BOOKS ON TEACHING YOURSELF INDIAN DANCE & MUSIC

Affichage de 25 à 48 sur 57 résultats
Affichage de 25 à 48 sur 57 résultats
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Chaplin, Gandhi & Me too
Chaplin, Gandhi & Me too
By Dr. Jayanti Patel
¥2671
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Learn to Play on Tabla-II (An Advance Course)
Learn to Play on Tabla-II (An Advance Course)
By Ram Avtar ‘Vir’
¥3339
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Perfoming for Tourists (Redefining Performances, Performers and Audiences)
Perfoming for Tourists (Redefining Performances, Performers and Audiences)
By Shiva Rijal
¥2421
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Learn to Play on Tabla
Learn to Play on Tabla
By Ram Avtar 'Vir'
¥2125
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Learn to Play on Sitar
Learn to Play on Sitar
By Ram Avtar 'Vir'
¥3036
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Bollywoods’s Top 20: Superstars of Indian Cinema(With CD)
Bollywoods’s Top 20: Superstars of Indian Cinema(With CD)
By Bhaichand Patel
¥2504
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Handbook of Tabla (History, Anatomy, Learning, Maintenance)
Handbook of Tabla (History, Anatomy, Learning, Maintenance)
By Pankaj Vishal
¥2732
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Hindustani Music Today
Hindustani Music Today
By Deepak S. Raja
¥5161
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How to Play Sitar
How to Play Sitar
By Vikas Aggarwal
¥3339
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Learn to Play on Sitar (Set of 7 Books)
Learn to Play on Sitar (Set of 7 Books)
By Various Authors
¥15,027
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Handbook of Sarod (History, Anatomy, Learning, Maintenance)
Handbook of Sarod (History, Anatomy, Learning, Maintenance)
By Pankaj+Vishal
¥3188
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Main Shayar Toh Nahin: The Book of Hindi Lyricists
Main Shayar Toh Nahin: The Book of Hindi Lyricists
By Rajiv Vijayakar
¥3188
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Bollywood Today
Bollywood Today
By Kaveree Bamzai
¥5920
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Guitar And Its Playing Technique
Guitar And Its Playing Technique
By Dipanker Roy Chaudhary
¥3036
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Trends in Music Therapy Today
Trends in Music Therapy Today
By Dr. Lovely Sharma
¥8652
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The Importance of Tone, Tune, and Text in Indian Music
The Importance of Tone, Tune, and Text in Indian Music
By Dr. Debashree Bhattacharya
¥7134
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Arts Education (Resource Book for Teachers)
Arts Education (Resource Book for Teachers)
Publisher National Council of Educational Research and Training
¥3795
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How to Write Film Screenplays (Illustrations for Aspiring Screenplay Writers and Readers)
How to Write Film Screenplays (Illustrations for Aspiring Screenplay Writers and Readers)
By Nirmal Kumar Chawdhary
¥5100
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Scale Maps for All Major & Minor, Western & Carnatic in One Page for Keyboard (Easy Way to Learn)
Scale Maps for All Major & Minor, Western & Carnatic in One Page for Keyboard (Easy Way to Learn)
Publisher K. Ramani
¥3795
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2014 & 2015 Tamil Film Hit Songs Notes in (s r g m p d n) (A B C D E F G) (Easy Way to Learn with Notation)
2014 & 2015 Tamil Film Hit Songs Notes in (s r g m p d n) (A B C D E F G) (Easy Way to Learn with Notation)
Publisher K. Ramani
¥2732
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Odissi: What, Why and How...(Evolution, Revival & Technique)
Odissi: What, Why and How...(Evolution, Revival & Technique)
By Madhumita Raut
¥6921
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SACRED MUSIC Its Origins, Powers, and Future (Traditional Music in Today's World)
SACRED MUSIC Its Origins, Powers, and Future (Traditional Music in Today's World)
By Alain Danielou
¥4857
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Hindustani Music and Aesthetics Today
Hindustani Music and Aesthetics Today
By Sushil Kumar Saxena
¥7589
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Bollywood (Yesterday Today Tomorrow)
Bollywood (Yesterday Today Tomorrow)
By Ramesh Dawar
¥5464
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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