BOOKS ON INDIAN MUSICAL INSTRUMENTS

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Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
By S.V. Leela
RM58
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Musical Instruments in Sculpture in Karnataka
Musical Instruments in Sculpture in Karnataka
By B. Chaitanya Deva
RM63
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ADA Chowtal on Sitar (Anthology of a Poorav Baj)
ADA Chowtal on Sitar (Anthology of a Poorav Baj)
By S. Bandyopadhyaya
RM53.60
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How to Play Tabla (With Notations)
How to Play Tabla (With Notations)
By Mamta Chaturvedi
RM72
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How to Play Flute & Shehnai (With Notations)
How to Play Flute & Shehnai (With Notations)
By Mamta Chaturvedi
RM72
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Sangeet Natak- Journal of The Sangeet Natak Akademi-20
Sangeet Natak- Journal of The Sangeet Natak Akademi-20
By Uma Anand
RM72
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Folk Arts of Tamilnadu
Folk Arts of Tamilnadu
By Nanditha Krishna
RM76
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How To Play Harmonium & Synthesizer (With Notations)
How To Play Harmonium & Synthesizer (With Notations)
By Mamta Chaturvedi
RM81
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How To Play Guitar (With Notations)
How To Play Guitar (With Notations)
By Mamta Chaturvedi
RM81
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How to Play Tabla
How to Play Tabla
By Vikas Aggarwal
RM81
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The Sound of Sitar
The Sound of Sitar
By Subroto Roy Chowdhury
RM81
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Sitar Playing A Practical Guide
Sitar Playing A Practical Guide
By Clem Alford
RM81
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Handbook of Tabla (History, Anatomy, Learning, Maintenance)
Handbook of Tabla (History, Anatomy, Learning, Maintenance)
By Pankaj Vishal
RM81
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Folk Musical Instruments of HImachal Pradesh
Folk Musical Instruments of HImachal Pradesh
By Surat Thakur
RM85
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Learn to Play on Tabla - II (Advance Course)
Learn to Play on Tabla - II (Advance Course)
By Ram Avtar 'Vir'
RM68
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Learn How to Play Sitar- With Notations (Sitar Vadan Course)
Learn How to Play Sitar- With Notations (Sitar Vadan Course)
By Bharti Agarwal
RM89
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Guitar And Its Playing Technique
Guitar And Its Playing Technique
By Dipanker Roy Chaudhary
RM89
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The Story of Indian Music and its Instruments (A Study of the Present and a Record of the Past)
The Story of Indian Music and its Instruments (A Study of the Present and a Record of the Past)
By Ethel Rosenthal
RM89
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Handbook of Sitar (History, Anatomy, Learning and Maintenance)
Handbook of Sitar (History, Anatomy, Learning and Maintenance)
By Pankaj Vishal
RM89
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Handbook of Bansuri (Flute): History, Anatomy, Learning, Maintenance
Handbook of Bansuri (Flute): History, Anatomy, Learning, Maintenance
By Pankaj+Vishal
RM89
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Handbook of Harmonium (History, Anatomy, Learning, Maintenance)
Handbook of Harmonium (History, Anatomy, Learning, Maintenance)
By Pankaj+Vishal
RM89
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तंत्रीवादक: Major Indian Instrumentalists
तंत्रीवादक: Major Indian Instrumentalists
By डा. प्रकाश महाडिक (Dr. Prakash Mahadik)
RM89
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१५ दिन में सितार सीखिए: Learn Sitar in 15 Days (With Notations)
१५ दिन में सितार सीखिए: Learn Sitar in 15 Days (With Notations)
By राम अवतार 'वीर' (Ram Avtar 'Veer')
RM89
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Learn How to Play Flute
Learn How to Play Flute
By Bharti Agarwal
RM89
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Musical Instruments
Musical Instruments
By B.C. Deva
RM89
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Learn to Play on Tabla
Learn to Play on Tabla
