BOOKS ON INDIAN MUSIC

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Music: An Art and A Language
Music: An Art and A Language
By Walter Raymond Spalding
RM295
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Sangeet Shastra: Spiritual, Emotional and Therapeutic Elements in Indian Knowledge System
Sangeet Shastra: Spiritual, Emotional and Therapeutic Elements in Indian Knowledge System
By Amrita Priyamvada
RM221.60
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Religiosity of Odissi Music
Religiosity of Odissi Music
By Bishnu Mohan Kabi
RM103
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Gotipua Dance and Odissi Music (A Glorious Tradition)
Gotipua Dance and Odissi Music (A Glorious Tradition)
By Bishnu Mohan Kabi
RM103
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The Musical Legacy of Pandit Bhajan Sopori
The Musical Legacy of Pandit Bhajan Sopori
By Dr. Nusrat
RM315.20
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Carnatic Music
Carnatic Music
By Suresh Narayanan
RM89
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Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
By Dr. M.B. Vedavalli
RM179
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साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-2. November 2020
साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-2. November 2020
By Edited By Priyanka Howladar
RM107
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साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-1. November 2019
साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-1. November 2019
By Edited By Basavi Mukerji
RM103
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साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-3. November 2021
साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-3. November 2021
By Edited By Priyanka Howladar
RM103
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साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-4, July 2024
साम भारती: Sam Bharati- International Journal on Music and Performing Arts, Vol-4, July 2024
By Edited By Priyanka Howladar
RM103
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முருகரத்னாகரம்- Murugarathnaakaram: Compositions of Sri T.N. Bala (Text, Transliteration, Translation and Notation: Volume- 1)
முருகரத்னாகரம்- Murugarathnaakaram: Compositions of Sri T.N. Bala (Text, Transliteration, Translation and Notation: Volume- 1)
By T. N. Bala
RM107
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Talavadya Seminar 1- Proceedings of the Talavadya Seminar No. 1 (An Old and Rare Book)
Talavadya Seminar 1- Proceedings of the Talavadya Seminar No. 1 (An Old and Rare Book)
By Compiled And Edited By Bangalore K. Venkataram
RM81
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Tanjore as a Seat of Music
Tanjore as a Seat of Music
By S. Seetha
RM286
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Karaikkaal Ammaiyaar Opera with Notations (An Old And Rare Book)
Karaikkaal Ammaiyaar Opera with Notations (An Old And Rare Book)
By Papanasam Sivan
RM85
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From Silence to Structure: Theory and Practice (Music Production and Sound Design)
From Silence to Structure: Theory and Practice (Music Production and Sound Design)
By Md. Gulbahar Saifi
RM121.60
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Utkaliya Pala
Utkaliya Pala
By JAGANNATH KUANR
RM112
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Purandaradasa Kirtanas - 4(A) (In Sanskrit, Kannada with Swara Notations Meanings in English) (An Old and Rare Book)
Purandaradasa Kirtanas - 4(A) (In Sanskrit, Kannada with Swara Notations Meanings in English) (An Old and Rare Book)
By Compiled And Edited By V. N. Padmini, Jayalakshmi Srinivasan
RM112
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Pallavi with Notations
Pallavi with Notations
By Bhubaneswar Mishra
RM107
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Sacred Pulse- Tabla - The Path to Superconsciousness
Sacred Pulse- Tabla - The Path to Superconsciousness
By Debaditya Mazumder
RM81
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The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
The Classical Music of North India (The Music of the Baba Allauddin Gharana as taught by Ali Akbar Khan at the Ali Akbar College of Music): Volume One The First Years Study
By Ali Akbar Khan , Notations and Explanatory text by George Ruckert
RM213.30
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Rhythmic Rhapsodies- A Glimpse of the Folk Performing Arts of India
Rhythmic Rhapsodies- A Glimpse of the Folk Performing Arts of India
By Compiled And Edited By Gouri Basu
RM367
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Odishi Music
Odishi Music
Publisher Guru Kelu Charan Mohapatra Odissi Research Centre
RM143
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Ganamrutha Varna Malika (With Notation)
Ganamrutha Varna Malika (With Notation)
By A. S. Panchapakesa Iyer
RM157
