BOOKS ON INDIAN CLASSICAL & FOLK DANCE

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Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
By Nandikesvara
AED85
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Natyasastra Of Bharata-Muni - 4 Volumes
Natyasastra Of Bharata-Muni - 4 Volumes
By MANOMOHAN GHOSH
AED422
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Bharatanatyam: How to? (A Step-by-Step Approach to Learn the Classical Dance form)
Bharatanatyam: How to? (A Step-by-Step Approach to Learn the Classical Dance form)
By Jayalakshmi Eshwar
AED302.40
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Pictorial & Descriptive Glossary of Bharata’s Natyasastra (A Student's Companion)
Pictorial & Descriptive Glossary of Bharata’s Natyasastra (A Student's Companion)
By Smt. N.A. Laxmi
AED174
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Introduction to Bharata's Natyasastra
Introduction to Bharata's Natyasastra
By Adya Rangacharya
AED78
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Celebration of Life Indian Folk Dances
Celebration of Life Indian Folk Dances
By Jiwan Pani
AED137
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Kathak Dance Syllabi: With Notation (Set of 2 Volumes)
Kathak Dance Syllabi: With Notation (Set of 2 Volumes)
By Puru Dadheech
AED170
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Kuchipudi Dance in Textual Form
Kuchipudi Dance in Textual Form
By P. Rama Devi
AED119
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Tantra Mantra Yantra in Dance: An Exposition of Kathaka
Tantra Mantra Yantra in Dance: An Exposition of Kathaka
By Ranjana Srivastava
AED170
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Indian Dances For Beginners
Indian Dances For Beginners
By Ram Avtar 'Vir'
AED59.20
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Bharatanatyam (The Tamil Heritage)
Bharatanatyam (The Tamil Heritage)
By Lakshmi Viswanathan
AED119
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Rukmini Devi Arundale (1904 - 1986): A Visionary Architect of Indian Culture and the Performing Arts
Rukmini Devi Arundale (1904 - 1986): A Visionary Architect of Indian Culture and the Performing Arts
By Ed. By. Dr. Avanthi Meduri
AED126
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Art of Dancing: Classical and Folk Dances
Art of Dancing: Classical and Folk Dances
By Priyabala Shah
AED119
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Introduction to Kathak- The indian Classical Dance
Introduction to Kathak- The indian Classical Dance
By Manjiri Shreeram Deo
AED85
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Aspects of Abhinaya
Aspects of Abhinaya
By Kalanidhi Narayanan
AED115
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Dance as Yoga (The Spirit and Technique of Odissi)
Dance as Yoga (The Spirit and Technique of Odissi)
By Rekha Tandon
AED133.60
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Abhinaya Candrika and Odissi Dance (Set of 2 Volumes)
Abhinaya Candrika and Odissi Dance (Set of 2 Volumes)
By Sushma Kulshreshtha, A.C. Sarangi and Maya Das
AED252
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Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
By Smt. Madhavi Rajagopalan
AED82
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Nrttaratnavali (Set of 2 Volumes)
Nrttaratnavali (Set of 2 Volumes)
By Pappu Vengopala Rao and Yashoda Thakore
AED319
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108 பரதநாட்டிய ஜதிகள்- 108 Bharathanatyam Jathis (Tamil and English With Audio Link)
108 பரதநாட்டிய ஜதிகள்- 108 Bharathanatyam Jathis (Tamil and English With Audio Link)
By Chidambaram R. Suresh and Shobana Suresh
AED141
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Kathakali The Dance-Theatre
Kathakali The Dance-Theatre
By Kalamandalam Govindan Kutty
AED122
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Students Guide to Odissi Dance (Covering Gandharva Mahavidyalaya Syllabus of Prarambhik to Madhyama Pratham)
Students Guide to Odissi Dance (Covering Gandharva Mahavidyalaya Syllabus of Prarambhik to Madhyama Pratham)
By Sneha Gupta
AED126
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Splendours of Indian Dance (Forms - Theory - Practice)
Splendours of Indian Dance (Forms - Theory - Practice)
By V. Raghavan
AED159
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Journey through a Tradition (Kandappa-T. Balasaraswati Bharatanatyam Technique)
Journey through a Tradition (Kandappa-T. Balasaraswati Bharatanatyam Technique)
By V. Raghavan
AED119
