Radha and Krishna

Email

Whatsapp

Facebook

Pinterest

Twitter

Copy link

Much as in the Christian art of Medieval Europe, it is woman the Mother, the Madonna suckling a babe who has been painted with reverence, in the Indian Diaspora it is woman the beloved who has been painted with love and passion. The female friends of Krishna with their warm sensuous faces, eyes filled with passion, and delicate sensitive fingers, represent not the beauty of a particular woman, but the beauty of entire womanhood. In fact, she is there as the incarnation of all the beauty of the world and as a representative of the charm of her sex.

In the embrace of Krishna, the gopis, maddened with desire, found refuge; in their love dalliance with him who is the master in all the sixty-four arts of love, the gopis felt a thrill indescribable; and in making love with him in that climatic moment of release, in that one binding moment, they felt that joy and fulfilment which could not but be an aspect of the divine. Through their experience, thus, the erotic the carnal and the profane became but an aspect of the sublime, the spiritual and the divine. This cumulative myth sustains one basic point: for women, Krishna is a personal god, always accessible and unfailingly responsive. He is a god specially made for women. In the popular psyche, Krishna and Radha are the universal symbol for the lover and the beloved. Krishna is the ideal hero, and Radha the ideal heroine.