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100% Handmade
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MADE IN INDIA.

Manjushri

$224
Includes any tariffs and taxes
Specifications
ZN01
Gilded Copper with 24 Karat Gold
Height: 8.5 inch
Width: 6.8 inch
Depth: 3.5 inch
Weight 1.90 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Manifestation of Wisdom

Behold a radiant representation of Manjushri, the Bodhisattva of transcendent wisdom, meticulously crafted in gilded copper and adorned with 24 Karat gold. This exquisite statue captures the essence of enlightenment and serves as a powerful reminder of the pursuit of knowledge.

The Bodhisattva of Brilliant Insight

In Buddhist iconography, Manjushri is a powerful and revered figure. He is often depicted wielding a flaming sword – the sword of discriminating wisdom – which cuts through the veil of ignorance and delusion that binds us to suffering. He is also frequently shown holding a Prajnaparamita Sutra, a scripture containing the core teachings of emptiness (sunyata), the very foundation of wisdom. This scripture represents the profound understanding that liberates the mind. The lotus flower that often accompanies Manjushri symbolizes purity of intention and enlightenment arising from the muddy waters of samsara. Manjushri is not merely a historical figure, but an archetype embodying the potential for wisdom within each of us. His practice is particularly significant in Tibetan Buddhism, where he is considered one of the 'Three Great Bodhisattvas' alongside Avalokiteshvara (compassion) and Vajrapani (power). Legends abound surrounding Manjushri. It is believed that he dwells on the sacred mountain of Wu Tai Shan in China, where he emanates countless manifestations to guide beings on the path to awakening. He is associated with improving intelligence, memory, and eloquence. Reciting his mantra, *Om Ah Ra Pa Tsa Na Dhih*, is believed to sharpen the intellect and promote a deeper understanding of Buddhist teachings. The *Dhih* syllable is itself a seed syllable representing wisdom.

Craftsmanship and Details

This statue is a testament to the skill and artistry of master craftsmen. The core is formed from durable copper. Every detail is carefully considered, from the serene expression on Manjushri’s face to the intricate folds of his robes. The statue is then gilded, a meticulous process where thin leaves of 24 Karat gold are applied to enhance the statue's luminosity and radiance. The result is an exquisite piece of art that will bring a sense of peace and inspiration to any space. Measuring 8.5 inches in height, 6.8 inches in width, and 3.5 inches in depth, this statue is ideally sized for display on an altar, desk, or shelf. It serves not only as a beautiful object but as a focal point for meditation and contemplation, reminding us of the importance of cultivating wisdom in our lives. This piece is a valuable addition for practitioners and collectors alike.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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