A trend setter in this contemporary era, blue color has always been an attraction to the eyes, beholding the remarkable quality of slaying on all. Ankle length trousers and long kurtis are the current hotspot demand by the fashionistas; it suits one and all by their awe-struck elegance, comfort and beauty.
The one shown here is an excessive beauty fashioned in a dark blue colored self woven art silk material with the high neck patterned in vertical zari embroidered stripes and delicate floral zari patches on the bottom left side and one in the centre on the chest. This exclusive patchwork depicts the modern style of weaving that focuses on soberness and dignity.
The accompanied plain blue trouser and a distinguished contrasting mustard dupatta act as an icing on the cake. You may zoom in to see the beautiful bandhani style print on the dupatta with white color and thick and elegant blue borders complementing the entire suit piece. This trio is a perfect wear for in-house gatherings or family lunch or dinner outings.
Framed in a traditional dark gold border of contrasting flower motifs, the painter intends to portray a loving connection of the royalties in lieu of their celebration of Diwali. It is one of the most popular Hindu festivals that marks the arrival of new beginnings, happiness, love, light and unity; carrying on with this thought, Navneet Parikh depicts the king settled on his royal throne in his vast royal kingdom and his dasi serving him; while the queen accompanied with the best of her two dasis visits her lover, curious to celebrate this festival of lights with him and show a path of new hopes and brightness to their love.
The queen’s dasis, garbed in sober traditional attires, carry a tray of crackers and feel joyous about the ecstatic love and romance between the elites. One may notice the beautiful portrayal of sparkles in the dark sky and the sparklers held by king and queen; it seems as if the constant eye contact between the two has aroused rays of love, as can be visible from the showers of intimacy from his highness’ sparkler on that of his lover’s, that together unite on the tray kept on the ground.
The painter has thoughtfully used the concept of a dark background as it further enhances the rich attires of the royalties garbed on their bright plumage. The very aspect of this painting takes us back down the memory lane of true and hypnotized love being expressed by that connection of eyes while in their royal celebration.
Silk fabric holds a thousand year old history to be cherished forever; it is acclaimed for its smooth, lustrous texture that makes it comfortable to wear in both winter climates and warmer seasons. The best known silk is obtained from the cocoons of the larvae of mulberry silkworm. This bright yellow and pink colored silk sari is a common trousseau in a bride’s wedding wardrobe; the triangular prism-like structure of the silk fiber allows it to have a shimmering appearance that gives a lustrous view to the eyes. The body of the textile is self-woven in light diamond shaped patterns.
Zoom in to the border decorated in a marvelous peacock shape with a contrasting pink and zari weave. The bright pink aanchal has beautiful droplet motifs on a golden zari base. The silks from Chennai have always been a shopper’s delight for generations of families. The lavish style, softness and elegance makes a woman stand out when garbed in this exclusive masterpiece.
This painting is a perfect combination of Mandala and Madhubani art forms, depicting Lord Krishna and Radha in their handsome lila while the other gopis dance joyfully in a circle around them. Madhubani art is symbolic of depicting historic deities and backgrounds full of flowers and petals highlighting nature scenes in a vibrant and colorful palette. Mandala in Sanskrit means, Magic Circle and represents the soul of an art, it is a therapy for making order out of disorder.
The one shown here has a large and beautiful flower patch on a unique sea-green background filled with petalled vines, twisting and turning along with multiple peacocks perched randomly. The yellow colored flower creates a striking contrast with the various other soothing colors of the painting. The big circle in the centre is captured by the infinite love bond of Radha and Krishna, where they seem to be lost in each other’s eyes; Krishna plays the soulful track from his flute and Radha holds him out of love and excitement. Both are garbed in enchanting attires and jewels with a feathered crown worn by Krishna.
The gopis painted in each petal, dance with their heart out on the soulful tunes of Krishna by spreading their striped long skirts in a fan formation and chunri flowing in ease. Zoom in to see the mesmerizing leafy vines all over the yellow flower along with a geometric colorful border on the outer edges and inner circle outlined in pink lotus petals. The unmistakable charm and vibrancy of this painting attracts the eyes of the viewer in one go.
