BOOKS ON INDIAN THEATRE & DRAMA

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Mostrando 145 a 196 de 196 resultados
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Amirbai Karnataki: The Life and Times of a Songstress
Amirbai Karnataki: The Life and Times of a Songstress
By Rahamath Tarikere and C.S. Sarvamangala
AED177.60
AED222 20% off
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Living Traditions in Indian Art
Living Traditions in Indian Art
By Madhu Rani
AED192.80
AED241 20% off
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Sanskrit Drama And Dramaturgy
Sanskrit Drama And Dramaturgy
By Biswanath Bhatacharya
AED163.20
AED204 20% off
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Contributions to The History of The Hindu Drama
Contributions to The History of The Hindu Drama
By Manomohan Ghosh
AED74
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The World of Indian Performing Arts
The World of Indian Performing Arts
By Utpal K. Banerjee
AED363
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Indian Theatre Traditions Drama, Music and Dance
Indian Theatre Traditions Drama, Music and Dance
By Shovana Narayan
AED333
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The Rite of Seeing- Essays on Kutiyattam
The Rite of Seeing- Essays on Kutiyattam
By David Shulman
AED222
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History of Indian Theatre (Early History)
History of Indian Theatre (Early History)
By M. L. Varadpande
AED252
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Profiles of the Life and Work of Ten - Women in Indianfilm (Set of 10 Books)
Profiles of the Life and Work of Ten - Women in Indianfilm (Set of 10 Books)
By Nasreen Munni Kabir
AED204
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Drama and Ritual of Early Hinduism
Drama and Ritual of Early Hinduism
By Natalia Lidova
AED93
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The Ritual Art of Teyyam and Bhutaradhane - Theatrical Performance with Spirit Mediumship (An Old Book)
The Ritual Art of Teyyam and Bhutaradhane - Theatrical Performance with Spirit Mediumship (An Old Book)
By Sita K. Nambiar
AED200
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Indian Culture Art and Heritage for Civil Services Examination
Indian Culture Art and Heritage for Civil Services Examination
By Devdutt Pattanaik
AED170
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Enter Stage Right- The Alkazi / Padamsee Family Memoir
Enter Stage Right- The Alkazi / Padamsee Family Memoir
By Feisal Alkazi
AED148
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Theatre Movement in Karnataka- Gubbi Company (An Old and Rare Book)
Theatre Movement in Karnataka- Gubbi Company (An Old and Rare Book)
By Sindhuvalli Ananthamurthy
AED93
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Murari's Anargharaghavam- A Critique
Murari's Anargharaghavam- A Critique
By Manashi Sharma
AED122
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Stages of Life- Indian Theatre Autobiographies
Stages of Life- Indian Theatre Autobiographies
By Kathryn Hansen
AED159
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Buddhism as/in Performance (Analysis of Meditation and Theatrical Practice)
Buddhism as/in Performance (Analysis of Meditation and Theatrical Practice)
By David E.R. George
AED115
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A Confluence of Indian Dance Drama and Text
A Confluence of Indian Dance Drama and Text
By Utpal K Banerjee
AED252
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Dance Theatre of India - Crossing New Aesthetics and Cultures
Dance Theatre of India - Crossing New Aesthetics and Cultures
By Katia Legeret-Manochhaya
AED104
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Bharatanatyam Evolves From Temple to Theatre and Back Again
Bharatanatyam Evolves From Temple to Theatre and Back Again
By Anne Marie Gaston
AED189.60
AED237 20% off
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A Peep into Yaksagana and Sanskrit Dramaturgy
A Peep into Yaksagana and Sanskrit Dramaturgy
By Dr. G.S. Hegde
AED100
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Natya Brahman - Theatric Universe: A Concept of Ancient Indian Theatre (An Old and Rare Book)
Natya Brahman - Theatric Universe: A Concept of Ancient Indian Theatre (An Old and Rare Book)
By Anita Ratnam Rangaraj
AED111
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Sisir Kumar Bhaduri (Pioneer of Modern Indian Theatre)
Sisir Kumar Bhaduri (Pioneer of Modern Indian Theatre)
By Amal Mitra and Lab Kumar Bose
AED82
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Dramatic Concepts: Greek and Indian (A Study of Poetics and Natyasastra)
Dramatic Concepts: Greek and Indian (A Study of Poetics and Natyasastra)
By Bharat Gupt
AED104
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Kridaniyakam (Myriad Aspects of Comedy in Sanskrit Drama)
Kridaniyakam (Myriad Aspects of Comedy in Sanskrit Drama)
By N.K. Geetha
AED126
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Indian Theatre and Dance Traditions
Indian Theatre and Dance Traditions
By Shovana Narayan
AED259
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Folk Theatre Pandwani "Based On The Epic Mahabharata"
Folk Theatre Pandwani "Based On The Epic Mahabharata"
