BOOKS ON INDIAN THEATRE & DRAMA

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Mostrando 73 a 144 de 196 resultados
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Kannada Theatre History (1850-1950: A Sourcebook)
Kannada Theatre History (1850-1950: A Sourcebook)
By Akshara K. V. , B.R. Venkataramana Athala and Deepa Ganesh
RM143
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Theatre's Living Legacy
Theatre's Living Legacy
Publisher Kolkata Municipal Corporation, Kolkata
RM100.10
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RM143 30% off
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Purnapurusartha Candrodayam (Sanskrit Allegorical Drama)
Purnapurusartha Candrodayam (Sanskrit Allegorical Drama)
By Thekkeppattu Jatavedasunuh and K. Vijayakrishnan
RM100.10
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Ramayana Samksepam- An Attaprakaram (Acting Manual) for Depicting the Story of Ramayana Through Mudra-s in Kutiyattam Theatre (With DVD Inside)
Ramayana Samksepam- An Attaprakaram (Acting Manual) for Depicting the Story of Ramayana Through Mudra-s in Kutiyattam Theatre (With DVD Inside)
By G.Venu
RM246
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Dramas or A Complete Account of the Dramatic Literature of the Hindus (An Old and Rare Book)
Dramas or A Complete Account of the Dramatic Literature of the Hindus (An Old and Rare Book)
By H.H. Wilson
RM112
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The Sanskrit Theatre and Stagecraft (An Old and Rare Book)
The Sanskrit Theatre and Stagecraft (An Old and Rare Book)
By E.W. Marasinghe
RM282
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Sangeet Natak Akademi Journal
Sangeet Natak Akademi Journal
Publisher SANGEET NATAK AKADEMI
RM121
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Sangeet Natak
Sangeet Natak
Publisher SANGEET NATAK AKADEMI
RM61.60
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Agamas in Indian Dramatics and Musicology
Agamas in Indian Dramatics and Musicology
By Gautam Chatterjee
RM150.40
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A Socio Political History of Marathi Theatre (Set of Three Volumes)
A Socio Political History of Marathi Theatre (Set of Three Volumes)
By Makarand Sathe
RM743
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The Theatre According to the Natyasastra of Bharata
The Theatre According to the Natyasastra of Bharata
By R. P. Kulkarni
RM143
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Bharat-Natya-Manjari (Bharata on the Theory and Practice of Drama)
Bharat-Natya-Manjari (Bharata on the Theory and Practice of Drama)
By G.K. Bhat
RM255
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Yatrik - A Journey into Theatrical Art (Fifty Years and Counting)
Yatrik - A Journey into Theatrical Art (Fifty Years and Counting)
By Diwan Singh Bajeli
RM125.60
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Sanskrit Drama (Its Aesthetics and Production) (A Rare Book)
Sanskrit Drama (Its Aesthetics and Production) (A Rare Book)
By V. Raghavan
RM210
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Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
By Sayanika Goswami
RM169.40
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The Laws and Practice of Sanskrit Drama (An Old and Rare Book)
The Laws and Practice of Sanskrit Drama (An Old and Rare Book)
By Surendra Nath Shastri
RM188
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Journal of Sangeet Natak Akademi
Journal of Sangeet Natak Akademi
By A. Chatterjee
RM112
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Theatric Aspects of Sanskrit Drama (Rare Book)
Theatric Aspects of Sanskrit Drama (Rare Book)
By G.K. Bhat
RM143
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Krishna Theatre In India
Krishna Theatre In India
By M.L. Varadapande
RM179
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Re-scribing Tradition (Modernisation of South Indian Dance Drama)
Re-scribing Tradition (Modernisation of South Indian Dance Drama)
By Guru Rao Bapat
RM210
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Rukmini Devi (Dance Drama)
Rukmini Devi (Dance Drama)
Publisher Kalakshetra Publications, Chennai
RM385
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Kathakali: Dance-Theatre (A Visual Narrative of Sacred Indian Mime)
Kathakali: Dance-Theatre (A Visual Narrative of Sacred Indian Mime)
By K. K. Gopalakrishnan
RM282.10
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Bhand Pather (The Folk Theatre of Kashmir)
Bhand Pather (The Folk Theatre of Kashmir)