By Ram Avtar 'Vir'
RM62.30
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Learn to Play on Sitar
Learn to Play on Sitar
By Ram Avtar 'Vir'
RM89
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The Winged Form: Aesthetical Essays on Hindustani Rhythm
The Winged Form: Aesthetical Essays on Hindustani Rhythm
By Sushil Kumar Saxena
RM89
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Art Education: Teachers’ Handbook For Classes VII-VIII
Art Education: Teachers’ Handbook For Classes VII-VIII
By Vineeta Rashid Khan
RM94
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Handbook of Sarod (History, Anatomy, Learning, Maintenance)
Handbook of Sarod (History, Anatomy, Learning, Maintenance)
By Pankaj+Vishal
RM94
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How to Play Sitar
How to Play Sitar
By Vikas Aggarwal
RM98
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Sitar and its Music
Sitar and its Music
By Pandit Debu Chaudhuri
RM98
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Abbaji The Multifaceted Genius of Ustad Alla Rakha
Abbaji The Multifaceted Genius of Ustad Alla Rakha
By Atul Raosaheb Kamble
RM98
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How To Play Harmonium: Synthesizer, Piano and Accordian
How To Play Harmonium: Synthesizer, Piano and Accordian
By Krishna Kumar Agrawal, Shambhu Sharma
RM98
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Learn to Play on Harmonium
Learn to Play on Harmonium
By Ram Avtar 'Vir'
RM98
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Learn to Play on Tabla-II (An Advance Course)
Learn to Play on Tabla-II (An Advance Course)
By Ram Avtar ‘Vir’
RM98
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THE SITAR (The Instrument and its Technique)
THE SITAR (The Instrument and its Technique)
By Manfred M. Junius
RM103
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Rhythm Roots: Explore Indian Rhythms (Based on the Curriculum of the Prarambhik, Praveshika Pratham and Praveshika Purna of Abgmv Mandal)
Rhythm Roots: Explore Indian Rhythms (Based on the Curriculum of the Prarambhik, Praveshika Pratham and Praveshika Purna of Abgmv Mandal)
By Amod Dandage
RM107
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Learn How to Play Harmonium (Learn Harmonium in Fifteen Days)
Learn How to Play Harmonium (Learn Harmonium in Fifteen Days)
By Bharti Agrawal
RM107
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How To Play Tabla: Mridanga, Kongo, Bongo and Tabla Tarang
How To Play Tabla: Mridanga, Kongo, Bongo and Tabla Tarang
By Krishana Kumar Agrwal & Hazi Shabban Khan
RM107
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Tamizh Padams
Tamizh Padams
By Nandini Ramani
RM107
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The Harmonium in North Indian Music
The Harmonium in North Indian Music
By Birgit Abels
RM74.90
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AWARA (Winner of the National Award for the Best Writing on Cinema)
AWARA (Winner of the National Award for the Best Writing on Cinema)
By Gayatri Chatterjee
RM107
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Odishan Folk Music and Musical Instruments
Odishan Folk Music and Musical Instruments
By Krushna Chandra Das
RM112
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Utkaliya Pala
Utkaliya Pala
By JAGANNATH KUANR
RM112
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LEARN TO PLAY ON VEENA (PANKAJ LEARN YOURSELF MUSIC SERIES)
LEARN TO PLAY ON VEENA (PANKAJ LEARN YOURSELF MUSIC SERIES)
By TARA BALAGOPAL
RM112
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म्यूज़िक मास्टर (हारमोनिम, तबला और बाँसुरी गाइड) - Music Master (Harmonium, Tabla & Flute Guide)
म्यूज़िक मास्टर (हारमोनिम, तबला और बाँसुरी गाइड) - Music Master (Harmonium, Tabla & Flute Guide)
By प्रभुलाल गर्ग: (Prabhulal Garg)
RM112
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How To Play Sitar
How To Play Sitar
By Krishana Kumar Agrwal & Smt. Rama Babry
RM112
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Tabla Of Farrukhabad Gharana
Tabla Of Farrukhabad Gharana
By Anup Ghosh
RM116
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The Flute and Flute-Playing in Acoustical, Technical, and Artistic Aspects (Photostat)
The Flute and Flute-Playing in Acoustical, Technical, and Artistic Aspects (Photostat)
By Theobald Boehm
RM116