By Niranjan Mahawar
AED185
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Chinese Theater - Happiness and Sorrows on the Stage
Chinese Theater - Happiness and Sorrows on the Stage
By Wang Wenliang , Wang Huan and Zhang Lina
AED237
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Sanskrit Drama in Performance
Sanskrit Drama in Performance
By Rachel Van M. Baumer and James R. Brandon
AED93
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An Indian Bouquet of Dance and Drama (Fragrance & Aroma)
An Indian Bouquet of Dance and Drama (Fragrance & Aroma)
By Utpal K Banerjee
AED237
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The Royal Temple Theater of Krishnattam
The Royal Temple Theater of Krishnattam
By Martha Bush Ashton-Sikora, Robert P. Sikora, A. Purushothaman and A. Harindranath
AED237
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METATHEATER AND SANSKRIT DRAMA
METATHEATER AND SANSKRIT DRAMA
By Michael Lockwood&A. Vishnu Bhat
AED100
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ANCIENT INDIAN AND INDO-GREEK THEATRE
ANCIENT INDIAN AND INDO-GREEK THEATRE
By M L VARADPANDE
AED119
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Incredible India: Traditional Theatres
Incredible India: Traditional Theatres
By H. S. Shiva Prakash
AED156
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Gender, Space and Resistance (Women and Theater in India)
Gender, Space and Resistance (Women and Theater in India)
By Anita Singh and Tarun Tapas Mukherjee
AED204
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History of Indian Theatre: Classical Theatre (Volume III)
History of Indian Theatre: Classical Theatre (Volume III)
By M. L. Varadpande
AED500
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Fellows and Award-Winners of Sangeet Natak Akademi 1952-2010 (Citations and Composite Data)
Fellows and Award-Winners of Sangeet Natak Akademi 1952-2010 (Citations and Composite Data)
Publisher Sangeet Natak Akademi
AED174
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Natyasastra and The Indian Dramatic Tradition
Natyasastra and The Indian Dramatic Tradition
By Radha Vallabh Tripathi
AED133
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Indian Drama in Retrospect
Indian Drama in Retrospect
By Jayant Kastuar
AED211
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Theatrescapes: Experiencing Rasas
Theatrescapes: Experiencing Rasas
By Shobha Deepak Singh
AED215.60
AED308 30% off
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Kathakali The Sacred Dance Drama of Malabar
Kathakali The Sacred Dance Drama of Malabar
By K. Bharatha Iyer
AED222
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Music In Traditional Indian Theatre
Music In Traditional Indian Theatre
By Dr. Rani Balbir Kaur
AED185
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Ramnabami-Natak The Story of Ram and Nabami
Ramnabami-Natak The Story of Ram and Nabami
By Gunabhiram Barua, Translated from Assamese and with an Introduction by Tilottoma Misra
AED126
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Gulab Bai The Queen of Nautanki Theatre
Gulab Bai The Queen of Nautanki Theatre
By Deepti Priya Mehrotra
AED96
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Poetics, Plays, and Performances: The Politics of Modern Indian Theatre
Poetics, Plays, and Performances: The Politics of Modern Indian Theatre
By Vasudha Dalmia
AED170
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भारतीय नाट्य सिध्दान्त - उद्भव और विकास (संस्कृत एवं हिंदी नाटकों के विशेष सन्दर्भ में): Principles of Indian Theatre - Origin and Development (A Rare Book)
भारतीय नाट्य सिध्दान्त - उद्भव और विकास (संस्कृत एवं हिंदी नाटकों के विशेष सन्दर्भ में): Principles of Indian Theatre - Origin and Development (A Rare Book)
By डॉ. रामजी पाण्डेय (Dr. Ramji Pandey)
AED204
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नाटक और रंगमंच: Theatre and The Stage
नाटक और रंगमंच: Theatre and The Stage
By डॉ. सीताराम झा 'श्याम' (Dr. Sitaram Jha 'Shyam')
AED167
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भारतीय नाट्यशास्त्र और आज का रंगमंच: India's Natyasastra and Contemporary Theatre
भारतीय नाट्यशास्त्र और आज का रंगमंच: India's Natyasastra and Contemporary Theatre
By Vishwanath Mishra
AED204
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रंगमंच: The Theater
रंगमंच: The Theater
By शेल्डान चेनी (Sheldan Cheni)
AED222
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संस्कृत नाट्यशिल्प और रंगमंच: Sanskrit Natyashilpa and Theatre (An Old and Rare Book)
संस्कृत नाट्यशिल्प और रंगमंच: Sanskrit Natyashilpa and Theatre (An Old and Rare Book)
By राम चन्द्र सरोज (Ram Chandra Saroj)
AED148
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संस्कृत के प्रमुख नाटककार तथा उनकी कृतियाँ: Principal Dramatists of Sanskrit and Their Works
संस्कृत के प्रमुख नाटककार तथा उनकी कृतियाँ: Principal Dramatists of Sanskrit and Their Works
By डॉ. गंगासागर राय (Dr. Ganga Sagar Rai)
AED148
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पंजाबी नाटक और रंगमंच की एक सदी: A Century of Punjabi Drama and Theater
पंजाबी नाटक और रंगमंच की एक सदी: A Century of Punjabi Drama and Theater
By Satish Kumar Verma
AED130
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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