dance Traditions of Kerala
Puppetry and Lesser Known Dance Traditions of Kerala
By G. Venu
AED128
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Students Guide to Odissi Dance (Covering Gandharva Mahavidyalaya Syllabus of Prarambhik to Madhyama Pratham)
Students Guide to Odissi Dance (Covering Gandharva Mahavidyalaya Syllabus of Prarambhik to Madhyama Pratham)
By Sneha Gupta
AED128
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Kathak and Shastra Special Issue by Sangeet Natak (Volume LIV Numbers 14,2020)
Kathak and Shastra Special Issue by Sangeet Natak (Volume LIV Numbers 14,2020)
By Ankur Acharya
AED135
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Special Issue- Prayog and Shastra (Sangeet Natak Volume, XLIX, Numbers 1-2, 2015
Special Issue- Prayog and Shastra (Sangeet Natak Volume, XLIX, Numbers 1-2, 2015
By Leela Venkataraman
AED84
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Samsara- The Revived Glory of Indian Art Forms
Samsara- The Revived Glory of Indian Art Forms
By Aleena Anabelly. A
AED71.25
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Kathak in Two Schools
Kathak in Two Schools
By Dipanwita Roy
AED104.25
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Zlos-Gar Performing Traditions of Tibet
Zlos-Gar Performing Traditions of Tibet
By Jamyang Norbu
AED63.70
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AED91 30% off
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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