Kalachakra Mandala with Border (Brocadeless Thangka)

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100% Handmade

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MADE IN INDIA.

Kalachakra Mandala with Border (Brocadeless Thangka)

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Name: Kalachakra Mandala with Border (Brocadeless Thangka)
Brand: Exotic India
SKU: CAA301
Price: 630.00 USD
Availability: InStock

¥98,115

Includes any tariffs and taxes

Only 1 available

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Specifications

	CAA301
	PURE 24 CARAT GOLD,Acrylic Paint
	19.7 inch Height X 19.7 inch Width

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Celestial Sanctuary for Your Sanctuary

Immerse your living space in profound tranquility with a masterpiece designed to elevate your spiritual journey. You will find yourself drawn into the mesmerizing geometry, discovering endless peace with every contemplative glance. Transform any room into a sacred oasis of mindfulness and refined aesthetic grace.

Masterful Artisanal Mastery

Skilled master artisans dedicate countless hours to handcrafting every intricate detail using vibrant acrylic paint and radiant pure 24 carat gold. You will appreciate the exceptional brushwork and the lavish application of genuine precious metals that catch the ambient light brilliantly. Each delicate line reflects generations of preserved heritage and unwavering devotion to traditional Himalayan craftsmanship.

Harmonious Proportions and Radiance

Measuring a perfectly balanced 19.7 inches in height by 19.7 inches in width, the square composition draws your eye effortlessly toward the sacred center. You will marvel at the rich color palette, where deep indigos and fiery oranges contrast exquisitely against shimmering golden accents. The intricate border frames the central palace with breathtaking precision, creating an overwhelming sense of infinite depth.

Echoes of Ancient Wisdom

Rooted in profound Buddhist cosmology, the sacred diagram maps the intricate relationship between the human body and the universe. You are connecting with an ancient tradition of meditation tools designed to conquer temporal illusions and awaken inner clarity. Every geometric symbol tells a timeless story of cosmic balance, offering you a direct window into higher realms of consciousness.

Thoughtful Placement and Display

Hang this breathtaking creation in your meditation room, executive office, or serene reading nook to anchor the room's energetic flow. You will discover that framing the unfurled canvas without traditional brocade highlights the uninhibited purity of the artwork. Allow guests to admire its striking presence as a sophisticated focal point that sparks meaningful philosophical conversations.

Preserving Your Sacred Investment

Protect your radiant creation by mounting it away from direct sunlight and excessive humidity to preserve the brilliant acrylic pigments. You can gently dust the surface with a soft, dry cloth whenever necessary to maintain the luminous shine of the gold leaf. With mindful preservation, you will safeguard a cherished heirloom that radiates transcendent beauty for decades to come.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.

The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.

After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.

Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.

In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.

Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.

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