White Tara (Tibetan Buddhist Deity)

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Name: White Tara (Tibetan Buddhist Deity)
Brand: Exotic India
SKU: ZBD19
Price: 330.00 USD
Availability: InStock

CHF266

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Specifications

	ZBD19
	Copper Statue Gilded with 24 Karat Gold
	Height: 8.5 inch
	Width: 6 inch
	Depth: 3.5 inch
	Weight 1.50 kg

Delivery and Return Policies

	Returns and Exchanges accepted within 7 days
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Fully Insured

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100% Handmade

All products are
MADE IN INDIA.

Embodiment of Compassion and Swift Action

Invite the radiant energy of White Tara into your sacred space with this exquisite copper statue, meticulously gilded with pure 24-karat gold. This divine representation embodies the very essence of compassion, longevity, and enlightened action, offering a profound focal point for meditation and spiritual practice. White Tara is revered in Tibetan Buddhism as the female counterpart to Avalokiteshvara, the Bodhisattva of Compassion. Legend tells that she sprang from a tear shed by Avalokiteshvara as he wept for the suffering of the world, a testament to her deep empathy and boundless love. She is known as the Mother of Liberation, symbolizing freedom from the cycle of suffering and rebirth. Her serene countenance, often depicted with a gentle smile and benevolent gaze, radiates peace and understanding. The seven eyes, one on her forehead and three on each palm and sole, signify her omnipresence and her ability to perceive all suffering and offer immediate aid. This detailed artistry captures her graceful posture, seated in the lotus position, her right hand in the gesture of offering blessings and reassurance, while her left hand rests in her lap, holding the stem of a lotus flower, a symbol of purity and enlightenment. ––––––––––

An Icon of Longevity and Protection

The iconography of White Tara is rich with symbolism. The lotus flower, blooming in pristine white, represents her untainted purity and her ability to navigate the muddy waters of samsara without being corrupted. The blue of her robe, often subtly hinted at in the detailing of this statue, is associated with the element of space and wisdom, reflecting her ability to transcend ordinary limitations. Her five faces, although not explicitly detailed in this particular casting, represent the five wisdoms of Buddhism. More commonly, as in this depiction, she is shown with a single serene face, radiating a calm authority and profound wisdom. White Tara is invoked for protection against illness, fear, and untimely death, and is particularly associated with bestowing longevity. Her swift response to prayers earned her the epithet "She Who Crosses Over," signifying her ability to swiftly guide devotees across obstacles and dangers. Embracing this statue is to invite a powerful ally in overcoming challenges and fostering a life of well-being and spiritual growth. ––––––––––

Masterful Craftsmanship in Gold and Copper

This breathtaking statue is crafted from high-quality copper, a metal valued for its conductivity and durability, which serves as the foundation for its sacred form. The entire piece is then lavished with a breathtaking layer of 24-karat gold gilding, imbuing it with an unparalleled radiance and luminous glow. The meticulous attention to detail in the sculpting, from the intricate patterns on her robes and jewelry to the delicate features of her face, speaks to the skill of the artisan. The interplay of the rich copper tones and the shimmering gold creates a visual masterpiece that is both visually striking and spiritually potent. This statue is more than just an object of art; it is a tangible connection to the divine, designed to inspire contemplation, devotion, and a deeper connection to the path of enlightenment. Its presence will undoubtedly elevate the spiritual atmosphere of any home, altar, or meditation space.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.