BOOKS ON INDIAN CLASSICAL & FOLK DANCE

Affichage de 73 à 144 sur 317 résultats
Affichage de 73 à 144 sur 317 résultats
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Contemporary Dance (Practices, Paradigms and Practitioners)
Contemporary Dance (Practices, Paradigms and Practitioners)
By TRIPURA KASHYAP
AED161
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Asian Dance Multiple Levels
Asian Dance Multiple Levels
By Kapila Vatsyayan
AED184.10
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AED263 30% off
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Music Of Krishnanattam (A Leading Dance Drama of Kerala)
Music Of Krishnanattam (A Leading Dance Drama of Kerala)
By T.V. Manikandan
AED85.60
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AED107 20% off
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Art Without Frontiers - Classical Dance and Music of India
Art Without Frontiers - Classical Dance and Music of India
By Sharon Lowen
AED176.40
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Streevesham in Kathakali
Streevesham in Kathakali
By Prabal Gupta
AED165.90
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History of Indian Music (With Particular Reference to Theory and Practice)
History of Indian Music (With Particular Reference to Theory and Practice)
By Bhavanrav A. Pingle
AED70
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Facets of Indian Classical Dance- Proceedings of the National Seminar on "World Dance Day"
Facets of Indian Classical Dance- Proceedings of the National Seminar on "World Dance Day"
By Ina Shastri
AED92
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Art of Dancing: Classical and Folk Dances
Art of Dancing: Classical and Folk Dances
By Priyabala Shah
AED119
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Folk Music and Folk Dances of Banaras
Folk Music and Folk Dances of Banaras
By Onkar Prasad
AED174
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Bharatanatyam (The Tamil Heritage)
Bharatanatyam (The Tamil Heritage)
By Lakshmi Viswanathan
AED119
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Nalacharitham
Nalacharitham
By Unnayiwarrier and V. Subramaniaiyer
AED74
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Natya Sastra Mala- The Basics of Natya Sastra from a Series of Lectures by Rajee Narayan
Natya Sastra Mala- The Basics of Natya Sastra from a Series of Lectures by Rajee Narayan
By Rajee Narayan
AED145
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Modern Dance: Multifaceted Dimension (An Old and Rare Book)
Modern Dance: Multifaceted Dimension (An Old and Rare Book)
By Sruti Bandopadhyay
AED74
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Nritta Manjari
Nritta Manjari
By Leela Row
AED72.15
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Tibetan Religious Dances (Tibetan Text and Annotated Translation of the Chams Yig)
Tibetan Religious Dances (Tibetan Text and Annotated Translation of the Chams Yig)
By Rene De Nebesky-Wojkowitz
AED122.85
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Manipuri Dances
Manipuri Dances
By Leela Row Dayal
AED43.55
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Hema (An Old and Rare Book)
Hema (An Old and Rare Book)
By Kunjapur Nigamantha Gopalan
AED77.35
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Oggu Katha - Accompained Imitations and Expressions
Oggu Katha - Accompained Imitations and Expressions
By R. Vasudev Singh and Sridevi
AED79.30
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Journey through a Tradition (Kandappa-T. Balasaraswati Bharatanatyam Technique)
Journey through a Tradition (Kandappa-T. Balasaraswati Bharatanatyam Technique)
By V. Raghavan
AED119
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Ahobala's Sangitaparijata (Bhavan's Series on Natya Nritya and Sangita)
Ahobala's Sangitaparijata (Bhavan's Series on Natya Nritya and Sangita)
By Deepti Omchery Bhalla
AED122
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Basic Concepts of Indian Dance (An Old Book)
Basic Concepts of Indian Dance (An Old Book)
By Projesh Banerji
AED119
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Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
By Vasanthy Rao
AED126
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Indian Classical Dance
Indian Classical Dance
By Kapila Vatsyayan
AED130
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Kathak (The Dance of Storytellers)
Kathak (The Dance of Storytellers)
By Rachna Ramya
AED186.40
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Laghu Bharatham: Hand Book on Bharatha Natyam (Set of 3 Volumes)
