BOOKS ON INDIAN MUSIC

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The Speaking God: Masculine Archetypes in Telugu Padams and Javalis
The Speaking God: Masculine Archetypes in Telugu Padams and Javalis
By VAMSHEE KRISHNA VUNYALA
AED102
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The Speaking God: Masculine Archetypes in Telugu Padams and Javalis
The Speaking God: Masculine Archetypes in Telugu Padams and Javalis
By VAMSHEE KRISHNA VUNYALA
AED113
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Acoustics for Concerts- Karnataka Ganakala Parishat Golden Jubilee Celebration (01-02-2020 to 16-02-2020)
Acoustics for Concerts- Karnataka Ganakala Parishat Golden Jubilee Celebration (01-02-2020 to 16-02-2020)
By M. A. Madhuvanthi
AED73
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Jnana Prabodha- Scientific Aspects of Karnatak Classical Music
Jnana Prabodha- Scientific Aspects of Karnatak Classical Music
By Vidushi Veena Mohan
AED121
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Best of Kishore Kumar: A Tribute - Selected Hindi Songs with Notations and Chords (Vol.II)
Best of Kishore Kumar: A Tribute - Selected Hindi Songs with Notations and Chords (Vol.II)
By Balbir Singh
AED80
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Suswaralaya College of Music (R) Presents Directory of Karnatak Musicians (Karnataka: An Old and Rare Book)
Suswaralaya College of Music (R) Presents Directory of Karnatak Musicians (Karnataka: An Old and Rare Book)
By Edited By H. S. Sudhindra
AED88
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Soulfully Yours Ravi
Soulfully Yours Ravi
By Manek Premchand
AED132
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The Song of the Soul: A Musical Journal
The Song of the Soul: A Musical Journal
By Ajnish
AED73
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Carnatic Music
Carnatic Music
By Suresh Narayanan
AED77
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Tala and Nattuvangam: A Theoretical and Practical Study
Tala and Nattuvangam: A Theoretical and Practical Study
By Sreekanth P. V
AED88
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Gotipua Dance and Odissi Music (A Glorious Tradition)
Gotipua Dance and Odissi Music (A Glorious Tradition)
By Bishnu Mohan Kabi
AED88
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Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
By Dr. M.B. Vedavalli
AED150
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Ganamrutha Keerthanamalika- With Notation (Set of 10 Volumes)
Ganamrutha Keerthanamalika- With Notation (Set of 10 Volumes)
By A. S. Panchapakesa Iyer
AED406
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Pallavi with Notations
Pallavi with Notations
By Bhubaneswar Mishra
AED91
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Ganamrutha Bodhini (Sangeetha Bala Padam)
Ganamrutha Bodhini (Sangeetha Bala Padam)
By A. S. Panchapakesa Iyer
AED117
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साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-1. November 2019
साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-1. November 2019
By Edited By Basavi Mukerji
AED88
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साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-2. November 2020
साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-2. November 2020
By Edited By Priyanka Howladar
AED91
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साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-4, July 2024
साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-4, July 2024
By Edited By Priyanka Howladar
AED88
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முருகரத்னாகரம்- Murugarathnaakaram: Compositions of Sri T.N. Bala (Text, Transliteration, Translation and Notation: Volume- 1)
முருகரத்னாகரம்- Murugarathnaakaram: Compositions of Sri T.N. Bala (Text, Transliteration, Translation and Notation: Volume- 1)
By T. N. Bala
AED91
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Tanjore as a Seat of Music
Tanjore as a Seat of Music
By S. Seetha
AED245
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Carnatic Music Reader in Western Staff Notation (A Primer For Learning Guitar, Piano, Saxophone, Violin)
Carnatic Music Reader in Western Staff Notation (A Primer For Learning Guitar, Piano, Saxophone, Violin)
By V. K. Krishna Prasad
AED89.60
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Ganamrutha Varna Malika (With Notation)
Ganamrutha Varna Malika (With Notation)
By A. S. Panchapakesa Iyer
AED132
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Karnataka Sangeetha Darpana: Junior Grade Theory & Compositional Forms with Notations (Book- 1)
Karnataka Sangeetha Darpana: Junior Grade Theory & Compositional Forms with Notations (Book- 1)
By T. Sachidevi
AED106
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श्रुतिपद सरिता: Srutipada Sarita-Musical Notations of Traditional and Self-Made Dhrupad Compositions