Interestingly, India has no idol or temple dedicated to Devi Kamadhenu. She is widely venerated in Her earthly embodiment as the cow, a gentle animal, eternally loving and giving of herself like a mother. She is Gaumata, the mother (‘mata’) cow (‘gau’). Zoom in on that tender face and the luscious breasts beneath layers of gold and diamond necklaces. Her bovine form is layered over with gracious plumage, the tail-end of which rises high in the air above the crown on Her head.
Upon a flat-top upturned lotus pedestal stands Devi Kamadhenu. Her gentle hooves tread upon a surface of marble, the roseate teats between them ever ready to lend nourishment to those who need it. The soft whiteness of the medium and the shraddha within the heart of the artisan serve well the theme of the composition. This Devi Kamadhenu murti would be an unusual addition to your space, be it either home or office.
Kani shawl is one of the oldest handicrafts of Kashmir, since the time of mughals. These shawls are woven in Pashmina yarn. It is one of the costliest weavings that can be traced back to 3000 B.C; the intricacy of workmanship and the amount of labour required to create a single masterpiece is worth spending on.
One visible on this page is woven in extreme sincerity with multicolor flowers and paisleys all over and a thick vertical line border surrounds it. Whether for men or women, this unique masterpiece from Amritsar is made on Cashmere wool, obtained from Cashmere goat or Pashmina goat and represents a symbol of luxury and royalty.
Its varied dark and light shades highlight the woven patterns in equal richness, uniqueness and luxury. Kani shawls are identified by their geographical indications woven on it, as shown here, weaving of flowers and paisleys is symbolic of Kashmir’s colorful valleys and gardens; these shawls can be readily available in their original form in Amritsar as well.
The maidens standing underneath it are making slow, drawling conversation with each other. They are dressed in traditional embroidered lehengas, their long veils reaching all the way down to their ankles. Their sonorous bangles clink at their wrists as the waters pour forth from their pots into the flowering shrubs growing in painted clay pots. From their long black hair and those large, deep eyes, clearly the human silhouette is a rudimental one in traditional Madhubani art.
In fact, the gracious colour of gold predominates this work of art. Pale shapeless leaves are superimposed all over the pristine body of sculpted marble. Ample proportions of the metallic colour are to be found in the richly patterned panels of the neck and the body of the vase. The neck features bits of floral shrubbery and symmetrically arranged petals in a palette of gold and crimson, a regal combination of colours. Hints of lustrous silver stone-work add to the appeal of those panels.
While a similar panel is to be found towards the bottom of the vase’s body, its middle is superimposed with an ornate arrangement of gigantic crimson leaf on which rest delicate petals in contrasting jewel tones. The same is surrounded by a profusion of gold-and-jewel leaves, amidst which roost a pair of peacocks with plumage the colour of gleaming emeralds and rubies and bodies glittering like sapphires.
Kashmir is a remarkable beauty of its culture and traditions, also marked by colorful variety of flora; its dresses depict the heavenly beauty in their weave in varied forms and kinds. The long jacket shown on this page is woven by expert artisans of Kashmir in an exquisite combination of sterling silver and royal purple. The pure silk textile is created with self-slugged texture all over enhancing its tactile look and feel. Long jackets are one of the trademark luxuries of Kashmir, owning such a kind is a keen want of every fashionista out there. Its rich look and closure, gives a sense of warmth and elegance to the wearer and can be clubbed with jeans, jeggings or leggings.
Ari embroidery gains its starry importance from the Mughal times and continues to be one of the most popular form of embroidery; it is done by stretching the fabric over a wooden frame for neatness and accuracy. The sober embroidered flowers, paisleys and vines on this jacket beautify its look. Purple colored heavily embroidered band neck, long front border and the border at the hem of sleeves gives a rich contrast to silver fabric. It is a front open jacket having purple cloth buttons in the centre. This jacket can be worn on any get together with friends and family at any time of season. Grab this masterpiece before its gone!
The wife of Lord Trayambaka is clad in a deep scarlet-coloured saree. The peet-coloured (amber-coloured) blouse that She wears serves to reveal rather than conceal the feminine, life-giving proportions of Her torso. Over a head of gorgeous black hair is lain over the gold-bordered endpiece of Her saree. Her face framed by hoops of gold, She gazes ahead with wisdom and compassion writ large on Her face.
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