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Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
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to ensure peace of mind.
100% Handmade
100% Handmade
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MADE IN INDIA.

Ten Mandalas (Brocadeless Thangka)

$1000
Includes any tariffs and taxes
Only 1 available
Specifications
CAA392
PURE 24 CARAT GOLD,Acrylic Paint
30.7 inch Height X 22.8 inch Width
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Awaken Your Sacred Space

You will find yourself drawn into a mesmerizing visual journey of spiritual geometry and divine symmetry. This breathtaking brocadeless thangka serves as a profound meditative focal point for your contemplative practice. Allow the intricate celestial arrangement to center your mind and elevate the energetic resonance of your sanctuary.

Master Artisanship in Pure Gold

Master painters pour countless hours of devoted meditation into every minute brushstroke, honoring ancient Himalayan traditions. You will appreciate the lavish application of pure 24 carat gold, which catches the ambient light with breathtaking luminosity. Rich acrylic paint mingles with the precious metallic leaf to create striking depth, vibrant contrast, and astonishing textural brilliance.

Celestial Proportions and Details

Spanning an impressive 30.7 inches in height by 22.8 inches in width, command attention without overwhelming your curated interior design. You will marvel at the decagon arrangement housing ten distinct mandalas, each mapped with microscopic precision and flawless symmetry. The exquisite composition guides your wandering eyes seamlessly across tiers of deities, heavenly clouds, and celestial architecture.

Echoes of Ancient Himalayan Wisdom

Rooted in centuries of Tibetan Vajrayana Buddhism, these sacred diagrams map the enlightened mind and the architecture of the cosmos. You connect with a rich lineage of spiritual transmission where every color, gesture, and circle holds profound esoteric symbolism. Artisans preserve a sacred heritage through strict iconographic canons, transforming visual art into a tangible map for inner liberation.

Sanctuary Display Inspirations

Imagine this masterpiece gracing your private meditation room, quiet study, or sophisticated living area as an undeniable conversation piece. You will want to mount it away from direct sunlight, perhaps above a low altar or minimalist console table, allowing guests to absorb the intricate details up close. The unframed, brocadeless presentation offers a sleek, contemporary aesthetic while honoring timeless spiritual roots.

Preserving Your Sacred Investment

Protecting your radiant masterpiece requires simple mindfulness, ensuring it remains a treasured heirloom for generations of your family. You should gently dust the surface with a soft, dry feather brush whenever necessary, avoiding all moisture, chemical cleaners, and abrasive materials. By maintaining stable indoor humidity and shielding the delicate gold leaf from harsh environmental extremes, you guarantee lasting beauty.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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