Laghu Bharatham: Hand Book on Bharatha Natyam (Set of 3 Volumes)
By Prof. Sudharani Raghupathy
AED233.10
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Mudra Viniyoga Prakriya - A Practical Book for the Interpretation of Mudra (Set of 2 Volumes)
Mudra Viniyoga Prakriya - A Practical Book for the Interpretation of Mudra (Set of 2 Volumes)
By Gullapudi Raman Kumari
AED537
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Approach To Bharathanatyam
Approach To Bharathanatyam
By Dr. S. Bhayalekshmy
AED100
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Traditions of Indian Folk Dance
Traditions of Indian Folk Dance
By Kapila Vatsyayan
AED396
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Indian Dance - Through a Critic's Eye
Indian Dance - Through a Critic's Eye
By Leela Venkataraman
AED139.20
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Bharat-Natya-Manjari (Bharata on the Theory and Practice of Drama)
Bharat-Natya-Manjari (Bharata on the Theory and Practice of Drama)
By G.K. Bhat
AED211
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Let us Watch Bharatanatyam
Let us Watch Bharatanatyam
Publisher A SKANDA PUBLICATION, CHENNAI
AED152.90
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Tibetan Sacred Dance (A Journey into The Religious and Folk Traditions)
Tibetan Sacred Dance (A Journey into The Religious and Folk Traditions)
By Ellen Pearlman
AED130
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Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
By Sayanika Goswami
AED140
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Dance Music and Ritual in Manipur
Dance Music and Ritual in Manipur
By Byron Aihara
AED275
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Glimpses of Indian Music and Dance for NET, SLET & JRF (Objective Type Questions)
Glimpses of Indian Music and Dance for NET, SLET & JRF (Objective Type Questions)
By DR. Arun Bangre
AED124.80
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Music, Dance, Cinema (A Flashback and Progress)
Music, Dance, Cinema (A Flashback and Progress)
By Lakshmi Sundaram
AED121.80
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India's Kathak Dance Past, Present, Future
India's Kathak Dance Past, Present, Future
By Reginald Massey
AED130
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Re-scribing Tradition (Modernisation of South Indian Dance Drama)
Re-scribing Tradition (Modernisation of South Indian Dance Drama)
By Guru Rao Bapat
AED174
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Rukmini Devi (Dance Drama)
Rukmini Devi (Dance Drama)
Publisher Kalakshetra Publications, Chennai
AED319
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Kathakali: Dance-Theatre (A Visual Narrative of Sacred Indian Mime)
Kathakali: Dance-Theatre (A Visual Narrative of Sacred Indian Mime)
By K. K. Gopalakrishnan
AED233.10
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Dance Dancers and Musicians
Dance Dancers and Musicians
By Nandini Ramani
AED126
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Janapadam Gnanapatham (Folk and Tribal Dances of India)
Janapadam Gnanapatham (Folk and Tribal Dances of India)
By Srilekha Kocherlakota
AED148
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Hindustani Sangeet And a Philosophy of Art: Music, Rhythm and Kathak Dance vis-à-vis Aesthetics of Susanne K. Langer
Hindustani Sangeet And a Philosophy of Art: Music, Rhythm and Kathak Dance vis-à-vis Aesthetics of Susanne K. Langer
By S. K. Saxena
AED136
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The Dance Orissi (Odissi)
The Dance Orissi (Odissi)
By Mohan KhokarAshish Khokar
AED248.30
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Odissi Yaatra- The Journey of Guru Mayadhar Raut
Odissi Yaatra- The Journey of Guru Mayadhar Raut
By Aadya Kaktikar
AED197.45
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Dhananjayan on Indian Classical Dance
Dhananjayan on Indian Classical Dance
Publisher B.R. Publishing Corporation
AED140
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Let’s Know Dances of India
Let’s Know Dances of India
By Aakriti Sinha
AED126
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Dances of Kerala
Dances of Kerala
By G. Rajasekaran
AED88.20
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Celebration of Life Indian Folk Dances
Celebration of Life Indian Folk Dances
By Jiwan Pani
AED137
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Dance Drama (In Theory and Practice)
Dance Drama (In Theory and Practice)
By S. Ramaratnam
AED228.20