श्रुतिपद सरिता: Srutipada Sarita-Musical Notations of Traditional and Self-Made Dhrupad Compositions
By Ritwik Sanyal
AED135
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Talavadya Seminar 1- Proceedings of the Talavadya Seminar No. 1 (An Old and Rare Book)
Talavadya Seminar 1- Proceedings of the Talavadya Seminar No. 1 (An Old and Rare Book)
By Compiled And Edited By Bangalore K. Venkataram
AED69
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Sangeet Mala: The Basics of Hindustani Classical Music (Set of 3 Volumes with Notations)
Sangeet Mala: The Basics of Hindustani Classical Music (Set of 3 Volumes with Notations)
By Dattatreya L. Velankar
AED121
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Odishi Music
Odishi Music
Publisher Guru Kelu Charan Mohapatra Odissi Research Centre
AED121
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Utkaliya Pala
Utkaliya Pala
By JAGANNATH KUANR
AED95
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Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
By S.V. Leela
AED51
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Rhythm in the Vaishnava Music of Assam
Rhythm in the Vaishnava Music of Assam
By Maheswar Neog And Keshab Changkakati
AED66
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History of South Indian (Carnatic) Music (From Vedic Times to the Present)
History of South Indian (Carnatic) Music (From Vedic Times to the Present)
By R. Rangaramanuja Ayyangar
AED216
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Rhythmic Rhapsodies- A Glimpse of the Folk Performing Arts of India
Rhythmic Rhapsodies- A Glimpse of the Folk Performing Arts of India
By Compiled And Edited By Gouri Basu
AED314
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The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
By Ali Akbar Khan , Notations and Explanatory text by George Ruckert
AED180.90
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Indian Classical Music: A Sequential Guide to Ragas
Indian Classical Music: A Sequential Guide to Ragas
By RAVI SHANKAR PRASANNA
AED120
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सङ्गीत-दर्पण:- Sangita-Darpanah: Gaurisvara-Sammatah (Sangita-Darpana, As Created by Gaurisvara)
सङ्गीत-दर्पण:- Sangita-Darpanah: Gaurisvara-Sammatah (Sangita-Darpana, As Created by Gaurisvara)
By Translated By Arjun Bharadwaj
AED362
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संगीतार्णवचन्द्रिका- Sangitarnava Chandrika (An Old and Rare Book)
संगीतार्णवचन्द्रिका- Sangitarnava Chandrika (An Old and Rare Book)
By Nilakanth
AED113
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The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
By Prem Kishor Mishra
AED135
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Karnataka Shastriya Sangeeta- Junior with Question Papers
Karnataka Shastriya Sangeeta- Junior with Question Papers
By D. Smitha Srikiran, R. N. Srilatha
AED80
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 1) (Part 5)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 1) (Part 5)
By V.K. Krishna Prasad
AED71.40
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AED102 30% off
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The Dictionary of Hindustani Classical Music
The Dictionary of Hindustani Classical Music
By Bimalakanta Roychaudhuri
AED102
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Indian Classical Music (An Audio Visual Guide)
Indian Classical Music (An Audio Visual Guide)
By Pt. Ravi Shankar Prasanna
AED125.60
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Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
By V. N. Bhatkhande
AED84
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Karnaataka Sangeetha Dharpana: Senior Grade Books- Part 2 & 3 with Notations (Book 3)
Karnaataka Sangeetha Dharpana: Senior Grade Books- Part 2 & 3 with Notations (Book 3)
By T. Sachidevi
AED106
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Dhrupad of the Dagars (Conceptual Foundations and Contemporary Questions)
Dhrupad of the Dagars (Conceptual Foundations and Contemporary Questions)
By Ashish Sankrityayan
AED658
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Music and Medicine (Healing Brain Injury Through Ragas - A Study)
Music and Medicine (Healing Brain Injury Through Ragas - A Study)
By Shashi Bhushan Singh
AED95
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Calling Elvis- Conversations with Some of Music's Greatest:A Personal History
Calling Elvis- Conversations with Some of Music's Greatest:A Personal History
By Shantanu Datta
AED102
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Sarngadeva and His Sangita Ratnakara (Proceedings of the Seminar Varanasi, 1994)
Sarngadeva and His Sangita Ratnakara (Proceedings of the Seminar Varanasi, 1994)
By Prem Lata Sharma