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संगीतार्णवचन्द्रिका- Sangitarnava Chandrika (An Old and Rare Book)
संगीतार्णवचन्द्रिका- Sangitarnava Chandrika (An Old and Rare Book)
By Nilakanth
RM134
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Ganamrutha Keerthanamalika- With Notation (Set of 10 Volumes)
Ganamrutha Keerthanamalika- With Notation (Set of 10 Volumes)
By A. S. Panchapakesa Iyer
RM479
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Ganamrutha Bodhini (Sangeetha Bala Padam)
Ganamrutha Bodhini (Sangeetha Bala Padam)
By A. S. Panchapakesa Iyer
RM139
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श्रुतिपद सरिता: Srutipada Sarita-Musical Notations of Traditional and Self-Made Dhrupad Compositions
श्रुतिपद सरिता: Srutipada Sarita-Musical Notations of Traditional and Self-Made Dhrupad Compositions
By Ritwik Sanyal
RM161
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Indian Classical Music: A Sequential Guide to Ragas
Indian Classical Music: A Sequential Guide to Ragas
By RAVI SHANKAR PRASANNA
RM143.20
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Calling Elvis- Conversations with Some of Music's Greatest:A Personal History
Calling Elvis- Conversations with Some of Music's Greatest:A Personal History
By Shantanu Datta
RM121
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The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
By Prem Kishor Mishra
RM161
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History of South Indian (Carnatic) Music (From Vedic Times to the Present)
History of South Indian (Carnatic) Music (From Vedic Times to the Present)
By R. Rangaramanuja Ayyangar
RM251
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Karnataka Sangeetha Darpana: Junior Grade Theory & Compositional Forms with Notations (Book- 1)
Karnataka Sangeetha Darpana: Junior Grade Theory & Compositional Forms with Notations (Book- 1)
By T. Sachidevi
RM125
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Sangeet Mala: The Basics of Hindustani Classical Music (Set of 3 Volumes with Notations)
Sangeet Mala: The Basics of Hindustani Classical Music (Set of 3 Volumes with Notations)
By Dattatreya L. Velankar
RM143
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Dhrupad of the Dagars (Conceptual Foundations and Contemporary Questions)
Dhrupad of the Dagars (Conceptual Foundations and Contemporary Questions)
By Ashish Sankrityayan
RM783
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Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
By RAM AVTAR 'VIR
RM134
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Carnatic Music Reader in Western Staff Notation (A Primer For Learning Guitar, Piano, Saxophone, Violin)
Carnatic Music Reader in Western Staff Notation (A Primer For Learning Guitar, Piano, Saxophone, Violin)
By V. K. Krishna Prasad
RM106.40
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Bhajan Western Notes (Set of 2 Volumes)
Bhajan Western Notes (Set of 2 Volumes)
By Vinod Kumar
RM183
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A Comprehensive Dictionary of Carnatic Music
A Comprehensive Dictionary of Carnatic Music
By Vidya Bhavani Suresh
RM268
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From Mustard Fields to Disco Lights- Folk Music and Musical Instruments of Punjab (An Old and Rare Book) Only 1 Quantity Available without CD
From Mustard Fields to Disco Lights- Folk Music and Musical Instruments of Punjab (An Old and Rare Book) Only 1 Quantity Available without CD
By Alka Pande
RM188
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Musical Compositions of Sri Sadasiva Brahmendra Saraswathi
Musical Compositions of Sri Sadasiva Brahmendra Saraswathi
By Prof. K. Kamala
RM116
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Karnataka Sangeeta Sastra (Theory of Carnatic Music)
Karnataka Sangeeta Sastra (Theory of Carnatic Music)
By A. S. Panchapakesa Iyer
RM89
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Sree Kamalamba Navavaranam (With Notation)
Sree Kamalamba Navavaranam (With Notation)
By A. S. Panchapakesa Iyer
RM76
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Sree Purandara Ganamrutham- Text With Notation (Set of 2 Volumes)
Sree Purandara Ganamrutham- Text With Notation (Set of 2 Volumes)
By A. S. Panchapakesa Iyer
RM192
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Indian Classical Music (An Audio Visual Guide)
Indian Classical Music (An Audio Visual Guide)
By Pt. Ravi Shankar Prasanna
RM150.40
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Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
Music Systems in India (A Comparative Study of Some of The Leading Music Systems of The 15th, 16th, 17th, and 18th Centuries) An Old and Rare Book
By V. N. Bhatkhande
RM98
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Music and Medicine (Healing Brain Injury Through Ragas - A Study)
Music and Medicine (Healing Brain Injury Through Ragas - A Study)
By Shashi Bhushan Singh
RM112
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Sangeeta Sasthra Bodhini with Notations (Volume- 1)
