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Fully Insured
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MADE IN INDIA.

Buddhist Kalachakra Mandala (Brocadeless Thangka)

$1185
Includes any tariffs and taxes
Only 1 available
Specifications
CAA612
PURE 24 CARAT GOLD, ACRYLIC PAINT
31.5 inch Height X 31.5 inch Width
Weight 400 gm
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Gateway to Inner Harmony

Immerse your living space in a profound sense of tranquility with a meticulously crafted masterpiece designed to center the spirit. You will find that gazing into its mesmerizing geometric expanse invites deep meditation and elevates the aesthetic of any sophisticated interior. Transform your daily routine by introducing a striking focal point that encourages mindfulness and serene contemplation.

Sacred Mastery and Rare Materials

Master artisans pour countless hours into rendering every minute detail using time-honored techniques passed down through generations. You will appreciate the lavish application of pure 24 carat gold, which catches the ambient light and infuses the composition with a radiant, celestial glow. Rich acrylic paint blends seamlessly with precious metallic accents, creating a tactile depth and visual brilliance that commands immediate attention.

Symmetrical Grandeur and Scale

Spanning an impressive 31.5 inches in height and 31.5 inches in width, the balanced square composition demands a prominent place on your wall. You can trace the intricate concentric circles and elaborate architectural gateways, each executed with breathtaking precision and harmonious color balance. The expansive scale allows the complex iconography to breathe, revealing hidden layers of artistry with every closer inspection.

The Wheel of Time

Rooted in ancient Himalayan esoteric traditions, the imagery represents the supreme wheel of time and the cyclical nature of the cosmos. You are engaging with a rich lineage of spiritual philosophy where outer spatial geometry mirrors the inner landscape of the human consciousness. Every symbol tells a story of ultimate transformation, offering you a direct connection to centuries of sacred artistic heritage.

Sanctuary Settings

Hang this transcendent creation in your private meditation room, executive study, or refined living salon to establish an atmosphere of profound elegance. You will discover that its commanding presence effortlessly anchors contemporary and traditional interior designs alike, serving as a brilliant conversational centerpiece. Allow the harmonious palette to complement natural wood tones, silk furnishings, and minimalist architectural elements.

Enduring Legacy

Protect your investment by mounting the unframed canvas away from direct sunlight and gently dusting the surface with a soft, dry cloth. You will ensure its pristine luminosity endures for generations, preserving the integrity of the gold leaf and vibrant pigments. This heirloom-quality piece promises to remain a cherished anchor of peace and artistic excellence within your family for decades to come.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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