By Sushma Jatoo and Sudhir Lall
RM228.80
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Folk Theatre of Karnataka: A Study
Folk Theatre of Karnataka: A Study
By Basavaraj Donur
RM121
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THE TRADITIONAL SANSKRIT THEATRE OF KERALA (Calicut University Sanskrit Series No. 3)
THE TRADITIONAL SANSKRIT THEATRE OF KERALA (Calicut University Sanskrit Series No. 3)
By C. Rajendran
RM58
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Ancient Greek and Indian Theatre
Ancient Greek and Indian Theatre
By Dr. Asha Saxena
RM121
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Dance Drama (In Theory and Practice)
Dance Drama (In Theory and Practice)
By S. Ramaratnam
RM275.80
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Bengali Theatre
Bengali Theatre
By KIRONMOY RAHA
RM107
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Our Stage (Pleasures and Perils of Theatre Practice in India)
Our Stage (Pleasures and Perils of Theatre Practice in India)
By Edited by: - Sudhanva Deshpande - Akshara K.V - Sameera Iyengar
RM143
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Magazine of Sangeet Natak Akademi
Magazine of Sangeet Natak Akademi
Publisher SANGEET NATAK AKADEMI
RM56.70
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Oxford Theatres of India: A Concise Companion
Oxford Theatres of India: A Concise Companion
By Ananda Lal
RM268
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Contemporary Indian Theatre
Contemporary Indian Theatre
By Rajinder Paul
RM268
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Types of Dramatic Representations in Sanskrit
Types of Dramatic Representations in Sanskrit
By Dr. Kamlesh Birmani
RM76
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The Poetics of Theatre in Early India (New Vistas in Indian Performing Arts, no. 14)
The Poetics of Theatre in Early India (New Vistas in Indian Performing Arts, no. 14)
By Dhananjay Singh
RM161
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Sanskrit Drama and Dramaturgy
Sanskrit Drama and Dramaturgy
By V. Raghavan
RM139
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Maha-Nataka, Dramatic History of King Rama
Maha-Nataka, Dramatic History of King Rama
By Hanumat
RM182.40
RM228 20% off
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Theyyam: Indian Folk Ritual Theatre-an Insider's Vision
Theyyam: Indian Folk Ritual Theatre-an Insider's Vision
By K. K. Gopala Krishnan
RM438.20
RM626 30% off
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K.N. Panikkar: The Theatre of Rasa (Natarang Pratishthan Series on Modern Indian Theatre)
K.N. Panikkar: The Theatre of Rasa (Natarang Pratishthan Series on Modern Indian Theatre)
By Edited By Udayan Vajpeyi
RM130
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Mancha- A Folk Theatre of Malwa (Central India)
Mancha- A Folk Theatre of Malwa (Central India)
By Niranjan Mahawar
RM160.80
RM201 20% off
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Newar Theatrical Performances (Religious, Royal, and Comic Aspects)
Newar Theatrical Performances (Religious, Royal, and Comic Aspects)
By Gerard Toffin
RM546
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Styles of Theater Acting
Styles of Theater Acting
By Sunita Dhir
RM125
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Rang Yatra- 2: Forty Years of the National School of Drama Repertory Company (An Old and Rare Book)
Rang Yatra- 2: Forty Years of the National School of Drama Repertory Company (An Old and Rare Book)
Publisher National School of Drama, New Delhi
RM224
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Indian Theatre of Protest
Indian Theatre of Protest
By Ranbir Sinh
RM125
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Togor's Dance- Drama Omnibus
Togor's Dance- Drama Omnibus
By Utpal K. Banerjee
RM116
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Cultural Labour- Conceptualizing the 'Folk Performance' in India
Cultural Labour- Conceptualizing the 'Folk Performance' in India
By Brahma Prakash
RM197
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Theatre in Ancient India
Theatre in Ancient India
By Siddheswar Chattopadhyay
RM107.20
RM134 20% off
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Universal Dance and Drama (A Collection of My Articles)
Universal Dance and Drama (A Collection of My Articles)
By P. Medini Hombal
RM143
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Religion and Theatre
Religion and Theatre
By M. L. Varadpande
RM134
