BOOKS ON INDIAN RAGAS

Показано с 25 до 48 из 69 результатов
Показано с 25 до 48 из 69 результатов
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50 Rare Ragas of Carnatic Music (Ragas, Down the Memory Lane)
50 Rare Ragas of Carnatic Music (Ragas, Down the Memory Lane)
By Vidya Bhavani Suresh
RM286
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A Monograph on Sri Tyagaraja Swamy's Ghana Raga Pancharatna Keertanas (A Detailed Commentary on The Literary and Musical Excellence of Pancharatna Compositions)
A Monograph on Sri Tyagaraja Swamy's Ghana Raga Pancharatna Keertanas (A Detailed Commentary on The Literary and Musical Excellence of Pancharatna Compositions)
By Nookala Chinna Satyanarayana
RM143
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Evolution of Hindustani Slide Guitar
Evolution of Hindustani Slide Guitar
By Anil Rai and Joyanta Sarkar
RM106.40
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RM152 30% off
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Sree Patnam Subramanya Iyer (With Notation)
Sree Patnam Subramanya Iyer (With Notation)
By A. S. Panchapakesa Iyer
RM81
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Navagraha Ganamrutham (With Notation)
Navagraha Ganamrutham (With Notation)
By A. S. Panchapakesa Iyer
RM81
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The Ragas of Northern Indian Music
The Ragas of Northern Indian Music
By Alain Danielou
RM242
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Popular Ragas and it's Compositions in Hindustani Instrumental Music
Popular Ragas and it's Compositions in Hindustani Instrumental Music
By Dr. Prateek Chaudhuri
RM246
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Raga Mudras in Dikshitar Kritis
Raga Mudras in Dikshitar Kritis
By Dr. K. Omanakutty
RM98
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Rig - 3 (Raga Identification Guide)
Rig - 3 (Raga Identification Guide)
By K. Balasubramaniam
RM85
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Romance of the Raga
Romance of the Raga
By Vijaya Moorthy
RM151.45
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Raga, Rashtra and Responsibility: Indian Classical Music, Cultural Power and the Making of Modern India
Raga, Rashtra and Responsibility: Indian Classical Music, Cultural Power and the Making of Modern India
By Harvansh Chawla, Karina Chawla, Ojjus Chawla
RM218.40
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Ragas in Hindustani Music (Set of 5 Books)
Ragas in Hindustani Music (Set of 5 Books)
By Various Authors
RM729
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Prathamabhyasa Pustakamu of Brahmasri Subbarama Diksitulu
Prathamabhyasa Pustakamu of Brahmasri Subbarama Diksitulu
By Subbarama Dikshitulu
RM166
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सङ्गीत-दर्पण:- Sangita-Darpanah: Gaurisvara-Sammatah (Sangita-Darpana, As Created by Gaurisvara)
सङ्गीत-दर्पण:- Sangita-Darpanah: Gaurisvara-Sammatah (Sangita-Darpana, As Created by Gaurisvara)
By Translated By Arjun Bharadwaj
RM443
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Karnataka Sangeeta Sastra (Theory of Carnatic Music)
Karnataka Sangeeta Sastra (Theory of Carnatic Music)
By A. S. Panchapakesa Iyer
RM94
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Raga Harmony- Harmonic Structures and Tonalities in Indian Classical Music
Raga Harmony- Harmonic Structures and Tonalities in Indian Classical Music
By L. Subrahmanya Siddhanti
RM112
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North Indian Instrumental Music Ragas (for Higher Studies)
North Indian Instrumental Music Ragas (for Higher Studies)
By Dr. Prateek Chaudhari
RM300
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Hindustani Raga-s Index (Bibliographical References on Descriptions, Compositions and Vistara-s of Hindustani Ragas)
Hindustani Raga-s Index (Bibliographical References on Descriptions, Compositions and Vistara-s of Hindustani Ragas)
By Patrick Moutal
RM139
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The Raga-ness of Ragas (Ragas Beyond the Grammar)
The Raga-ness of Ragas (Ragas Beyond the Grammar)
By Deepak S. Raja
RM255
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Somanatha's Ragavibodha (Critically Edited and Translated) - With CD
Somanatha's Ragavibodha (Critically Edited and Translated) - With CD
By Ranganayaki V. Ayyangar
RM380
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Relevance of Embellishments in Indian Raga System (With Notations)
Relevance of Embellishments in Indian Raga System (With Notations)
By Divya Dayal
RM94
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Six Principal Ragas With A Brief View of Hindu Music
Six Principal Ragas With A Brief View of Hindu Music
By Sourindro Mohan Tagore
RM85
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Hindustani Ragas- The Concept of Time and Season
Hindustani Ragas- The Concept of Time and Season
By Vijay Bazaz Razdan
RM186.40
RM233 20% off
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Ragas in Indian Music
Ragas in Indian Music
By Nandita Kumari
RM228.80
RM286 20% off
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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