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Easy Returns
Return within 7 days of
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Fully Insured
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to ensure peace of mind.
100% Handmade
100% Handmade
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MADE IN INDIA.

Eight Medicine Buddhas (Brocadeless Thangka)

RM4254
Includes any tariffs and taxes
Only 1 available
Specifications
CAA651
PURE 24 CARAT GOLD, ACRYLIC PAINT
47.2 inch Height X 33.1 inch Width
Weight 400 gm
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Awaken Serenity and Healing

Transform your sanctuary into a haven of profound peace with a masterpiece designed to elevate your meditation practice. You will immediately sense the gentle, restorative energy radiating from every meticulously painted brushstroke of this sacred creation. It serves as an awe-inspiring focal point, inviting mindfulness and tranquility into your daily life.

Masterful Craftsmanship and Materials

Master artisans spend countless months channeling deep devotion into the meticulous application of pure 24-carat gold and vibrant acrylic paint. You will appreciate the breathtaking luminosity that the genuine gold leaf brings to the halos and delicate ornamentation. Rich pigments blend seamlessly to create enduring depth, ensuring a museum-quality standard of traditional Himalayan artistry.

Stately Presence and Composition

Commanding attention with an impressive 47.2-inch height and 33.1-inch width, the composition draws your eye effortlessly across the celestial landscape. You will marvel at the intricate iconography, where each healer is positioned to balance the surrounding ethereal elements. The grand vertical format magnifies the divine presence, filling your architectural space with sacred geometry and harmonious color.

Sacred Lineage and Symbolism

Rooted in ancient Vajrayana Buddhist traditions, the depiction honors the supreme healers who vanquish both physical illness and spiritual suffering. You connect directly with centuries of healing rituals as you contemplate the Lapis Lazuli master surrounded by his celestial council. Each accompanying figure embodies specific therapeutic vows, offering profound protection and holistic restoration to the devoted observer.

Harmonious Placement in Your Space

Hang this magnificent creation in your personal meditation room, executive office, or grand entryway to infuse the atmosphere with compassionate energy. You will find that soft, natural lighting causes the twenty-four-karat gilding to shimmer gently throughout the changing hours of the day. It bridges the gap between sophisticated interior design and deep spiritual devotion with effortless grace.

Preserving Your Sacred Investment

Protect your investment by keeping the canvas away from direct sunlight and excessive humidity to preserve the brilliant acrylics and gold leaf. You can gently dust the surface with a soft, dry artisan brush whenever necessary to maintain its pristine, luminous quality. Handcrafted with generational expertise, this revered artwork will endure as a treasured family heirloom for decades to come.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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