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Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
By Nirmala Paniker
RM161
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Outlines Of Indian Arts Architecture, Painting , Sculpture, Dance and Drama
Outlines Of Indian Arts Architecture, Painting , Sculpture, Dance and Drama
By R.N. Misra
RM250.40
RM313 20% off
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From the Wings: Notes on Indian Theatre
From the Wings: Notes on Indian Theatre
By Nemichandra Jain
RM103
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Asides- Themes in Contemporary Indian Theatre
Asides- Themes in Contemporary Indian Theatre
By Nemichandra Jain
RM98
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The Mother Supreme (Mahamayi)
The Mother Supreme (Mahamayi)
By Chandrashekhara Kambara
RM85
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Mohan Upreti- The Man and His Art
Mohan Upreti- The Man and His Art
By Diwan Singh Bajeli
RM107
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Theatre India 1 (National School of Drama's Theatre Journal)
Theatre India 1 (National School of Drama's Theatre Journal)
By Tripurari Sharma
RM143
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Kathakali Kutiyattam and Other Performing Arts: Fifty Years of Theatrical Exploration
Kathakali Kutiyattam and Other Performing Arts: Fifty Years of Theatrical Exploration
By G.Venu
RM161
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Kutiyattam – The Heritage Theatre of India
Kutiyattam – The Heritage Theatre of India
By Sudha Gopalakrishnan
RM300.30
RM429 30% off
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Ravana Chhaya
Ravana Chhaya
By Jiwan Pani
RM72
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Sangeet Natak- Journal of The Sangeet Natak Akademi-23 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak Akademi-23 (An Old and Rare Book)
By Uma Anand
RM72
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Sangeet Natak- Volume XXXVIII, Number, 1, 2004
Sangeet Natak- Volume XXXVIII, Number, 1, 2004
By S. A. Krishnaiah
RM72
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Sangeet Natak Volume XXXVIII, Number 4, 2004
Sangeet Natak Volume XXXVIII, Number 4, 2004
By Mulk Raj Anand
RM76
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Ramleela in Trinidad : 100 Years of the Felicity Open-Air, Folk Theatre Tradition
Ramleela in Trinidad : 100 Years of the Felicity Open-Air, Folk Theatre Tradition
By SATNARINE BALKARAN SINGH
RM304
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Music in Traditional Indian Theatre- Special Reference to Rasa Leela
Music in Traditional Indian Theatre- Special Reference to Rasa Leela
By Rani Balbir Kaur
RM215
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Contemporary Theatre Of India An Overview
Contemporary Theatre Of India An Overview
By Chaman Ahuja
RM139
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Bengali Theatre 200 Years
Bengali Theatre 200 Years
By Utpal K. Banerjee
RM116
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Catalogue of Manuscripts on Performing Arts (Music, Dance and Drama)
Catalogue of Manuscripts on Performing Arts (Music, Dance and Drama)
By Kaushalya Gupta
RM367
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Cut & Paste: Indian Cine Actresses (Chart Book)
Cut & Paste: Indian Cine Actresses (Chart Book)
Publisher MANOJ PUBLICATIONS, DELHI
RM76
Includes any tariffs and taxes
Cut & Paste: Indian Cine Actors (Chart Book)
Cut & Paste: Indian Cine Actors (Chart Book)
Publisher MANOJ PUBLICATIONS, DELHI
RM76
Includes any tariffs and taxes
The Theatre of The Hindus
The Theatre of The Hindus
By P.N Singh
RM204
RM255 20% off
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The Theatre of Bhanu Bharti- A New Perspective
The Theatre of Bhanu Bharti- A New Perspective
By Diwan Singh Bajeli
RM114.40
RM143 20% off
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Scenography- An Indian Perspective
Scenography- An Indian Perspective
By Satyabrata Rout
RM269.50
RM385 30% off
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Art and Art Libraries in India (An Old and Rare Book)
Art and Art Libraries in India (An Old and Rare Book)
By Ashok k. Choudhury, Baman Parida
RM286
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
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    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
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    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
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