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Mohiniyattam (Bharati Shivaji and Vijayalakshmi)
Mohiniyattam (Bharati Shivaji and Vijayalakshmi)
By Bharati Shivaji & Vijayalakshmi
AED107
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Indian Dances For Beginners
Indian Dances For Beginners
By Ram Avtar 'Vir'
AED59.20
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Gaudiya Dance (A Collection of Seminar Papers)
Gaudiya Dance (A Collection of Seminar Papers)
By Pallab Sengupta , Manabendu Banerjee , Mahua Mukherjee
AED133
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Shammi Kapoor The Dancing Hero (The Legends of Indian Cinema
Shammi Kapoor The Dancing Hero (The Legends of Indian Cinema
By Deepa Gahlot
AED77.70
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Movement in Stills: The Dance and Life of Kumudini Lakhia
Movement in Stills: The Dance and Life of Kumudini Lakhia
By Reena Shah
AED122
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Lhamo Opera from the Roof of the World-Joanna Ross
Lhamo Opera from the Roof of the World-Joanna Ross
By Joanna Ross
AED137
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Dance like a Man
Dance like a Man
By Mahesh Dattani
AED28.70
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A Dictionary of Kathakali
A Dictionary of Kathakali
By K. P. S. Menon
AED74
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Κathakali- An Ocean of Possibilities, Heritage and Present Scenario
Κathakali- An Ocean of Possibilities, Heritage and Present Scenario
By V. R. Prabodhachandran Nayar
AED141
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Cosmic Dance to Choreographic Lineage
Cosmic Dance to Choreographic Lineage
By Parul Purohit Vats, Rashmi Khanna, Simer Preet Sokhi
AED109.60
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Acupressure & Kathak Dance
Acupressure & Kathak Dance
By Ruchi Khare
AED115
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Sculpting the Sacred in Sound and Movement: Guru K.J. Govindarajan's Contribution to Bharatanatyam (Carnatic Compositions, Dance Repertoire, and the Making of a Legacy)
Sculpting the Sacred in Sound and Movement: Guru K.J. Govindarajan's Contribution to Bharatanatyam (Carnatic Compositions, Dance Repertoire, and the Making of a Legacy)
By Rashmi Khanna
AED109.60
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Tala and Nattuvangam: A Theoretical and Practical Study
Tala and Nattuvangam: A Theoretical and Practical Study
By Sreekanth P. V
AED85
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Odissi Nrutya Alochana: English Version of the Proceedings of the Seminar Held on 28th-29th July 1975
Odissi Nrutya Alochana: English Version of the Proceedings of the Seminar Held on 28th-29th July 1975
Publisher Orissa Sangeet Natak Akademi, Bhubaneswar
AED130
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The Sattriya Dance Assam: An Analytical and Critical Study
The Sattriya Dance Assam: An Analytical and Critical Study
By Jagannath Mahanta
AED178
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Innovative Changes in Kathak Due to Globalisation
Innovative Changes in Kathak Due to Globalisation
By Mansi Saxena
AED115
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अंग काव्य: Ang Kavya- Nomenclature for Band Movements and Feet Positions in Kathak
अंग काव्य: Ang Kavya- Nomenclature for Band Movements and Feet Positions in Kathak
By Birju Maharaj
AED111
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Kathak
Kathak
By Richa Jain
AED145
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Buddhist Dances: Movement & Mind
Buddhist Dances: Movement & Mind
By Joseph Houseal
AED415
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Newar Theatrical Performances (Religious, Royal, and Comic Aspects)
Newar Theatrical Performances (Religious, Royal, and Comic Aspects)
By Gerard Toffin
AED452
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Bharata Natyam on the Global Stage: At Home in the World
Bharata Natyam on the Global Stage: At Home in the World
By Janet O Shea
AED122
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Nrtya Tarangini: English Translation and Transliteration from Telugu Original Text
Nrtya Tarangini: English Translation and Transliteration from Telugu Original Text
By Veena Murthy Vijay
AED315
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
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    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
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    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
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