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Complete Tabla
Complete Tabla
By Amod Dandage
RM121
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Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
By Dr. K. Kusuma Bai
RM84.70
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Woman at the Window
Woman at the Window
By Shoma A. Chatterji
RM96.80
RM121 20% off
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Musical Instruments Donated By Raja Sir Sourindro Mohan Tagore (A Tribute To Raja Sourindro Mohun Tagore On The International Museum Day)
Musical Instruments Donated By Raja Sir Sourindro Mohan Tagore (A Tribute To Raja Sourindro Mohun Tagore On The International Museum Day)
By Anup Matilal & Mita Chakrabarty
RM121
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Music of the Nations (A Comparative Study)
Music of the Nations (A Comparative Study)
By Paramahamsa Prajnanananda
RM125
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Karunamirtha Sagaram
Karunamirtha Sagaram
By Rao Sahib M. Abraham Pandither
RM125
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Temple Musical Instruments of Kerala
Temple Musical Instruments of Kerala
By L.S. Rajagopalan Edited byA. Purushothaman and A. Harindranath
RM125
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Sitar and its Music
Sitar and its Music
By Pandit Debu Chaudhuri
RM130
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Musical Instruments of India: History and Development
Musical Instruments of India: History and Development
By Ram Avtaar 'Vir'
RM130
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Professor Sudhir Kumar Saxena Centenary Celebrations
Professor Sudhir Kumar Saxena Centenary Celebrations
By Edited By Manjula Saxena
RM134
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The Art of Tabla Rhythm Essentials, Tradition and Creativity (With CD)
The Art of Tabla Rhythm Essentials, Tradition and Creativity (With CD)
By SUDHIR KUMAR SAXENA
RM134
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Song of the Clay Pot- My Journey with the Ghatam
Song of the Clay Pot- My Journey with the Ghatam
By Sumana Chandrashekar
RM139
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Divine Beats for U.G./P.G. Entrance in Music Tabla
Divine Beats for U.G./P.G. Entrance in Music Tabla
By Renu Johri
RM139
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Ganamrutha Bodhini (Sangeetha Bala Padam)
Ganamrutha Bodhini (Sangeetha Bala Padam)
By A. S. Panchapakesa Iyer
RM139
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Theory and Practice of Tabla
Theory and Practice of Tabla
By Sadanand Naimpalli
RM139
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Prominent Musical Instruments- Technique and Tradition
Prominent Musical Instruments- Technique and Tradition
By Madhubala Saxena
RM143
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Nikhil Banerjee (Down The Heart of Sitar)
Nikhil Banerjee (Down The Heart of Sitar)
By Swapan Bandyopadhyay
RM143
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Tabla (Rare Compositions of The Great Masters)
Tabla (Rare Compositions of The Great Masters)
By Pt. Vijay Shanker Mishra
RM143
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Karunamirtha Sagaram
Karunamirtha Sagaram
By Rao Sahib M. Abraham Pandither
RM118.40
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Triveni- A Confluence of Music Maestros & Their Musical Thoughts
Triveni- A Confluence of Music Maestros & Their Musical Thoughts
By Shivani Saxena
RM103.60
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Bansuri in Indian Classical Music (History and Development)
Bansuri in Indian Classical Music (History and Development)
By Santosh Kumar
RM148
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Tabla for Advanced Students
Tabla for Advanced Students
By Sadanand Naimpalli
RM148
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
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    India
    Tel:+91-8031404444
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Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
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    opp. Metro Pillar 97
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    New Delhi 110030, India
    Tel: +91 92178 44842
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