AED153
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Melody Music of India: How to Learn It (With Notation)
Melody Music of India: How to Learn It (With Notation)
By N.M. Adyanthaya
AED88
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Bhajan Western Notes (Set of 2 Volumes)
Bhajan Western Notes (Set of 2 Volumes)
By Vinod Kumar
AED153
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Systematic Analysis of Ragas - In Hindustani Classical Music
Systematic Analysis of Ragas - In Hindustani Classical Music
By Shirish R. Shah
AED146
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Master On Masters (An Old And Rare Book)
Master On Masters (An Old And Rare Book)
By Ajmad Ali Khan
AED80
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 2) (Part 6)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 2) (Part 6)
By V.K. Krishna Prasad
AED71.40
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A Comprehensive Dictionary of Carnatic Music
A Comprehensive Dictionary of Carnatic Music
By Vidya Bhavani Suresh
AED227
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From Mustard Fields to Disco Lights- Folk Music and Musical Instruments of Punjab (An Old and Rare Book) Only 1 Quantity Available without CD
From Mustard Fields to Disco Lights- Folk Music and Musical Instruments of Punjab (An Old and Rare Book) Only 1 Quantity Available without CD
By Alka Pande
AED157
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The Cartesian Mind: Reflections on Language and Music
The Cartesian Mind: Reflections on Language and Music
By Nirmalangshu Mukherji
AED81.90
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Musical Compositions of Sri Sadasiva Brahmendra Saraswathi
Musical Compositions of Sri Sadasiva Brahmendra Saraswathi
By Prof. K. Kamala
AED99
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Pancharathna Ganamrutham (Text With Notation)
Pancharathna Ganamrutham (Text With Notation)
By A. S. Panchapakesa Iyer
AED66
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Sree Purandara Ganamrutham- Text With Notation (Set of 2 Volumes)
Sree Purandara Ganamrutham- Text With Notation (Set of 2 Volumes)
By A. S. Panchapakesa Iyer
AED161
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 3) (Part 7)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 3) (Part 7)
By V.K. Krishna Prasad
AED102
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A History of Indian Music (Set of 2 Volumes)
A History of Indian Music (Set of 2 Volumes)
By Paramahamsa Prajnanananda
AED124
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Sangeet Aaradhana- Learn Music- Practical and Theory (Set of Six Volumes)
Sangeet Aaradhana- Learn Music- Practical and Theory (Set of Six Volumes)
By Monica Hiten Shah
AED365
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Karnaataka Sangeetha Dharpana: Senior Grade Theory & Compositional Forms with Notations (Book- 2)
Karnaataka Sangeetha Dharpana: Senior Grade Theory & Compositional Forms with Notations (Book- 2)
By T. Sachidevi
AED106
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Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
By Edited By Swapnil Chaphekar, Ramakrishna Pejathaya
AED91
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Hindustani Classical Vocal
Hindustani Classical Vocal
By Anirban Bhattacharyya
AED150
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Essentials of Sama Veda and its Music (Sanskrit Text with Transliteration and English Translation)
Essentials of Sama Veda and its Music (Sanskrit Text with Transliteration and English Translation)
By R. L. Kashyap
AED58
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Lata Mangeshkar: My Favourites (Vol-2)
Lata Mangeshkar: My Favourites (Vol-2)
By Chandrasekhar Rao, Anirudha Bhattacharjee
AED106
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10 Indian Traditions of Folk Music That Tell Our Stories
10 Indian Traditions of Folk Music That Tell Our Stories
By Mamta Nainy
AED88
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Sangita Sastra Sangraha (A Guide to Theory of Indian Music)
Sangita Sastra Sangraha (A Guide to Theory of Indian Music)
By Dr. M.B. Vedavalli
AED95
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Folkmusic and Folklore an Anthology
Folkmusic and Folklore an Anthology
By Hemanga Biswas
AED110
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Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
By Dr. Prabha Atre
AED224.80
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The Music of Assam (Set of 2 Books)
The Music of Assam (Set of 2 Books)
By Birendranath Datta
AED110
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A Book on Orchestra (An Old and Rare Book)
A Book on Orchestra (An Old and Rare Book)
By V. Balsara
AED110
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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