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Rukmini Devi (Bharata Natya)
Rukmini Devi (Bharata Natya)
By Conrad Woldring and C. Nachiappan
AED289
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The Life and Times of La Meri: The Queen of Ethnic Dance
The Life and Times of La Meri: The Queen of Ethnic Dance
By Usha Venkateswaran
AED111
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Swinging Syllables: Aesthetics of Kathak Dance
Swinging Syllables: Aesthetics of Kathak Dance
By Sushil Kumar Saxena
AED152
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Kathak Dance Syllabi: With Notation (Part Two)
Kathak Dance Syllabi: With Notation (Part Two)
By Puru Dadheech
AED126
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Concept of Dance in Classical Sanskrit Literature
Concept of Dance in Classical Sanskrit Literature
By Dr. G. S. Hegde
AED85
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Bharatanatyam
Bharatanatyam
By Thankamani Kutty
AED67
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Rukmini Devi (A Life)
Rukmini Devi (A Life)
By Leela Samson
AED122
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Puppetry and Lesser Known Dance Traditions of Kerala
Puppetry and Lesser Known Dance Traditions of Kerala
By G. Venu
AED126
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Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
By Chirakkal T. Sreedharan Nair
AED148
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The Science of Bharata Natyam
The Science of Bharata Natyam
By Saroja Vaidyanathan
AED156
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Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
By Sayanika Goswami
AED140
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Birju Maharaj: The Dancing Phenomenon (Pocket Art Series)
Birju Maharaj: The Dancing Phenomenon (Pocket Art Series)
By Text: Leela Venkataraman & Photographs: Avinash Pasricha
AED56
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Ahobala's Sangitaparijata (Bhavan's Series on Natya Nritya and Sangita)
Ahobala's Sangitaparijata (Bhavan's Series on Natya Nritya and Sangita)
By Deepti Omchery Bhalla
AED122
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Paintings of The Varadaraja Perumal Temple Kanchipuram
Paintings of The Varadaraja Perumal Temple Kanchipuram
By Nanditha Krishna
AED148
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Odissi: The Third Classical Form of Indian Music
Odissi: The Third Classical Form of Indian Music
By Rajesh Sendh
AED156
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Odissi: What, Why and How...(Evolution, Revival & Technique)
Odissi: What, Why and How...(Evolution, Revival & Technique)
By Madhumita Raut
AED168.80
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Dance Dialects of India
Dance Dialects of India
By Ragini Devi
AED270
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Odissi An Indian Classical Dance Form
Odissi An Indian Classical Dance Form
By Priyambada Mohanty Hejmadi & Ahalya Hejmadi Patnaik
AED215
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DANCE IN THUMRI
DANCE IN THUMRI
By PROJESH BANERJEE
AED156
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Zlos-Gar Performing Traditions of Tibet
Zlos-Gar Performing Traditions of Tibet
By Jamyang Norbu
AED62.30
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Classical Indian Dance in Literature and the Arts
Classical Indian Dance in Literature and the Arts
By Kapila Vatsyayan
AED437
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Hasta Mudra Therapy - An Effective Aspect of Dance Therapy
Hasta Mudra Therapy - An Effective Aspect of Dance Therapy
By Vijayapal Pathloth
AED263
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The Natya Sastra of Bharatamuni
The Natya Sastra of Bharatamuni
Publisher Sri Satguru Publications
AED200
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Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
Indian Music and Enchanting Emalagam of Dance (An Old and Rare Book)
By Vasanthy Rao
AED126
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Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
By Nirmala Paniker
AED133
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Mudra Viniyoga Prakriya - A Practical Book for the Interpretation of Mudra (Set of 2 Volumes)
Mudra Viniyoga Prakriya - A Practical Book for the Interpretation of Mudra (Set of 2 Volumes)
By Gullapudi Raman Kumari
AED537
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Bharata’s Natyasastram (Chapters VI and VII: Rasa and Bhava)
