BOOKS ON HINDUSTANI CLASSICAL MUSIC

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Mostrando 1 a 24 de 54 resultados
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Raga-s of the Rain- A Literary and Musical Study of Song-Texts in Hindustani Music
Raga-s of the Rain- A Literary and Musical Study of Song-Texts in Hindustani Music
By Bilambita Banisudha
RM130
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Sangeet Mala: The Basics of Hindustani Classical Music (Set of 3 Volumes with Notations)
Sangeet Mala: The Basics of Hindustani Classical Music (Set of 3 Volumes with Notations)
By Dattatreya L. Velankar
RM148
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Kramik Pustak Malika: Hindustani Sangeet Paddhati With Notation (Part 1)
Kramik Pustak Malika: Hindustani Sangeet Paddhati With Notation (Part 1)
By Pt. Vishnu Narayan Bhatkhande
RM116
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Sangeet Mala: The Basics of Hindustani Classical Vocal (Part 1)
Sangeet Mala: The Basics of Hindustani Classical Vocal (Part 1)
By Dattatreya L. Velankar
RM103
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The Dictionary of Hindustani Classical Music
The Dictionary of Hindustani Classical Music
By Bimalakanta Roychaudhuri
RM125
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Sangeet Mala: The Basics of Hindustani Classical Vocal With Audio CD (Part 3)
Sangeet Mala: The Basics of Hindustani Classical Vocal With Audio CD (Part 3)
By Dattatreya L. Velankar
RM125
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The Role of Criticism in Hindustani Music
The Role of Criticism in Hindustani Music
By Priya Kanungo
RM102.05
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Evolution of Hindustani Slide Guitar
Evolution of Hindustani Slide Guitar
By Anil Rai and Joyanta Sarkar
RM106.40
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Popular Ragas and it's Compositions in Hindustani Instrumental Music
Popular Ragas and it's Compositions in Hindustani Instrumental Music
By Dr. Prateek Chaudhuri
RM246
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Hindustani Lyrics
Hindustani Lyrics
By Hazrat Inayat Khan
RM50.40
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Instruments in Hindustani Classical Music (Role and Performance)
Instruments in Hindustani Classical Music (Role and Performance)
By Dr. Sumita Chakravorty
RM184.50
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Hindustani Sangeet And a Philosophy of Art: Music, Rhythm and Kathak Dance vis-à-vis Aesthetics of Susanne K. Langer
Hindustani Sangeet And a Philosophy of Art: Music, Rhythm and Kathak Dance vis-à-vis Aesthetics of Susanne K. Langer
By S. K. Saxena
RM172
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Compositional Forms of Hindustani Music: A Journey
Compositional Forms of Hindustani Music: A Journey
By Vijaya chandorkar
RM210
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Music Contexts (A Concise Dictionary of Hindustani Music)
Music Contexts (A Concise Dictionary of Hindustani Music)
By Ashok Da.Ranade
RM206
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Keywords and Concepts: Hindustani Classical Music
Keywords and Concepts: Hindustani Classical Music
By Ashok Da. Ranade
RM161
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Hindustani Music Today
Hindustani Music Today
By Deepak S. Raja
RM157
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Elements of Hindustani Classical Music
Elements of Hindustani Classical Music
By Kanishk Patel
RM268.80
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The Music of India (A Popular Handbook of Hindustani Music)
The Music of India (A Popular Handbook of Hindustani Music)
By Shripada Bandoypadhyaya
RM67
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Hindustani Raga-s Index (Bibliographical References on Descriptions, Compositions and Vistara-s of Hindustani Ragas)
Hindustani Raga-s Index (Bibliographical References on Descriptions, Compositions and Vistara-s of Hindustani Ragas)
By Patrick Moutal
RM139
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On Music and Musicians of Hindoostan
On Music and Musicians of Hindoostan
By Ashok Da. Ranade
RM166
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Elements of Hindustani Classical Music
Elements of Hindustani Classical Music
By Shruti Jauhari
RM134
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Conversation with Pandit Amarnath
Conversation with Pandit Amarnath
By Bindu Chawla
RM188
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Hindustani Ragas- The Concept of Time and Season
Hindustani Ragas- The Concept of Time and Season
By Vijay Bazaz Razdan
RM186.40
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Millennium Glimpses of Indian Performing Arts
Millennium Glimpses of Indian Performing Arts
By Utpal K. Banerjee
RM537
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
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    Shahpur Jat, Siri Fort
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    Tel: +91 92178 43827
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