BOOKS ON INDIAN MUSICAL INSTRUMENTS

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Musical Instruments of India: History and Development
Musical Instruments of India: History and Development
By Ram Avtaar 'Vir'
฿822
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AWARA (Winner of the National Award for the Best Writing on Cinema)
AWARA (Winner of the National Award for the Best Writing on Cinema)
By Gayatri Chatterjee
฿680
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Handbook of Tabla (History, Anatomy, Learning, Maintenance)
Handbook of Tabla (History, Anatomy, Learning, Maintenance)
By Pankaj Vishal
฿510
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The Winged Form: Aesthetical Essays on Hindustani Rhythm
The Winged Form: Aesthetical Essays on Hindustani Rhythm
By Sushil Kumar Saxena
฿567
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Learn to Play on Tabla - II (Advance Course)
Learn to Play on Tabla - II (Advance Course)
By Ram Avtar 'Vir'
฿430.40
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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
By Allyn Miner
฿1133
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Classical Musical Instruments
Classical Musical Instruments
By Dr. Suneera Kasliwal
฿1105
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Ravanhattha - Epic Journey of an Instrument in Rajasthan
Ravanhattha - Epic Journey of an Instrument in Rajasthan
By Suneera Kasliwal
฿2918
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Learn to Play on Sitar
Learn to Play on Sitar
By Ram Avtar 'Vir'
฿567
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Sitar and its Music
Sitar and its Music
By Pandit Debu Chaudhuri
฿822
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Learn to Play on Tabla
Learn to Play on Tabla
By Ram Avtar 'Vir'
฿396.90
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संतूर: मेरा जीवन संगीत - Santoor: The Music of My Life
संतूर: मेरा जीवन संगीत - Santoor: The Music of My Life
By पं. शिवकुमार शर्मा और इना पुरी (Pt. Shiva Kumar Sharma and Ina Puri)
฿992
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वीणा - वाणी: All About The Veena
वीणा - वाणी: All About The Veena
By ओमप्रकाश चौरसिया (Omprakash Chaurasiya)
฿1133
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Temple Musical Instruments of Kerala
Temple Musical Instruments of Kerala
By L.S. Rajagopalan Edited byA. Purushothaman and A. Harindranath
฿793
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Fellows and Award-Winners of Sangeet Natak Akademi 1952-2010 (Citations and Composite Data)
Fellows and Award-Winners of Sangeet Natak Akademi 1952-2010 (Citations and Composite Data)
Publisher Sangeet Natak Akademi
฿1332
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The Origin and Evolution of Violin – As a Musical Instrument: And Its Contribution to the Progressive Flow of Indian Classical Music
The Origin and Evolution of Violin – As a Musical Instrument: And Its Contribution to the Progressive Flow of Indian Classical Music
By Sisirkana Dhar Choudhury
฿1048
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Mridangam (An Indian Classical Percussion Drum)
Mridangam (An Indian Classical Percussion Drum)
By Shreejayanthi Gopal
฿793.60
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हिमाचल के प्राचीनतम संगीत वाद्य - Ancient Musical Instruments of Himachal Pradesh
हिमाचल के प्राचीनतम संगीत वाद्य - Ancient Musical Instruments of Himachal Pradesh
By नन्द लाल गर्ग (Nand Lal Garg)
฿1133
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Veena Tradition in Indian Music
Veena Tradition in Indian Music
By L. Annapoorna
฿952
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Krishna in Performing Arts
Krishna in Performing Arts
By Shovana Narayan
฿2550
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Instruments in Hindustani Classical Music (Role and Performance)
Instruments in Hindustani Classical Music (Role and Performance)
By Dr. Sumita Chakravorty
฿1147.50
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Tabla and The World Of Indian Rhythms
Tabla and The World Of Indian Rhythms
By Sudhis Chandra Banerjee
฿1502
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Legends of Indian Silver Screen: The Winners of Dadasaheb Phalke Award (1992-2014)
Legends of Indian Silver Screen: The Winners of Dadasaheb Phalke Award (1992-2014)
Publisher Publications Division, Government of India
฿529.65
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Exuberance of Indian Music (Sarod and Sarodists of Maihar Gharana)
Exuberance of Indian Music (Sarod and Sarodists of Maihar Gharana)
By Dr. Akash Deep
฿1275
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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