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Fully Insured
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100% Handmade
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MADE IN INDIA.

Kalachakra Mandala with Border (Brocadeless Thangka)

$1529
Includes any tariffs and taxes
Only 1 available
Specifications
CAA622
PURE 24 CARAT GOLD, ACRYLIC PAINT
35.4 inch Height X 35.4 inch Width
Weight 400 gm
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Sanctuary of the Cosmos

Transform your living space into a haven of profound spiritual energy with a breathtaking masterpiece designed to center your mind. You will find yourself instantly drawn into the intricate geometric harmony, inviting deep meditation and tranquil contemplation into your daily routine. Hang this vibrant creation where you seek peace, and let its mesmerizing symmetry guide your thoughts toward universal balance and inner stillness.

Masterful Artisanal Creation

Master artisans pour countless hours of devotion into rendering every single microscopic detail by hand with astonishing precision. You will appreciate the opulent use of pure 24 carat gold, which gleams softly against rich acrylic paint to create a stunning multidimensional effect. The meticulous brushwork reflects centuries of unbroken heritage, ensuring that no two strokes are ever identical.

Dimensions and Visual Splendor

Spanning an impressive 35.4 inches in height by 35.4 inches in width, command attention without overwhelming your curated interior design aesthetic. You will marvel at the vibrant palette of celestial blues, fiery oranges, and deep earthy tones that dance dynamically across the expansive canvas. The brilliant integration of pure metallic leaf catches the ambient room lighting, transforming the visual experience throughout the changing hours of the day.

Sacred Wheel of Time

Rooted in ancient Tibetan Buddhist traditions, the intricate composition represents the sophisticated cosmology of the Wheel of Time. You are gazing upon a visual map of the universe and the human psyche, designed to dissolve illusions and awaken primordial wisdom. Every sacred symbol and concentric ring carries deep mythological significance, echoing the eternal cycle of creation, preservation, and dissolution.

Harmonious Interior Placement

Elevate a grand foyer, a dedicated meditation room, or a sophisticated study by positioning this striking focal point at eye level. You will create an atmosphere of scholarly contemplation and serene luxury that immediately commands the respect of discerning guests. Pair the expansive piece with minimalist modern furniture or rich traditional woods to let the vibrant iconography truly breathe.

Enduring Legacy and Care

Preserve the luminous brilliance of the precious metals and rich pigments by mounting the artwork away from direct, harsh sunlight and excessive humidity. You can easily maintain the pristine surface by gently sweeping away dust with a soft, dry artisan brush whenever necessary. Cherish the investment as a timeless heirloom that will gracefully anchor your family’s spiritual and aesthetic heritage for generations.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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