BOOKS ON RELIGION & PERFORMING ARTS

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Mostrando 1 a 24 de 31 resultados
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Indian Music in the Light of Vedanta
Indian Music in the Light of Vedanta
By Sanghamitra Chakraborty
AU$45
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Odissi Dance (Set of 14 Books)
Odissi Dance (Set of 14 Books)
By Various Authors
AU$761
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Utkaliya Pala
Utkaliya Pala
By JAGANNATH KUANR
AU$42
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Araiyar Sevai (Theatre Expression In Sri-Vaishnava Worship) ( and Book)
Araiyar Sevai (Theatre Expression In Sri-Vaishnava Worship) ( and Book)
By Srirama Bharati
AU$75
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Handbook of Bansuri (Flute): History, Anatomy, Learning, Maintenance
Handbook of Bansuri (Flute): History, Anatomy, Learning, Maintenance
By Pankaj+Vishal
AU$34
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Tibetan Religious Dances (Tibetan Text and Annotated Translation of the Chams Yig)
Tibetan Religious Dances (Tibetan Text and Annotated Translation of the Chams Yig)
By Rene De Nebesky-Wojkowitz
AU$53.95
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Facets of Temple Culture (Perspectives on Religious and Social Traditions in Early Medieval India)
Facets of Temple Culture (Perspectives on Religious and Social Traditions in Early Medieval India)
By K. Mavali Rajan, Remya V.P. & Sarita Khettry
AU$91.65
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Kanan Devi (The First Superstar of Indian Cinema)
Kanan Devi (The First Superstar of Indian Cinema)
By Mekhala Sengupta
AU$24.75
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Tibetan Sacred Dance (A Journey into The Religious and Folk Traditions)
Tibetan Sacred Dance (A Journey into The Religious and Folk Traditions)
By Ellen Pearlman
AU$59
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Walking with Siva: Cognitive Roots of Indian Art, Archaeology and Religion - With Reference to Tala and Daksina Kosala (Set of 2 Volumes)
Walking with Siva: Cognitive Roots of Indian Art, Archaeology and Religion - With Reference to Tala and Daksina Kosala (Set of 2 Volumes)
By Kalyan Kumar Chakravarty
AU$164
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Rukmini Devi (Bharata Natya)
Rukmini Devi (Bharata Natya)
By Conrad Woldring and C. Nachiappan
AU$132
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Krishna Theatre In India
Krishna Theatre In India
By M.L. Varadapande
AU$67
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Rukmini Devi (Dance Drama)
Rukmini Devi (Dance Drama)
Publisher Kalakshetra Publications, Chennai
AU$144
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Mohiniyattam (Bharati Shivaji and Vijayalakshmi)
Mohiniyattam (Bharati Shivaji and Vijayalakshmi)
By Bharati Shivaji & Vijayalakshmi
AU$47
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Sivaji Ganesan: Profile of An Icon
Sivaji Ganesan: Profile of An Icon
By S. Theodore Baskaran
AU$40
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Natya Shastra: Foundational Component of the Indian Knowledge System
Natya Shastra: Foundational Component of the Indian Knowledge System
By Awadh Narayan
AU$76
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Religious Music of the World
Religious Music of the World
By Various Editors
AU$95
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Book of Chants- Consisting Mostly of Selections from the Sacred Scriptures, Adapted to Appropriate Music, And Arranged for Chanting
Book of Chants- Consisting Mostly of Selections from the Sacred Scriptures, Adapted to Appropriate Music, And Arranged for Chanting
By Lowell Mason
AU$68
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Religion and Theatre
Religion and Theatre
By M. L. Varadpande
AU$50
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Shiv Kumar Sharma (The Man and His Music)
Shiv Kumar Sharma (The Man and His Music)
By Ina Puri
AU$90
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Religion and Theatre
Religion and Theatre
By M. L. Varadpande
AU$58
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Hindu Music from Various Authors
Hindu Music from Various Authors
By Sourindro Mohun Tagore
AU$40
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Drama and Ritual of Early Hinduism
Drama and Ritual of Early Hinduism
By Natalia Lidova
AU$42
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Krishna's Musicians- Musicians and Music Making In The Temples of Nathdvara Rajasthan
Krishna's Musicians- Musicians and Music Making In The Temples of Nathdvara Rajasthan
By Anne Marie Gaston
AU$83
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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