Sangeeta Sasthra Bodhini with Notations (Volume- 1)
Publisher S. S. Music Academy, Hyderabad
RM98
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Hindustani Classical Vocal
Hindustani Classical Vocal
By Anirban Bhattacharyya
RM174
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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
By Allyn Miner
RM179
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Lata Mangeshkar: My Favourites (Vol-2)
Lata Mangeshkar: My Favourites (Vol-2)
By Chandrasekhar Rao, Anirudha Bhattacharjee
RM125
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10 Indian Traditions of Folk Music That Tell Our Stories
10 Indian Traditions of Folk Music That Tell Our Stories
By Mamta Nainy
RM103
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Folkmusic and Folklore an Anthology
Folkmusic and Folklore an Anthology
By Hemanga Biswas
RM125
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Purandaradasa Kirtanas - 2 (In Tamil, Sanskrit and Kannada with Swara Notations) (An Old and Rare Book)
Purandaradasa Kirtanas - 2 (In Tamil, Sanskrit and Kannada with Swara Notations) (An Old and Rare Book)
By Compiled And Edited By V. N. Padmini, Jayalakshmi Srinivasan
RM81
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Melody Music of India: How to Learn It (With Notation)
Melody Music of India: How to Learn It (With Notation)
By N.M. Adyanthaya
RM103
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Living Music: Conversations with Pandit Dinkar Kaikini
Living Music: Conversations with Pandit Dinkar Kaikini
By Priya Purushothaman
RM125
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Systematic Analysis of Ragas - In Hindustani Classical Music
Systematic Analysis of Ragas - In Hindustani Classical Music
By Shirish R. Shah
RM170
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A Book on Orchestra (An Old and Rare Book)
A Book on Orchestra (An Old and Rare Book)
By V. Balsara
RM125
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Karnaataka Sangeetha Dharpana: Senior Grade Theory & Compositional Forms with Notations (Book- 2)
Karnaataka Sangeetha Dharpana: Senior Grade Theory & Compositional Forms with Notations (Book- 2)
By T. Sachidevi
RM125
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Carnatic Music Reader In Western Staff Notation (A Primer For Guitar, Piano, Keyborad, Saxophone, Violin) (Set of 7 Volumes)
Carnatic Music Reader In Western Staff Notation (A Primer For Guitar, Piano, Keyborad, Saxophone, Violin) (Set of 7 Volumes)
By V. K. Krishna Prasad
RM479
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Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
By Edited By Swapnil Chaphekar, Ramakrishna Pejathaya
RM107
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Pancharathna Ganamrutham (Text With Notation)
Pancharathna Ganamrutham (Text With Notation)
By A. S. Panchapakesa Iyer
RM76
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The Dictionary of Hindustani Classical Music
The Dictionary of Hindustani Classical Music
By Bimalakanta Roychaudhuri
RM121
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A History of Indian Music (Set of 2 Volumes)
A History of Indian Music (Set of 2 Volumes)
By Paramahamsa Prajnanananda
RM143
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Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
By S.V. Leela
RM58
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Sangeet Aaradhana- Learn Music- Practical and Theory (Set of Six Volumes)
Sangeet Aaradhana- Learn Music- Practical and Theory (Set of Six Volumes)
By Monica Hiten Shah
RM434
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Understanding Music Therapy: East or West, Music is the Best! (Vol-1)
Understanding Music Therapy: East or West, Music is the Best! (Vol-1)
By T. V. Sairam
RM150.40
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Varnamanjari- Karnatak Music in Roman Script
Varnamanjari- Karnatak Music in Roman Script
By Sangeetha Kalanidhi
RM98
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Karnaataka Sangeetha Dharpana: For Vidhwath Proficiencey Grade Books- Part 4, 5, & 6 (Book 4) 
Karnaataka Sangeetha Dharpana: For Vidhwath Proficiencey Grade Books- Part 4, 5, & 6 (Book 4) 
Publisher Srinivasa Prakashana, Karnataka
RM98
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Parde Ke Peechhey- An Autobiography as Told to Anjula Bedi
Parde Ke Peechhey- An Autobiography as Told to Anjula Bedi
By Ila Arun
RM134
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Essentials of Sama Veda and its Music (Sanskrit Text with Transliteration and English Translation)
Essentials of Sama Veda and its Music (Sanskrit Text with Transliteration and English Translation)
By R. L. Kashyap
RM67
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Physics of Music with Introduction to Musical Psychology
Physics of Music with Introduction to Musical Psychology
By Ragasree Sen
RM121
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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