Nagas Sarpa Parampara: Origin & Symbolism of Hindu Nagas

(Viewed 7980 times since Feb 2024)

A Ceaseless thread:

Rooted in traditions of eclectic nature, Hinduism fascinates as much as it stirs the surprised awakening to the celestial world. Such is what we’ll explore as the space of Snakes - Nagas/Sarpas in the Hindu world.

As one passes by sacred sites, observes the iconographic evidence or studies the cultural arts of India, Nagas/Sarpas mark obvious visibility, almost in an essentialist sense - coiling around the right towards what’s considered divine. 


What Do The Scriptures Say:

In the vedic texts, we find a great deal of information about nāgas and nāga worship such as the following:

the supernatural snake’s hybrid nature, the rituals conducted by and for supernatural snakes, the first reference to a supernatural snake as a nāga, their ability to tame their non supernatural brethren, their divine nature, their ability to help humans against enemies, and their expanded powers over the natural world.

In the Śatapathabrāhmaṇa, for instance, poison is declared to be the primary factor in elevating the snake to the status of a divine being.

Beyond their poisonous prowess, the late-vedic snakes are depicted as capable of amazing feats such as stopping the world from spinning on its axis and protecting the four corners of the earth.

And the sarpanāma (snake-naming) mantras proclaim the fact that these worlds are ruled by snakes. In hymn 12.3 of the Atharvaveda, the redactors again enhanced the snake’s supernatural powers over the entire earth as they portrayed snakes as guardians of the 4 quarters:

1. the eastern quarter has Asita as protector

2. the southern quarter has Tiraścirāji as protector

3. the western quarter has Pṛdāku

4. the northern quarter has Svaja

Each of these names describes their reptilian characteristics:

☸ asita (black)

☸ tiraścirāji (striped across)

☸ pṛdāku (adder)

☸ svaja (viper)

This hymn thus highlights the fact that the snake’s power, its capacity to act as a world ruler and protector, is grounded in its reptilian being. While functioning as a celestial guardian, each of these creatures is characterised first and foremost as a snake.

Sarpas, As We Know:

The popular narratives mention Nagas as the royalty of the Patalaloka - as siren-like shape shifting Nagakanyas (serpent princesses who protect the holy treasure); Sage Patanjali (the author of Yoga sutras depicted as half serpent/half human) or Karkotaka who’s the serpent king often referred in the themes of redemption.

Having made a strong association between snakes and their inherent powers, and having enhanced the snakes’ supernatural powers, the redactors made a further assertion: because they are powerful, snakes are worthy of deification.

In another hymn from the Atharvaveda, it is stated that snakes should be regarded as gods because of their mordacious powers. While they are regarded as divine and capable of providing riches and fertility to their worshippers, they are also efficient killing machines.

This duality forms the foundation on which these snakes are characterised as hybrid beings, for “these creatures are represented as having the capacity to bless as well as curse”.

What’s To Understand:

Adishesha whose Vishnu’s Chhatravali (Umbrella) or Vasuki whose Shiva’s Kanthhara (Necklace), carrying powers of spiritual realisations and the boon of Kundalini - these children of Devi Manasa evoke both fear and reverence and to understand this paradox, is the principle of dharmic path!

As the famous Scholar Abhinavagupta mentions - the hollow serpent body represents total motility of the awareness and it is this awareness that leads us to the highs of soul-searching.

Share Post:
Add a review

Your email address will not be published *

Popular Articles
Every Woman a Goddess - The Ideals of Indian Art
"...the originator of families, the preserver of the established order and the perpetuator of traditions...As the Great Goddess rules the heavens, her earthly counterpart, the woman, rules the home..." The living traditions of India have always identified the female of the species with all that is sacred in nature. But it is not always the warrior woman who is identified with the goddess, but also woman as playful, lovable, and of course as the Mother. In a delightful vein it is conjectured that the kick of a woman is sufficient and necessary for blossoms to spring from the sacred Ashoka tree.
Published in Jan 2002
What is Tantra? - The Art of Philosophy
Tantra has developed a system of thought which makes us see the universe as if it were within ourselves, and ourselves as if we were within the universe. Further the forces governing the cosmos on the macro-level are believed to govern the individual in the micro-level. According to tantra, the individual being and universal being are one. Thus all that exists in the universe must also exist in the individual body. One of our major limitations in discovering this essential unity between the microcosm and the macrocosm is that we are accustomed to analyze the world into its separate parts, with the result that we lose sight of those parts' inter-relationship and their underlying unity. The way to fulfillment is through recognition of our wholeness linking man and the universe. This hence is the broad aim of Tantra art, achieved through visual symbols and metaphors.
Published in Sep 2001
Color Symbolism In Buddhist Art
"...there exists in Buddhism the concept of a rainbow body... the rainbow body signifies the awakening of the inner self to the complete reservoir of terrestrial knowledge that it is possible to access before stepping over the threshold to the state of Nirvana..." After knowing the qualities that you want to experience in your life such as peace, strength, wisdom, patience, and compassion, you can pick the color associated with that quality. With an element as simple as colors, you can transform your life into a rich, awakened, and transcendental experience, following the wisdom of Buddhist masters.
Published in Feb 2002
Subscribe to our newsletter for new stories