Bharata’s Natyasastram (Chapters VI and VII: Rasa and Bhava)
By M. Sivakumara Swamy
AED107
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Mohiniyattam An Indian Dance Tradition (A Language of Feminine Desire)
Mohiniyattam An Indian Dance Tradition (A Language of Feminine Desire)
By Mythili Maratt Anoop
AED174
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India's Dances: Their History, Technique and Repertoire
India's Dances: Their History, Technique and Repertoire
By Reginald Massey
AED156
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Let’s Know Dances of India
Let’s Know Dances of India
By Aakriti Sinha
AED126
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Into The World of Kutiyattam: With The Legendary Ammannur Madhavachakyar
Into The World of Kutiyattam: With The Legendary Ammannur Madhavachakyar
By G.Venu
AED133
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KELUCHARAN MOHAPATRA: The Dancing Phenomenon
KELUCHARAN MOHAPATRA: The Dancing Phenomenon
By Text: Sharon Lowen, Photographs: Avinash Pasricha
AED56
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Tala and Nattuvangam: A Theoretical and Practical Study
Tala and Nattuvangam: A Theoretical and Practical Study
By Sreekanth P. V
AED85
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Nrtya Tarangini: English Translation and Transliteration from Telugu Original Text
Nrtya Tarangini: English Translation and Transliteration from Telugu Original Text
By Veena Murthy Vijay
AED315
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Natya Yoga: Peace Passion Pain Mapping Emotions
Natya Yoga: Peace Passion Pain Mapping Emotions
By Anjali, R. Sriram
AED82
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Kathak a Theoretical & Practical Guide (Volume-1)
Kathak a Theoretical & Practical Guide (Volume-1)
By MARAMI MEDHI & DEBASISH TALUKDAR
AED119
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Kathak Dance Syllabi (Part One)
Kathak Dance Syllabi (Part One)
By Puru Dadheech
AED78
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Maths in Music and Dance
Maths in Music and Dance
By Vidya Bhavani Suresh
AED230
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Encyclopaedia of Indian Culture (Set of Five Volumes)
Encyclopaedia of Indian Culture (Set of Five Volumes)
By Anuradha Jaiswal
AED587.20
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Karanas: Cosmic Shiva 108 Bharatha Poses
Karanas: Cosmic Shiva 108 Bharatha Poses
Publisher Centre for the Promotion of Traditional Arts, Chennai
AED67
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Nalacharitham
Nalacharitham
By Unnayiwarrier and V. Subramaniaiyer
AED74
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50 Questions and Answers on Bharatanatyam
50 Questions and Answers on Bharatanatyam
By Suresh Acharya
AED189
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Conventions in Kutiyattam
Conventions in Kutiyattam
By Jacob Ittoop
AED119
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Bharatanatyam Evolves From Temple to Theatre and Back Again
Bharatanatyam Evolves From Temple to Theatre and Back Again
By Anne Marie Gaston
AED189.60
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Traditions of Indian Folk Dance
Traditions of Indian Folk Dance
By Kapila Vatsyayan
AED396
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Vilasini Natyam - Bharatam of Telugu Temple and Court Dancers
Vilasini Natyam - Bharatam of Telugu Temple and Court Dancers
By Swapnasundari
AED400
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Sangitanarayana (A Seventeenth Century Text on Music and Dance from Orissa) (In Two Volumes)
Sangitanarayana (A Seventeenth Century Text on Music and Dance from Orissa) (In Two Volumes)
By Purusottama Misra,Enriched by Gajapati Narayanadevaand Edited and Translated by Mandakranta Bose
AED352
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Movement and Mimesis (The Idea of Dance in the Sanskrit Tradition)
Movement and Mimesis (The Idea of Dance in the Sanskrit Tradition)
By Mandakranta Bose
AED148
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
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    India
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  • Flagship Store
    71/2 Kirti Nagar Main Road
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    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
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    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
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